Oregairu S3 – Episode 2

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After two long seasons of internal struggle, Yukino has made a decision. She cannot keep relying on the patience of her mother to maintain a double life, and simply avoid the family for as long as possible – she values her chosen life enough to fight for it, even if it means open confrontation with the family she fears. She’s spoken honestly with her friends about her feelings, and also about the potential consequences of this choice; but Yukino is Yukino, and if she didn’t approach this problem with the honor and forthrightness she approaches everything, she’d be lying to herself.

In structural terms, Oregairu’s three seasons have conformed relatively neatly to its three leads – Yui thanked Hachiman and helped solidify the group in season one, Hachiman admitted to his desire for honest friendship in season two, and now Yukino must reckon with her family, a task that promises to be the most difficult of all. But she knows now that she’s not alone, and though I’m sure we’ve got some painful episodes ahead of us, I’m eager to see this crew tackle them together. Let’s return to the fantastic Oregairu!

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Fall 2020 – Week 4 in Review

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I’ve got episodic articles on both Oregairu and Adachi and Shimamura coming, so it was back to the film grind this week, as I explored a pair of intermittently effective comedies and one genuine horror classic. To be honest, this week was one of those “I watched what my housemates were watching” installments – I picked American Werewolf myself, but I watched both these comedies because someone put them on in the background while I was grinding Hades again. Did I mention I like Hades? I’ve beaten the game’s ostensible campaign over fifty times now (current best time: 18:23), but I’ve still got quests to complete, challenges to overcome, powers to unlock, and relationships I’m progressing purely because the game’s characters and dialogue are so dang good. So yeah, the specter of the Hades grind is still haunting my weekly productivity, but I did my best to fit in some media criticism in the margins. Without further ado, here’s the Week in Review!

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Why It Works: What Are the Fundamentals of Great Horror Anime?

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This week in Why It Works, I capitalized on Halloween’s approach to write a general article about how tricky it is to make animation scary, and what tools of the medium you can use to alleviate that inherent obstacle. It’s difficult to make an audience scared of an animated monster, but it’s certainly possible to make the audience feel trapped, and from there they’ll frequently do the work themselves. Let’s get to it!

What Are the Fundamentals of Great Horror Anime?

Bodacious Space Pirates – Episode 8

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Hello everyone, and good to see you back at Wrong Every Time. Today I’m eager to return to Bodacious Space Pirates, as it feels like we’re at last settling into the daily rhythm of Marika’s new life, and thus have finally been assigned a mission outside of the usual smash-and-grab performances. Well, I say “assigned,” but in truth Marika’s actually dealing with a stowaway, a young girl who apparently smuggled herself off the last cruiser full of under-stimulated vacationers. But either way, her arrival likely marks the end of Marika’s transition phase, and the beginning of her true captaining career.

It certainly seems like the right time to me. These last two episodes have been greatly instructive in terms of fleshing out the day-to-day nature of pirating in Marika’s universe, but they haven’t given Marika much of a chance to express her own approach to captaining, or given us all that much insight into Marika’s new teammates. Bodacious Space Pirates’ ability to lightly build up an ensemble cast through bridge chatter is one of its strengths, but I’d like to see Marika actually developing some trust with her crew, and this seems like a fine opportunity. Whatever challenges await, the bay doors are opening, and the sea of stars is shimmering ahead of us. Let’s get to it!

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Pokemon Sun and Moon – Episode 26

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Hello everyone, and welcome back to Wrong Every Time. Today I’ll hope you pardon me for engaging in what has become one of my favorite traditions around here, by rambling my way through another episode of Pokemon Sun and Moon. Traditionally, this would be the week where I’m frantically rushing through new premieres, suffering through the worst indulgences anime has to answer for, and ultimately doing things like jogging in place or jumping jacks while watching, purely to stave off the onset of full brain death.

Instead, I’m not doing that. Due to the support of you folks, I can now mostly spend my time working on projects I enjoy, tackling shows I’d appreciate even if it didn’t pay my bills. Sun and Moon is one such show, and I’m eternally grateful to you all for letting me celebrate shows like this every day. Without further ado, let’s see what Ash and his friends have been up to on the shores of Alola!

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Symphogear AXZ – Episode 10

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Hold onto your hats folks, we’re barreling back into SYMPHOGEAR! Season four’s last two episodes have more or less acted as a mirrored pair, and I’m fully expecting this one to complete the set. First off, Chris and Maria faced off against Cagliostro, obliterating my favorite alchemist in a blast of collaborative fury. Next, Tsubasa and Shirabe teamed up, dueling Prelati in a high-speed highway chase. At this point, we’ve only got two more wielders and one more member of the original alchemists – so if our trajectory is anything to go by, we’re in for a fight between Hibiki, Kirika, and Saint-Germain herself.

It’s clear at this point that AXZ is attempting to resolve a character writing issue that emerged last season: the lack of any genuine relationship between several members of the main team. Maria and Tsubasa quickly became a pair, and Chris happily embraced a big sister role relative to Shirabe and Kirika, but characters like Shirabe and Tsubasa had never shared a conversation, much less a point of genuine emotional connection. Through the “Fool’s Stone” and its subsequent training, AXZ has found a narrative excuse to rectify this character writing issue – now, all the main characters truly must get to know each other, because their strength in battle depends on it.

Ultimately, I feel like this whole process stands as an affirmation of Symphogear’s fundamental appeal: world-destroying threats will come and go, but the charming bonds between these leads are the core of this show. I’m happy this season has contrived a reason to expand those bonds, and eager to see Symphogear’s most genki characters explore their own friendship. Let’s get to it!

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Fall 2020 – Week 3 in Review

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Hello everyone, and welcome back to Wrong Every Time. You’ll be pleased to hear I continued checking out some genuine new anime this week, tackling Adachi and Shimamura, Love Live! Nijigasaki, and whatever else I’ll have managed to sneak in before this article’s post date (editor’s note: it was nothing, he watched nothing else). At the same time, I was happy to chew through some more noteworthy live action films, and once again enjoy that weird sensation of watching something that you know must have been formative for the stuff that was formative for you. Our life experiences and personalities are intrinsically tethered to the media that has spoken to us over the years, so it’s always an odd sensation to meet the aunts and uncles of our childhood idols – but also thrilling, as we begin to understand the long lines of influence stretching across media, drawing us closer to meaningfully contributing to that chain. So yeah, the great astral tether of media inheritance, all today in the Week in Review!

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Adachi and Shimamura – Episode 1

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Hello everyone, and welcome back to Wrong Every Time. Today I’ll be continuing with my unexpectedly timely episode notes, as we explore the premiere of yet another airing show: Adachi and Shimamura.

At first glance, Adachi and Shimamura looks like precisely my sort of thing: a delicate, intimate character drama, elevated through precise character acting and a keen understanding of conversational nuance. You could with some accuracy call this the “Kyoto Animation Formula,” but KyoAni hardly have a monopoly on productions like this, and from Wandering Son to Bloom Into You to After the Rain to Just Because to Stars Align to… well, as you can see, I’m a fan of the genre.

Beyond its general genre space, Adachi and Shimamura’s key staff also seem reasonable enough. Director Satoshi Kuwabara doesn’t have any big hits to his name, but his history reveals enough storyboarding and art director credits to make it clear he understands the importance of staging and cinematography, rather than being a fully management-side leader. More promisingly, series composer and scriptwriter Keichiro Ochi has precisely the type of experience I’m looking forward: a massive number of scripts contributed to Oregairu, which is one of the best-written shows of the last ten years. Without further ado, let’s explore the first episode of Adachi and Shimamura!

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Pokemon Sun and Moon – Episode 25

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Hello everyone, and welcome back to Wrong Every Time. I hope you’ve been having a nice day so far; personally, I stayed up far too late last night with some friends, and so I’m now hopelessly behind schedule on today’s work. That’s alright though, because I was already planning on treating myself to some Sun and Moon, and frankly can’t feel stressed while watching Pokemon regardless of my other temporal circumstances. Devastating Nyabby episodes aside, Sun and Moon is an emotional oasis, and so I hope you join me as we all chill out and enjoy some relentlessly pleasant cartoons. Without further ado, let’s slip back to the beaches of Alola!

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Wandering Witch – Episode 1

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Hello everyone, and welcome the heck back to Wrong Every Time. Today I am going to be attempting the impossible, by watching the first episode of a show while it is still actively airing, and thereby creating an article that might be of interest to anyone outside of hoary anime archivists. I know offering timely, relevant criticism of ongoing media is a little outside my wheelhouse, but I’m gonna try it this week, and we’ll see how it goes from there.

Anyway, today’s topic of note is Wandering Witch, one of Fall 2020’s most promising prospects. Running down the key staff, we’ve first got director Toshiyuki Kubooka, who has few overall directorial credits to his name, but plenty of impressive attributions nonetheless: animation director on Gunbuster, storyboards on Giant Robo, and a fair few other notable highlights. Kubooka’s work on Gainax and Mitsuo Iso productions might well have introduced him to the show’s art director, Hiroshi Gouroku; meanwhile, series composer Kazukuyi Fudeyasu has an encouraging sprawl of credits to his name, including JoJo, Monster, and Land of the Lustrous. I don’t really know anything about this property itself beyond its reasonably pleasant previews, so let’s not waste any more time, and see what Wandering Witch is all about!

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