Tag Archives: Anime

Puella Magi Madoka Magica – Episode 4

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We all handle grief in different ways. For Madoka and Sayaka, Mami’s absence is like a stifling weight in this episode, pushing each of them in their own unhappy direction. They now know the truth about magical girls, and have some idea of the actual bargain they are making. But knowing the danger won’t be enough to save them from themselves.

The episode opens with Sayaka running from her grief, running to the boy who gives her some sense of stability. But he’s not there for her, and so she can’t escape. Shots of the hospital frame Sayaka as trapped within geometrically impossible rooms with nearly vertical vanishing points, emphasizing how unreal and alienating her world now feels. Like with the witch worlds, Shaft’s tendency towards stark, interpretive backgrounds fits here – in the wake of loss like this, you won’t necessarily recognize the world around you as a place you know. Shots on the elevator position Sayaka as trapped, as her melancholy leads her to blame the same old target – herself.

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Bokurano – Review

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I just learned Bokurano got picked up by Crunchyroll a few days ago, and burned it down for a streaming review pretty much as soon as I knew. Bokurano was already one of my shortlist shows, and it turned out to be even better than I’d hoped – a chilling and heartfelt series of character stories that doubles as a relentlessly paced scifi thriller. It’s really something how well this show brings its broad cast to life. Bokurano is very much a “me” show – like Monogatari and pretty much all of Urobuchi’s works, it posits that the world is a harsh place, but that only means we have to try all the harder to bring hope and charity to it ourselves. Shows like that kinda kill me, but it’s a good feeling.

You can check out my full review over at ANN, or my episode notes below!

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Winter 2016 – Week 12 in Review

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Most of this season’s anime came to a close this week, leaving just those two oft-compared highlights, Rakugo and Dagashi Kashi, to finish the season alone. ERASED pulled itself together to end with as much dignity as it could, given the circumstances of its villain, while Active Raid similarly felt hamstrung by its own weak antagonist. I almost feel tempted to write an article specifically about antagonists now, because the problems with both those shows were so specific and so centered on the ways they handled their villains. Though of course, that article would then end up spinning out into how an antagonist shouldn’t be something you design independently, and should instead reflect the core themes and conflicts of your narrative, and then we’re all the way back at storytelling step one again. Anyway. Some shows ended this week, some shows didn’t. Let’s crack those knuckles once more and RUN ‘EM DOWN!

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Parasyte, Part One – Review

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This week I went back and took a second look at Parasyte, which still holds up pretty well across its first half. In retrospect, it’s less my kind of show than I would have thought a year ago, but it’s still a fine horror-thriller with a lot of polish. The one glaring weakness is, of course, the music. Parasyte’s music sounds like the kind of noise a robot attempting to imitate the concept of human music would create – grating electronic brips and braps that shift jerkily in some uncanny approximation of tempo and melody. But hey, you can’t win ’em all.

You can check out my full review over at ANN!

Dagashi Kashi – Episode 11

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This week’s episode of Dagashi Kashi sure was an episode of Dagashi Kashi. There is virtually nothing at all to critique in this show, given each episode is very nearly the same, they all have fairly low ambitions, and they all succeed and fail in very minor ways. The show sets itself a low bar and slowly rises over it every single week, occasionally disappointing by trying too hard to be funny, occasionally finding success by leaning into its character relationships. It is a very harmless show.

You can check out my full review at ANN, or my very minor notes below!

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Puella Magi Madoka Magica – Episode 3

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Madoka Magica’s third episode opens with the reveal of Sayaka’s secret treasure, the one thing she might be willing to die for. Sayaka is a strong-willed and driven person, but Sayaka is also a teenager, and her secret reflects that; it’s a boy she happens to like. The late afternoon light sets a melancholy tone as we’re introduced to Sayaka’s crush, a boy who keeps smiling even though he’s bedridden, who turns away when he has to cry. It’s a very efficient bit of storytelling, and one more example of how Madoka embraces narrative minimalism and inference to make the most of its running time. We just get a brief conversation detailing the tone of their relationship, and then Sayaka’s “gift” sends her back into a memory, where she sees the passionate boy who inspired her love. Her gift is as cruel as Kyubey’s, and her revery seems like Madoka’s simplistic idealization of Mami; with a cut to her crush’s tears and then his crippled arm, we see that his smile is a mask. A destructive little tragedy in a minute and a half.

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ERASED – Episode 12

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ERASED finished with the remains of its dignity intact, forcing us to survive through just one final scene with Satoru’s supervillain nemesis before heading towards the end. Most of the show’s thematic threads were at least nodded to here, and there were a number of pretty scenes to counterbalance the weight of Yashiro’s ridiculousness. The show fell apart fairly close to the end, so it’s kind of ending on a low note, but in retrospect it’s obviously a reasonable production – it just hit its highs very early and its lows very late. In the end, the biggest lesson I find myself drawing from ERASED is to stop letting myself trust fans of source material. The fans always lie!

You can check out my review over at ANN, or my episode notes below.

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Active Raid – Episode 12

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Active Raid is over! The show ended about as well as it could have – that is, it’s a mediocre show that will be forgotten in a week or two, but it tied its threads together and concluded with relative grace. The ultimate reveal of Mythos’ motivation was as underwhelming as you’d expect, but Mythos has always been the show’s weakest element, so what are you gonna do. I liked the banter between the Unit 8 leads, having that friggin’ Clippy app actually be evil was perfect, and the last fight was pretty okay. Not much point in yelling at a show for not being a very different one.

You can check out my full review over at ANN, or my notes below!

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Winter 2016 – Week 11 in Review

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Anime was pretty great this week! Basically anything would feel like an improvement after last week’s tragic slate of episodes, but this week’s selection was about as strong as you could hope for. ERASED didn’t magically fix the heavy fundamental damage its last episode caused, but it recovered as well as it could with an episode that mostly rediscovered the concept of subtlety. Dagashi Kashi had one of its best episodes so far, and Rakugo made up for its relatively grounded visual storytelling with some of the most endearing character moments of the season. Things are looking pretty okay in animeland at the moment. This may have been a relatively underwhelming season, but with Rakugo on track to become a legit classic, you can’t really call it a letdown.

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The Idolmaster: Cinderella Girls, S2 – Review

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Unsurprisingly, my journey back through Cinderella Girls’ first season was swiftly followed by a run through the second. And as it turns out, Cinderella Girls is actually a pretty great show! The show certainly lacks the easy humor and aesthetic brilliance of its predecessor, but it makes up for that with a set of dramatic conflicts that actually work. The corporate vision stuff that underlies the show’s entire second half is legitimately engaging, and even Uzuki’s final personal conflict feels very earned and dramatically effective. Cinderella Girls starts off very shaky, but it comes together quite nicely in the end. It’s not a personal favorite, but it’s a fine show.

You can check out my full review over at ANN, or my episodic notes below!

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