Tag Archives: Anime

Monogatari Off/Monster Season – Episode 3

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Hello folks, and welcome back to Wrong Every Time. Today we’re returning to Monogatari’s rambling Off Season, as Nadeko does her best to hunt down her unruly past selves. Having embraced Yotsugi’s dubious suggestion of enlisting her own former identities to jumpstart her manga production, she is now in the unenviable position having to wrangle four rebellious Nadekos, each of them representing some version of herself she had hoped to leave behind her.

This is an unfortunate situation for certain, but as far as Monogatari goes, it’s not exactly an unusual one. Here, apparitions are not monsters to be defeated in glorious combat, but aspects of the self that prompt anxiety or self-loathing, emotions and personas that we’d rather deny or forget. You cannot defeat such phantoms by ignoring them – you must embrace the truth within them, accept that they are in some way a part of you, and thereby move past them, equipped with a fuller and more forgiving understanding of your own identity. Just as Hanekawa embraced her “sisters” and Araragi saved Ougi, Nadeko must accept the truth that personal reinvention is a slow, aspirational process, and that there is still something to love and learn from in her wayward past selves. And to start that process, we’re going to have to go right back to the beginning, to the meek Nadeko we first met and the school that was her nemesis!

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Sol Bianca: The Legacy – Episode 2

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Hello folks, and welcome back to Wrong Every Time. Today we’re stepping back into Sol Bianca: The Legacy, a six-episode OVA from the tail end of the twentieth century, and the sequel to a never-concluded predecessor from the early ‘90s. Anime’s direct-to-video era is littered with such artifacts, series that were cut short either by disappointing sales or staff exodus, leaving only fragmentary segments of ambitious, beautifully realized fantasy in their wake. Works were smaller in scale yet greater in implication; in an era largely given over to franchise replication, a landscape dominated by such lingering absences feels strangely alluring.

Anyway, context aside, Sol Bianca’s first episode introduced us to the titular ship and its crew of apparent bounty hunters, on the hunt for a pistol scavenged from the ruins of Earth. Along the way, they ran afoul of the ambiguous Terra Force, and ultimately picked up a young girl named Mayo with a mysterious past, who claims her parents await on the long-lost ruins of Earth itself. Thus the stage is set for a grand pilgrimage, one overtly framed in the context of Abraham’s journey to Canaan. Whatever awaits, I’m looking forward to more of this production’s sumptuous art design. Let’s get to it!

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The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You – Episode 11

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Hello folks, and welcome back to Wrong Every Time. Today we are in for some absolute nonsense, and that’s even by the already-nonsensical standards of 100 Girlfriends’ usual fare. Having infiltrated Hakari’s house in order to rescue her from her tyrannical mother, Rentaro was eventually brought face-to-face with the tyrant herself, the imperious Hahari Hanazono. Then, after being thoroughly moved by her tale of love and loss, Rentaro tearily gazed into Hahari’s eyes – and realized that yes, she too is one of his destined soulmates.

So, both one of his fellow high schoolers and that girl’s own mother are going to end up in the Rentaro family, apparently. Well, we knew we were in for absurdity right from the start, and I suppose it’s only a small step from founding the Rentaro Family to that clan consuming other families entirely, enveloping both mothers and daughters in Rentaro’s boundless love. I have to admit, I wasn’t sure how this story was going to top the preposterousness of Kusuri’s whole deal, but they immediately found a way. God bless them, they found a way.

Anyway, enough marveling at how gloriously stupid this turn of fate is. Let’s admire the fallout!

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Agent Aika – Episode 1

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Hello folks, and welcome back to Wrong Every Time. Today we’re checking out a new production, as we explore the first episode of late-90s OVA Agent Aika. The show falls in a venerable tradition of fanservice-laden action-adventure projects that flourished following the widespread adoption of home VHS players, which allowed artists to bypass the strict standards of TV broadcasting, and create explicitly adult-aimed entertainment for the broadening anime market. Agent Aika director Katsuhiko Nishijima was basically a legend of this era, having directed the similarly horny Megami Paradise and Najica Blitz Tactics, alongside the monumental Project A-ko (from which I suspect Agent Aika derives its name).

Nishijima wrote, boarded, and directed this first episode, so we’ll clearly be seeing about as unfiltered an example of his aesthetic philosophy as possible. He is here complemented by frequent collaborator Noriyasu Yamauchi, who would work as character designer and animation director on a number of Nishijima projects, and still occasionally lends his AD talents to modern productions like Is It Wrong to Try to Pick Up Girls In A Dungeon (dear lord modern titling conventions are obnoxious). They are both essential figures of an oft-overlooked era in anime history, so I’m eager to get better acquainted, and Agent Aika’s tale of post-apocalyptic ruin exploration sounds like a lovely place to start. Let’s get to it!

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Galaxy Express 999 – Episode 7

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Hello folks, and welcome back to Wrong Every Time. Today I am delighted to be returning to the somber yet fanciful Galaxy Express 999, a parade of cosmic wonders imbued with a keen understanding of humanity’s self-defeating nature. Tetsuro journeys across the galaxy in pursuit of a dream that seems to invite only ruin; stop by stop, he chronicles the wreckage of others who hoped to find meaning at the end of the line, their regrets as boundless as the stars in the sky.

Tetsuro’s last excursion neatly summed up the duality of Galaxy Express, as Tetsuro found himself marveling at the strange gravity and endless volumes of the Comet Library, only to nearly become imprisoned by overwhelming medical debt. These exceedingly timely trials point to the universality of Galaxy Express’s concerns; so long as we labor under capitalism and see technology as an escape from the drudgery of our daily labors, we will continue to dream false dreams, with even our ambitions confined within the cage of what the profit motive allows. No matter how beautiful the scenery looks at a distance, drawing closer will reveal those sacrificed for the ambitions of our jailors, the endless ranks of the damned on Mars, on Pluto, or praying to “at least take my child” from the clouds of the Comet Library. No matter how far we journey, the cruelty of this world built on exploitation remains. Can Tetsuro truly hope to travel beyond the greed of mankind? Let us find out together.

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Yuki Yuna is a Hero (Washio Sumi Chapter) – Episode 4

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Hello folks, and welcome back to Wrong Every Time. Today I announce with great trepidation that we are returning to Yuki Yuna is a Hero’s Washio Sumi Chapter, after three straight episodes that have been a delightful mix of group bonding and tactically grounded Vertex takedowns. If this were any other show, I’d at this point expect this is the tone we should assume going forward, and simply enjoy the charming vignettes shared by Togo, Gin, and Nogi. But this is goddamn Yuki Yuna, and what’s more, we know precisely the fate awaiting these girls down the line.

As such, Washio Sumi has instead been an exercise in ruthless dramatic irony, inviting us to learn and care about these heroes with full knowledge their journey will end in disaster. This unique perspective has played naturally into the sense of doomed cyclical inevitability represented by the Divine Tree system; it’s as if we’re watching Madoka Magica play out from Homura’s shoulder, certain this path will end in disaster, hoping against reason that catastrophe might be avoided. The original Yuki Yuna played like a senseless tragedy; this plays like a premeditated crime, a long con perpetrated against the most passionate and self-sacrificing among us. If Yuki Yuna is hoping to raise our hackles against the systemic abuse of the young facilitated by jingoism and organized religion, it is certainly succeeding. Good luck out there, girls!

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Big Windup! – Episode 15

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Hello folks, and welcome back to Wrong Every Time. Today we’re returning to Big Windup! in the heat of the action, as our boys attempt to defeat last year’s summer tournament winners in the very first round. As we enter the bottom of the first inning, Nishiura have already proven themselves a sharper team than their opponents expected; Izumi scored a clean base hit to start the team strong, and a sequence of sacrifice plays almost earned them an early run. Sadly, cleanup hitter Tajima was struck cleanly out, leaving our team without an advantage as they face their opponents’ first at-bat.

In pure state-of-play terms, that’s basically everything the last episode covered. But in terms of underlying strategy, the episode proved a feast of subtle back-and-forth, as our batters and the opposing battery felt each other out, probing for weaknesses while attempting to conceal their own. Asa Higuchi’s manga is closely attuned to both the mechanical and psychological conflicts concealed within baseball’s drama, and Tsutomu Mizushima is the perfect choice for articulating such conflicts in motion, having demonstrated through works like Girls und Panzer his mastery of visually conveying tactical drama. Seeing Nishiura in action is like watching a kite we’ve loving crafted first take flight, and I’m eager to see how high they can soar. Let’s get back to the action!

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Ojamajo Doremi Sharp – Episode 14

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Hello folks, and welcome back to Wrong Every Time. Today I thought we’d take a stroll down to Maho-dou and check in on the ojamajos, who are surely getting up to some preposterous trouble even as we speak. I mean, the last episode saw Doremi considering marriage to a philandering cowboy entirely so she could consume his herd of cows, an engagement that was only thwarted by her learning they were actually dairy cows. Our girls are not exactly the paragons of selflessness and maturity you might expect from magically empowered guardians – they’re just messy, frequently misguided kids, for whom magic is just as often a source of calamity as a solution to it.

Of course, that’s precisely what makes Ojamajo Doremi so compelling. Its characters are multifaceted and self-defeating in ways that don’t just make for great comedy (and excellent faces), but which also demonstrate the actual, unvarnished process of growing up and attempting to find your place in the world. They clash and dream with relatable pettiness and ambition, making their ultimate attempts to make right and help others an example all can aspire to. It is the messy characters who hang closest to our hearts, for there is nothing more human than messing up, and nothing more admirable than seeking kindness in spite of our foibles, than picking ourselves up and trying again. Let’s see how these girls mess up next!

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Frieren: Beyond Journey’s End – Episode 8

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Hello folks, and welcome back to Wrong Every Time. Today I figured we’d stop in with Frieren and the gang, and see how their journey towards the land of departed souls is progressing. When last we left off, the team had run into a snag in the northern territories, with Frieren ending up imprisoned due to her unwillingness to make nice with demons. Unfortunately for everyone, it has since been made clear that Frieren was actually right to distrust, as apparently the illusion of civility is simply a garb demons adopt in order to lower the guards of their enemies.

In the abstract, this style of “humanity’s enemies are inherently evil” worldbuilding has fallen out of fashion in recent decades, for understandable reasons. Intelligent races that are “born evil” simply don’t tend to facilitate interesting stories, and instead naturally evoke a sort of “we are right to conquer the savage natives” colonial queasiness. Robbing cultural clashes of their moral complexity is a dicey proposition, so I’m hoping this particular choice dovetails in some meaningful way with Frieren’s thoughts on aging and legacy, the realms in which it truly shines. Let’s see how our sleepy elf is getting on!

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Scum’s Wish – Episode 10

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Hello folks, and welcome back to Wrong Every Time. Today we return to the clusterfuck of emotional torment that is Scum’s Wish, as Hana returns from an alleged “heartbreak trip” designed to help her get over her feelings for her teacher, now that she finally mustered up the courage for her doomed confession. Of course, this is Hana we’re talking about, so that grieving process was here combined with a fresh set of entreaties towards her long-suffering friend Ecchan, who she refused to either let in completely or break cleanly away from. As such, both of them remain stuck in a painful limbo, with Hana promising to “wait until Ecchan is ready” to draw closer, ensuring neither of them can properly move on.

That’s how it tends to go in this lovelorn production. And frankly, speaking of “love” in the context of Scum’s Wish seems inappropriate; for if any of these characters are in love with anything, it is more likely their own egos than their various would-be paramours. Hana loves the feeling of being wanted and cared for, the feeling of possessing another, and the sweet anguish of lacking either; her feelings towards her peers are superficial, but her feelings about those feelings are rich and nourishing, enough to sustain an entire inner universe of imagined intimacy.

To this utterly misguided heroine, seemingly starved for love but in truth starved for perspective, our last episode offered an unexpected guide: her onetime rival Moka, who urged her to take a minute and smell the flowers (or savor the Danish, as the case may be). Hana’s feelings of romantic longing are all-consuming specifically because she has let them consume her, because there is nothing in her life but this desire to be wanted. Hana needs to learn who she actually is on her own, what Hana herself enjoys and cares about, beyond how such interests might affect her relationship with her various would-be soulmates. Let’s find out if Hana can Get A Life as we return to Scum’s Wish!

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