Big Windup! – Episode 15

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Hello folks, and welcome back to Wrong Every Time. Today we’re returning to Big Windup! in the heat of the action, as our boys attempt to defeat last year’s summer tournament winners in the very first round. As we enter the bottom of the first inning, Nishiura have already proven themselves a sharper team than their opponents expected; Izumi scored a clean base hit to start the team strong, and a sequence of sacrifice plays almost earned them an early run. Sadly, cleanup hitter Tajima was struck cleanly out, leaving our team without an advantage as they face their opponents’ first at-bat.

In pure state-of-play terms, that’s basically everything the last episode covered. But in terms of underlying strategy, the episode proved a feast of subtle back-and-forth, as our batters and the opposing battery felt each other out, probing for weaknesses while attempting to conceal their own. Asa Higuchi’s manga is closely attuned to both the mechanical and psychological conflicts concealed within baseball’s drama, and Tsutomu Mizushima is the perfect choice for articulating such conflicts in motion, having demonstrated through works like Girls und Panzer his mastery of visually conveying tactical drama. Seeing Nishiura in action is like watching a kite we’ve loving crafted first take flight, and I’m eager to see how high they can soar. Let’s get back to the action!

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Winter 2025 – Week 6 in Review

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Hello folks, and welcome on back to Wrong Every Time. We’re now roughly halfway through the winter season, and I’m happy to report that I’ve actually been catching up on BanG Dream! Ave Mujica, having screened and written up its first four episodes over the last week or so. It’s certainly more of a fantastical melodrama than MyGO, but still exceedingly entertaining in its own way, pitting girls who need even more emotional guidance than Tomori or Soyo against bandmates who give even fewer shits than Anon or Raana. The results are as disastrous as you might expect, leaving me with a disorienting psychological crime scene to sort through. I’ve also of course made time for a scattering of variable film screenings, ranging from recent blockbusters to delightful mid-century adventures. Let’s break ‘em down!

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Ojamajo Doremi Sharp – Episode 14

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Hello folks, and welcome back to Wrong Every Time. Today I thought we’d take a stroll down to Maho-dou and check in on the ojamajos, who are surely getting up to some preposterous trouble even as we speak. I mean, the last episode saw Doremi considering marriage to a philandering cowboy entirely so she could consume his herd of cows, an engagement that was only thwarted by her learning they were actually dairy cows. Our girls are not exactly the paragons of selflessness and maturity you might expect from magically empowered guardians – they’re just messy, frequently misguided kids, for whom magic is just as often a source of calamity as a solution to it.

Of course, that’s precisely what makes Ojamajo Doremi so compelling. Its characters are multifaceted and self-defeating in ways that don’t just make for great comedy (and excellent faces), but which also demonstrate the actual, unvarnished process of growing up and attempting to find your place in the world. They clash and dream with relatable pettiness and ambition, making their ultimate attempts to make right and help others an example all can aspire to. It is the messy characters who hang closest to our hearts, for there is nothing more human than messing up, and nothing more admirable than seeking kindness in spite of our foibles, than picking ourselves up and trying again. Let’s see how these girls mess up next!

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Frieren: Beyond Journey’s End – Episode 8

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Hello folks, and welcome back to Wrong Every Time. Today I figured we’d stop in with Frieren and the gang, and see how their journey towards the land of departed souls is progressing. When last we left off, the team had run into a snag in the northern territories, with Frieren ending up imprisoned due to her unwillingness to make nice with demons. Unfortunately for everyone, it has since been made clear that Frieren was actually right to distrust, as apparently the illusion of civility is simply a garb demons adopt in order to lower the guards of their enemies.

In the abstract, this style of “humanity’s enemies are inherently evil” worldbuilding has fallen out of fashion in recent decades, for understandable reasons. Intelligent races that are “born evil” simply don’t tend to facilitate interesting stories, and instead naturally evoke a sort of “we are right to conquer the savage natives” colonial queasiness. Robbing cultural clashes of their moral complexity is a dicey proposition, so I’m hoping this particular choice dovetails in some meaningful way with Frieren’s thoughts on aging and legacy, the realms in which it truly shines. Let’s see how our sleepy elf is getting on!

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Scum’s Wish – Episode 10

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Hello folks, and welcome back to Wrong Every Time. Today we return to the clusterfuck of emotional torment that is Scum’s Wish, as Hana returns from an alleged “heartbreak trip” designed to help her get over her feelings for her teacher, now that she finally mustered up the courage for her doomed confession. Of course, this is Hana we’re talking about, so that grieving process was here combined with a fresh set of entreaties towards her long-suffering friend Ecchan, who she refused to either let in completely or break cleanly away from. As such, both of them remain stuck in a painful limbo, with Hana promising to “wait until Ecchan is ready” to draw closer, ensuring neither of them can properly move on.

That’s how it tends to go in this lovelorn production. And frankly, speaking of “love” in the context of Scum’s Wish seems inappropriate; for if any of these characters are in love with anything, it is more likely their own egos than their various would-be paramours. Hana loves the feeling of being wanted and cared for, the feeling of possessing another, and the sweet anguish of lacking either; her feelings towards her peers are superficial, but her feelings about those feelings are rich and nourishing, enough to sustain an entire inner universe of imagined intimacy.

To this utterly misguided heroine, seemingly starved for love but in truth starved for perspective, our last episode offered an unexpected guide: her onetime rival Moka, who urged her to take a minute and smell the flowers (or savor the Danish, as the case may be). Hana’s feelings of romantic longing are all-consuming specifically because she has let them consume her, because there is nothing in her life but this desire to be wanted. Hana needs to learn who she actually is on her own, what Hana herself enjoys and cares about, beyond how such interests might affect her relationship with her various would-be soulmates. Let’s find out if Hana can Get A Life as we return to Scum’s Wish!

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Winter 2025 – Week 5 in Review

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Hello folks, and welcome back to Wrong Every Time. This week saw me finally breaking ground on the current anime season, as I screened the first two episodes of MyGO followup Ave Mujica in quick succession. While the show is certainly more broad and melodramatic than its predecessor, it’s also extraordinarily entertaining, showing that MyGO’s writer/director team are just as confident with this sort of operatic theater as they are with MyGO’s quieter pleasures. We’ve also been munching through the Ramayan, and have at this point reached the big action-adventure core of the series, when Ram’s wife Sita is stolen and he must square off with the demons who’ve claimed her. It’s a pleasure as always to see such a formative, archetype-defining text in motion, and it’s serving as a fine compliment to our Armored Trooper Votoms excursions. But let’s forget all that business, for today I bring you a selection of fresh films, plucked directly from my towering film review buffer. Let’s break ‘em down!

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BanG Dream! Ave Mujica – Episode 1

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Well folks, it’s finally happened. Just a year and change after the conclusion of the fantastic BanG Dream! It’s MyGO!!!!!, we have arrived at the long-awaited/dreaded debut of Ave Mujica, the gothica-drenched followup to the adventures of Tomori and friends. While Tomori took the breakup of her beloved band CRYCHIC as an opportunity for personal growth, and ultimately drew together four fellow “lost girls” into the symbol of persistence that is MyGO, Sakiko has apparently spent the interim dedicating herself to becoming as mentally unwell as possible, and has now resurfaced in a lace mask and corpse paint on a stage that looks suspiciously like a sacrificial altar. You guys here for a good time? Ready to party? Too bad, wrong fucking band. We’re here to have a bad time.

So yes, I am pretty darn excited. With both director Kodai Kakimoto and series composer Yuniko Ayana returning from MyGO, I have every expectation that Ave Mujica will maintain its predecessor’s playful elegance of cinematography and richness of character drama, offering a new tangle of expectations, allegiances, and one-sided grudges to furnish its melodramatic performances. And given the maximalist aesthetic of Ave Mujica itself, I’m confident that constancy of execution will extend as well to MyGO’s just-barely-tongue-in-cheek tone, allowing us in the audience to fully sympathize with its characters while still finding humor in their self-important histrionics. Is the night of Sakiko’s liberation at hand? Let’s find the fuck out.

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Yuri is My Job! – Episode 6

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Hello folks, and welcome back to Wrong Every Time. Today I’m eager to return to Cafe Liebe, where it seems Hime and Mitsuki might well be on the verge of an emotional breakthrough. Though Mitsuki is still frankly terrible at expressing herself outside of the formalized confines of Cafe Liebe’s performance, Hime’s declaration that she would “never betray Yano” clearly got through to her, affirming the doubts she was already possessing regarding how their first friendship ended. And in spite of not understanding Mitsuki’s admittedly vague statements, Hime can see the change in her as well, and is beginning to embrace her own genuine emotions.

Of course, genuine emotions are difficult to express at Cafe Liebe, where every idle passion is formalized into a rigid dance, and every statement of longing must meet the approval of a judgmental audience. In its systems of hierarchy and rejection of anything betraying convention, Liebe has turned the once-freeing context of yuri drama into its own form of social confinement, with the online comments of attendees now serving the role that Hime’s classmates performed in grade school.

Transgressive art breaks boundaries and allows unlimited personal expression, but transgressive art turned into an industry (or worse, a fandom) becomes an institution with strict expectations and inarguable internal rules. Mitsuki briefly found solace in the reliability of these rules, but she’s now discovering the feelings she bears towards Hime do not necessarily fit within the interpretation of love demanded by Cafe Liebe. Can Hime save both her relationship with Mitsuki and their performance as Schwestern? Let’s find out!

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Trigun Stampede – Episode 4

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Hello folks, and welcome back to Wrong Every Time. Today I’m eager to return to the sand-blasted wastes of Trigun Stampede, as our reluctant hero and his companions suffer the fallout of Knives’ calamitous appearance. The two brothers are opposing reflections; Vash sees himself as no more than a rootless drifter, but cannot help cherish and protect the lives of those he meets, while Knives sees himself as a new god, and the humans of this planet as no more than supplicants and sacrifices. Even while falling from heaven, we can always make a choice; while Vash has become a reluctant savior, Knives has clearly decided it’s better to rule in hell than serve in heaven.

I’m intrigued to see both how this metaphor is carried forward, and also simply how the main cast interact in the wake of these revelations regarding Vash’s nature. Additionally, having munched through the entire original Trigun adaptation in the time between Stampede viewings, I’m all the more curious to explore this rendition’s twists on the original formula. The two shows are so different that they basically fall into distinct subgenres; the original Trigun was far more episodic, and actually revealed even less of Vash and Knives’ history in its entire run than this version has in the first three episodes. That means whatever’s coming down the line will still be new to me, and given how generous this production’s been so far, I can’t wait to greet it. Let’s get back planetside!

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Winter 2025 – Week 4 in Review

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Hello folks, and welcome back to Wrong Every Time. With the winter season now solidly underway, we’re finally reaching the point where we can separate meaningful contenders from first-episode pan flashes, a process that so far seems to be indicating this is an entirely sequel-centric season. We’ve got 100 Girlfriends, Ave Mujica, and The Apothecary Diaries, the third of which I have at this point heard enough about from enough reliable sources that I’m actually getting curious. Of course, I’ve also still got plenty of Armored Trooper Votoms to get through, and have recently started the ‘87 TV adaptation of the Hindu epic Ramayana, which my housemate first watched as a kid. So yeah, eclectic mixture of media at the moment, and I’m having a delightful time with all of it – including these fine film features below, which I have hand-selected for your latest Week in Review. Let’s get to it!

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