Tag Archives: Anime

Fall 2014 – First Episode Reflections, Part Three

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I WOULD LIKE TO GET OFF THIS RIDE NOW PLEASE. Since my last post, I’ve checked out Parasyte, Daitoshokan no Hitsujitai, Chaika: Avenging Battle, Garo the Animation, Shirobako, Psycho-Pass 2, Your lie in April, and How The Fuck Did They Approve a Show That’s Basically Just One Joke About Twintails. You can check out episodic posts about every single one of these shows on ANN.

Of this group, I strongly recommend Parasyte and Shirobako, also enjoyed Garo and Your lie in April, and was perfectly content with both the Chaika and Psycho-Pass sequels. Daitoshokan and Twintails have essentially no reason for existing, and their continued existence in spite of this is baffling and faintly disturbing. So yeah, Of these eight shows, I actually solidly enjoyed six of them – I’m pretty happy with that ratio!

KimiUso

Fall 2014 – First Episode Reflections, Part Two

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The ride NEVER EVER ENDS. I have watched a truly madness-inducing quantity of anime, and the fruits of my labors are here for you. Since the last update, I’ve put up first episode reviews for In Search of the Lost Future, Fate/stay night, World Trigger, CROSS ANGE, Wolf Girl and Black Prince, Celestial Method, Rage of Bahamut: Genesis, The Fruit of Grisaia, Gugure! Kokkuri-san, When Supernatural Battles Became Commonplace, Laughing Under the Clouds, Akatsuki no Yona, and Trinity Seven. That is way too much goddamn anime.

Of that formidable list, the only shows I’d actually recommend for everyone are Fate/stay night and Rage of Bahamut: Genesis. More genre-specific fare would Celestial Method, Gugure! Kokkuri-san, When Supernatural Battles Became Commonplace, and The Fruit of Grisaia. That is, if you like feelsy dramas, 4koma comedies, Haruhi-style club shows, or nicely animated drama/harem-things, those would be my choices respectively. EVERYTHING ELSE WAS PAIN. Nah, just Cross Ange, but seriously – way too much anime. Fortunately, my next update should be more proportionally positive. I’ll let you know!

Gugure! Kokkuri-san

Top Shows Addendum

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So I wrote my Top 30 Shows of All Time list, and that was great and super convenient for a while, until I came to a startling revelation – there are more than thirty good shows, and even worse than that, people keep making new ones. Clearly there’s no way I could have predicted this turn of events, but I’m doing my best to take it in stride. And in the spirit of promoting More Good Things, I’ve decided to create this Additional Top Shows supplement.

I don’t really want to cut off shows when they fall out of the thirty – I’d rather recommend more good stuff than less, and the number was initially envisioned more as a quality marker than a hard, arbitrary line. And so instead of having shows disappear and be gone forever, shows that drop out of the thirty, or that just barely don’t make it, will instead find their home here in the Top Shows Addendum. I hope you enjoy this jumbled list of Slightly Less Top But Still Pretty Great Shows!

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New Podcast – Spring 2014 Mid-Season Discussion

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Yep, I was on another podcast this week, discussing season impressions with a bunch of other bloggers. I gush about Ping Pong, we argue about Sidonia and Titan, and basically everybody takes a few cheap shots at Mahouka. You can check out the whole thing over at Deadlight’s blog, which includes time stamps for specific show discussions and links to everybody else’s blogs. And if you enjoy the podcasts, it turns out I’m actually going to be a regular on these ones from now on, so, uh, lucky you!

Once again, here’s the link to the podcast. I don’t have anything else to say, so here’s Star Platinum punching a shark.

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Top 30 Anime Series of All Time

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Yep, I’ve finally put together a top shows list. As I hopefully made clear in part one and part two of my critical biases post, this is obviously my list – it represents the things I think are most valuable in stories in the way I think they’ve best been articulated. It’s also just a list of shows I enjoy – there’s no hard criteria here, so I wouldn’t stress the numbers too much. Also, it’s a bit front-loaded – I only started watching anime seasonally about two years ago, so the last couple years are disproportionately represented. Incidentally, I’m not including movies here either – I think direct comparisons between shows and films are a bit of a stretch, but if they were included, this list would certainly be somewhat different. And finally, I’m absolutely (and thankfully) certain this list will change over time – there are still piles of widely beloved shows I’ve never seen, so I’m sure the current rankings will be filled out in the years to come. So with that all said, let’s get to the list – Bobduh’s Top 30 Anime of All Time.

-edit- I have now created a Top Shows Addendum for shows that have either fallen off or just barely missed this list. Please enjoy these additional almost-top shows!

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Dai Sato at Anime Boston

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As I’ve said elsewhere, all my writing was pushed back by Anime Boston this past weekend – but I didn’t leave empty-handed! Both literally (bought more manga and wall scrolls I have no idea what to do with), and figuratively, because Dai Sato was there and I managed to catch him at two fantastic panels. I didn’t actually take notes during his talks, unfortunately, but he had tons of interesting things to say that I figured you folks might appreciate, so I’ll run down the highlights of what I remember.

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Critical Evaluation, Part Two: One Given Perspective

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Hey guys, back for Part Two of my critical evaluation piece. In Part One I argued, briefly, that art is valuable insofar as it imparts value upon the observer, and that in the collision between personal values and systems of aesthetic interpretation, we all have our own biases in such matters. Now, with that all said, it’s time to dive right in to my own stupid biases that make my evaluations crap that nobody should listen to. What kind of critic am I? Well, I’m actually pretty transparent.

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Critical Evaluation, Part One: The Human Element

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So, I recently decided I’ve watched maybe enough shows to put together a useful Top Shows list, and in light of that, also decided it’s probably time to lay out a few of my own evaluative patterns and biases. I’ve talked about evaluation before – I covered it briefly in this piece, where my three main points were that people seek many different things in media, that evaluating shows requires taking their own goals into account, and that I believe not all goals are equally artistically valuable. But all of that doesn’t really tell you much about me – it’s just about systems in general, and if you’re going to get much use out of a “top anime list,” you really need more context than “these shows are great because I say so.” Who am I to say so? Well, the person who wrote all those essays on the right, at least. But can I offer a little more clarity than that?

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Seasonal Anime Podcast – Winter 2014

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New podcast! I talk with Deadlight, Flawfinder, Landon, Psgels, and Sorrows Neptune all about our impressions of the current season, Studio White Fox, Masaaki Yuasa, and Gen Urobuchi, with a slight detour into how Type-Moon’s stories are the opposite of good storytelling. Fun for the whole family!

If you’d like timestamps, just click through to youtube for a breakdown of what we talk about when.

Let’s Die Together: Diebuster and Oblivion

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“Like a trash can fire in a prison cell,
Like the search lights in the parking lots of hell.
I will walk down to the end with you
If you will come all the way down with me.”
– The Mountain Goats, Old College Try

Set eleven thousand, nine hundred and ninety years after Gunbuster, Diebuster tells the story of a new hero – Lal’C Mellk Mal, who befriends the chipper robot Nono. Unlike Noriko, Lal’C begins our story a hero – not just one of the rare Topless, adolescents who pilot Buster Machines to defend the human race, she is the “curve breaker,” envy of her peers. A bright star, casting a light for all of humanity. And she’s proud of this – though she feigns indifference, in truth she exults in her position, cherishing the adulation she receives. Lal’C Mellk Mal exemplifies the power of youth, and in Diebuster, youth is not simply something to be coveted – it is a tangible power in this world.

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