Tsuredure Children – Episode 7

After last week’s cumulative piece, my actual episodic Tsuredure Children writeups began in earnest this week, forcing me to find out if I actually can write full articles about twelve minute shows. There turned out to be no problems there, and in fact, Tsuredure Children’s four skit setup allowed me to do a pretty close read on what worked or didn’t across each comic bit. This should be fun!

You can check out my full review over at ANN.

Owarimonogatari Season Two – Review

At last, the Monogatari franchise comes to something resembling a close. We’ve already got confirmation of a ridiculous surplus of arcs still to come, but as for the story of Araragi’s adolescence, this is pretty much it. Owarimonogatari somehow managed to bring this sprawling narrative to a legitimately satisfying end, something I couldn’t help but marvel at throughout my review. This wasn’t my favorite set of Monogatari arcs, but I’m still very happy to see the show end strong.

You can check out my full review over at ANN, or my notes below.

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Summer 2017 – First Half in Review

Hey all, and welcome back to the Week in Review. With the summer halfway over, it’s time once again for one of this blog’s more pointless traditions – ranking my overall feelings on the summer’s offerings at the point where it’s least useful to actually make such a ranking. The meaninglessness of this exercise feels even more pronounced this season, since the number of shows I’m watching can be counted on a single hand. I don’t think that’s actually detrimental here, though – if anything, it actually just plays into the general silliness of the system.

That said, considering how little I actually am watching, I’ll still be supplementing today’s post with thoughts on the latest Game of Thrones and all that. I may be struggling mightily to fill my other columns in a season with nothing to watch, but that doesn’t mean you guys have to suffer. Let’s get to it!

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Casshern Sins – Episode 20

Let’s get back to Casshern Sins. We’re coming off a pair of Lyuze-focused episodes at the moment, where she ultimately confirmed both her feelings for Casshern and her own will to live. It’s been interesting to get such a deep dive into Lyuze’s feelings this late into the narrative, but it makes sense – having spent the first half of the series blessed with the certainty of hating Casshern, she’s only now forced to reckon with the ambiguity of an open, even possibly hopeful future. The power of certainty, of giving yourself up to a cause or a god or just a personal goal, is a real and almost physical thing in Casshern Sins. Those that can raise their eyes to the horizon and see something worth seeking endure – those that lose hope fall to Ruin. Lyuze had to trade the certainty of vengeance for an uncertain hope, but she can see a real future now. I hope she makes it through.

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Why It Works: The Soul of Horror in Shiki

With Crunchyroll having just picked up Shiki’s streaming rights, I felt it was pretty much required for me to write an article hyping the show. Shiki’s one of my all-time favorites, and also one of the shows that’s least-known among those favorites. The show winds up being one of the smarter “ugly nature of mankind” shows I’ve seen in anime, but its immediate strengths were more my focus for this article. Check it out!

Why It Works: The Soul of Horror in Shiki

Chihayafuru – Episode 8

We’re back with more Chihayafuru! The last episode was very likely the strongest episode of the show to date, merging an excellent character introduction with some desperately needed Taichi development. Taichi had really gotten the short straw up until that point, being forced to act as the third tag-along pillar of a Destined Romance that had constantly presented Chihaya and Arata as fated partners. Seeing him articulate his frustration about his lack of talent, and also legitimately earn a win off Chihaya, was a very satisfying experience. And with four members in the bag, we now only need one more signee to make the karuta club real. Let’s get right to it!

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Summer 2017 – Week 5 in Review

The hits just kept coming this week, a week that answered the desperately unnecessary question “what happens when you’re only watching a couple shows and even those aren’t very good.” This wasn’t exactly a bad week in anime, but when your season is already dangling by a thread, you can’t really afford to have lukewarm performances. The show that overperformed this week was Game of Thrones, so I guess that’ll once again be tying the whole Week in Review room together. We are living through some desperate times here, but I’m gonna fill that goddamn word count somehow.

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Tsuredure Children – Episodes 1-6

Welp, I guess I’m reviewing Tsuredure Children weekly now. With the season being what it is and Symphogear streams still nowhere to be found, I’m now picking up Tsuredure Children for ANN. The show’s certainly given me plenty to talk about for Crunchyroll, so I guess it’s about time!

You can check out my overview of the show so far over at ANN.

Aikatsu – Episode 9

Alright everybody, let’s get back to our Aikatsu. The show’s last episode wasn’t really a highlight, but it did do some reasonable work in integrating Ran into the main trio. Both Ran and Aoi have gotten recent focus episodes, so I’m guessing we’ll be getting either group conflicts or more Ichigo stuff this time. That’s fine by me – Ichigo seems closest of the main three to what I associate with the “spirit of Aikatsu,” the kind of nonsensical positive attitude that leads to stuff like painting your signature with a giant car-sized brush. More of that bullshit, please. Let’s get right to it!

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Mawaru Penguindrum – Episode 18

Mawaru Penguindrum’s eighteenth episode is a singular masterpiece. Focused entirely on Tabuki’s confrontation with the Takakura family, it offers a ferocious articulation of Penguindrum’s central themes, tackling the nature of family, cycles of violence, and hope in a meaningless world in the most desperate terms yet. It’s also one of the show’s most beautiful episodes, courtesy of this episode’s genius director – Shigeyasu Yamauchi.

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