After a pair of years that saw the world trapped in pandemic-driven stasis, I suppose it’s only fitting that 2022 would rally back as an Everything Happens So Much sort of year. That’s fine by me though; it’s been a tough run through these last few winters, and where I once would have felt anxious about how everything inevitably changes, I’m starting to think it might not be so awful. Twitter might now be ruled by an idiot child king, but I’m also feeling more invigorated about anime viewing than I have in years, so hey; you take the good with the bad.
Winter 2023 – Week 1 in Review
Hello folks, and welcome back to Wrong Every Time. Somehow a new year is upon us, and I hope you’re all doing your best to reckon with that fact in whichever way renders it least existentially terrifying. Personally, I’ve been far too busy to stand aghast at the march of time – the last week has seen me racing to catch up on all the past year’s finest productions, and hopefully pull together a quasi-timely Year in Review. But don’t worry about that diminishing your usual Week in Review spoils; I’m sitting on a healthy buffer of film reflections at the moment, and have hand-picked a group of reflections that range from the conclusion of our Naruto filmography project to Ted Raimi getting his face caved in. Let’s ring in the year’s first Week in Review!
Star Driver – Episode 13
Hello folks, and welcome the heck back to Wrong Every Time. Today I am beyond eager to dive back into Star Driver, because goddamnit, what is happening in this show!? The last episode saw the narrative seemingly tensing for a whole-scale board flip, with Kanako demonstrating the variable subfactions and distinct priorities within Kiraboshi, even as Sugata slipped ever closer towards proud villainy. Having shifted from just sort of being a generally creepy guy to receiving private lessons on arrogance from Head, it’s clear that Sugata is now headed down a dark road; even if he’s currently using the King’s Pillar simply to assist Takuto, I can’t imagine he’ll stop there. After all, as Head says, power is gifted by the gods, and the gods intend us to use our gifts.
Meanwhile, the drama of both Kanako’s makeshift family and the You sisters is demonstrating a variety of awkward fault lines both within and adjacent to the Kiraboshi organization. Both Kanako and Marino seem more dedicated to protecting their loved ones than progressing the organization’s central cause, so I’m hoping we might see some defections in the near future, which could shed some light on how this organization came to be. Regardless, with Igarashi and Enokido at the helm, I’m sure we’re in for a fun and fascinating time. Let’s get to it!
Hope and Wonder in Girls’ Last Tour
Since its beginning, Girls’ Last Tour has been a story about coming to terms with the end of things. Its very title points to the finality of this journey, preemptively putting to rest any thoughts of surviving beyond the apocalypse. Most stories find their characters rallying against fate with all their might, hoping to change their very destiny. There is no such hope of upending fate here; Girls’ Last Tour knows its characters’ destiny, and is instead focused on the more intractable conflict of how you comport yourself when you know things are ending. When the hubris of assumed immortality is stripped away, what defines us as fundamentally human? When we cannot be comforted by the endurance of our legacy, what else do we have left?
The Demon Girl Next Door S2 – Episode 3
Hello everyone, and welcome back to Wrong Every Time. Today I am happy to report that we’re diving back into The Demon Girl Next Door, and continuing the squad’s investigation of Sakura Chiyoda. Their attempts to trace Sakura’s final known activities have reaped both strange rewards and further mysteries, with the biggest victory so far coming in the form of Momo’s newly acquired Combat Fork. An apparent relic of her father’s, its appearance at Mikan’s old family factory seems to draw a line between Mikan, Sakura, and the fate of Shamiko’s dad. But what could it all mean?
Well, I’m sure these mysteries will unveil themselves in time. As you might have guessed, I’m more intrigued by how these developments will impact the story on a personal and thematic level, rather than that of pure plot. The fact that Shamiko only heard a voice guiding her to the fork after thinking back on a time when Momo seemed happy feels significant; after Momo spent so much of the first season looking after Shamiko, developments like Momo’s move to Banda Terrace seem to be leveling out their relationship, and giving Shamiko more opportunities to take care of Momo instead.
All of this serves as a direct challenge to one of Momo’s greatest weaknesses: her inability to admit weakness, or to accept the help of others. As such, Shamiko’s acquisition of the Combat Fork feels like a validation of both her personal progress in becoming someone who can support Momo, and also an illustration of how Momo is becoming more willing to be supported, and not take all the weight on herself. I expect we’ll be seeing more negotiation of their evolving dynamic in the wake of this victory, and I’m eager to get to it. Let’s return to The Demon Girl Next Door!
Fall 2022 – Week 13 in Review
Hello folks, and welcome back to Wrong Every Time! Today we celebrate the very last Week in Review of 2022, a year that has seen me consuming as many films as possible in my quest for genuine cinematic literacy. Granted, I’ve leaned heavily towards the horror and fantasy productions that my overall house tends to favor, and also complimented that with plenty of “whatever’s on Netflix” watches that I wouldn’t inflict on anyone, but there were still plenty of classics in the mix as well. From Sorcerer to Fitzcarraldo to Tokyo Story to Suspiria, I feel like I’m actually starting to solidify a list of favorites that actually represent what I love in art, and look forward to continuing this journey with you all over the year to come. For now, let’s sift through the cinematic spoils of the holiday season, as we charge through the year’s last Week in Review!
Spy x Family – Episode 11
Hello folks, and welcome the heck back to Wrong Every Time. Today I’m eager to return to the preposterous drama of Spy x Family, which most recently blessed us with its funniest goddamn episode so far. Anya’s high-stakes volleyball game was a symphony of playful animation and outrageous punchlines, elevating the manga’s excellent comedic fundamentals with generous visual embellishments at every turn. It was intelligent in its pursuit of humor in ways both subtle and obvious; sometimes a joke would emerge simply from the camera’s framing relative to Bill Watkins, and sometimes it would stem from the luxurious executed anticlimax of an incredible power-up animation leading into a super-deformed faceplant.
The episode was so funny that I didn’t even mind that it was only funny, with no real family drama to speak of. I often struggle to maintain interest in pure gag comedies, and tend to require some sympathetic human element to supplement the appeal of a comedy-centered production. For twenty minutes of lunacy, Spy x Family’s last episode proved the exception to that rule, and if this is a sign of Tatsuya Endo gaining more confidence in his writing, I can only imagine what madness lies ahead. Let’s dive back into Spy x Family!
Fall 2022 – Week 12 in Review
Hello folks, and welcome back to Wrong Every Time. It seems we’ve arrived at the year’s penultimate Week in Review, and I’m still hard at work catching up on the year’s top shows. I’m only a couple episodes back on Chainsaw Man, and have finally started Orbital Children, but I’m probably gonna have to schedule some sort of all-day marathon for catching up on Mob Psycho 100. Oh dear me, three straight hours of inventive art design and gorgeous animation, what a burden. My own good problems aside, we also munched through a respectable pile of films this week, with our choices ranging from noir classics to some of the most unintentionally hilarious slices of propaganda I’ve ever witnessed. Let’s dive right into the Week in Review!
Bocchi the Rock! – Episode 1
Hello folks, and welcome the heck back to Wrong Every Time. Today I am excited to announce that we are embarking on a new journey, and exploring a show that has been lighting up the internet for the last few months. That’s right, it’s time to check out Bocchi the Rock!, wherein social anxiety meets musical passion with hilarious results.
In a season that by all rights was destined to be dominated by Chainsaw Man, Bocchi has gone above and beyond in distinguishing itself, offering an impressive mix of thoughtful direction, impressive character acting, and regular feats of imaginative animated fantasy. Though I checked out the first episode near the beginning of the season, I’ve since then merely been admiring its theatrics via the excerpts posted by friends, and am eager to see for myself how all this nonsense comes together. Additionally, I also love performing music and frequently suffer from overwhelming social anxiety, so I’m sure there’ll be plenty to dig into on a more personal scale. Let’s quit with the rambling and get with the rocking then, as we explore the thunderous misadventures of Bocchi the Rock!
Star Driver – Episode 12
Hello everyone, and welcome back to Wrong Every Time. Today we’re going to be continuing our examination of the fascinating Star Driver, which as of now appears to be settling into the rhythm of its second act. After a tumultuous climax wherein Sugata first activated his King’s Pillar, the show rapidly shifted gears, introducing first Mizuno and then Marino as fresh dramatic irritants. But now that both sisters have been reasonably established, it seems we’ve reached a point of relative stability, allowing for the reintroduction of more tangential side stories like last episode’s Simone vignette.
Still, it’s clear that larger forces are rearranging themselves beneath our surface drama. Last episode’s most potentially consequential moment was undoubtedly the meeting between Sugata and former Kiraboshi leader Head, wherein Sugata’s misgivings about his power were ameliorated by Head’s assurance that “talent is bestowed on us by the gods for a reason. To not use it might be a sin.” These words gave Sugata the confidence to activate the King’s Pillar during the ensuing battle, which was lucky for Takuto at the time, but will likely incur more significant long-term consequences. The flipside of “talent is bestowed on us by the gods for a reason” is “my actions are righteous because I am a chosen vessel of god,” which aligns alarmingly well with both Sugata’s self-righteousness and his preordained role in this island’s ritual structure. Takuto and Sugata were able to settle their differences with some old-fashioned roughhousing last time, but with Head whispering flattering devilry in his ear, I imagine there’s trouble in store for our core trio. Let’s check it out!