Summer 2013 – Week 8 in Review

Because both story structure and the 1-cour system are kinda inflexible, this week pulled the interesting trick of having almost every single show I’m watching put their protagonist through the emotional wringer, questioning their very base motivation and bringing them as close to “defeat” (relative to each story’s stakes) as possible. Fun times!

Uchouten Kazoku 8: Jeez, you thought last week’s episode was heavy? This week dove directly into the grieving process, exploring the brothers’ father more fully than ever before through a series of quirky and moving flashbacks. Yajirou’s relevant backstory was fully laid out, culminating in the beautiful image of a rail car terrorizing downtown Kyoto and fading with the haunting shot of the family standing on the roadside, waiting for their father to come home. Even Yasaburou was forced to reflect on his relationship with his father, and possibly acknowledge that he must take up the mantle of responsibility simply because no one else can. Still on track to be the fourth anime in my list of basically perfect shows.

Gatchaman Crowds 7: Another doozy. Hajime pointing out Rui’s hypocrisy pushes him to Do The Right Thing and directly confront Katze. And so his Hundred are murdered, he’s nearly killed himself, and the Gatchamen’s chain of command is shattered. Only Hajime is able to save them, and even then only because her intelligence and philosophy amuse Katze. But even she is shaken by the appearance of a character who seems to put the lie to her fundamental faith in our common goals and desire for connection and understanding. Rui chose to forego his own ideals in order to hopefully create a future worthy of them. Will Hajime be forced to do the same?

Monogatari S2 7: Man, I act all cool and brooding about this season’s two Anime Worth Discussing, and then we get to Monogatari which was all derping around with loli Hanekawa and making terrible decisions about time travel. So far, this new arc has been much more comedy-focused than the first, which is fine as long as the comedy is good, and Araragi/Shinobu still have a fantastic dynamic. This episode was entertaining for what it was, but I’ll be happy to get into the meat of this time travel nonsense next week, and discover exactly how badly these idiots have fucked everything up.

C3-bu 8: Back to frowntown for this one, as Yura’s incredible insecurity has led her to first prove her worth to the team at any cost, and now seek victory in the same way. Cheating? Why, I never. I find pretty much everything about this show outside of Yura’s character development pretty flat (routine plotting, workmanly direction and dialogue), so it’s fortunate that they’re doing such solid work with her arc.

Free 8: And wrapping up my “everything sucks for everyone” roundup, this week featured Haru feeling really sad about not winning at swimming. Aaand not much else – the very distinctive direction from last week has been tuned down again, so once again it’s mainly watchable because I make silly jokes the whole time. I sure am excited for KyoAni’s next show…

TWGOK S3 8: I think this show’s turn will come next week, when Keima’s overt two-timing blows up in his face, but this show has always been more episodic anyway. Regardless, this particular week was mainly a rearrange-the-board style episode, setting up pieces to be knocked down in the next couple episodes. That’s fine, that’s sometimes necessary, but it’s not the kind of episode that shines in a weekly context.

So yeah, kind of a downer week overall, but the shows I’m invested in are still doing their thing with aplomb. As long as 2-3 shows continue to impress me, I’m happy.

Summer 2013 – Week 7 in Review

Management: I think a lot of people find this format more friendly/useful than the timestamp writeups, and I write these things either way, so I think I’ll be posting them here going forward. Also, feel free to let me know anything you’d like more of in the comments.

This week was so good. My top two shows for this season are swiftly becoming two of my all-time favorites, and both of them had fantastic turns this week that seemed to indicate a honing of focus for the second half. Those first:

Uchouten Kazoku 7: This episode got me right in the gut. It started off extremely strong, with one last beautiful Benten vignette before returning the focus to the brothers. But the key here was the ending. This whole episode, the perspective shifted subtly but in a crucial way – while Yasaburou was still prominent, the focus this week was on illuminating the various sides of his put-upon older brother, Yaichirou. Seeing the contrast in his behavior towards the professor (calm, deferential), his rivals (confident, authoritative), and his brothers (childish, honest) really drove home the fact that his family is the one thing he truly relies on and lowers his guard towards. Which made the final scene, when his brother confessed to his role in their father’s death, absolutely heartbreaking. Yaichirou starts off essentially begging his brother to be innocent, and falls apart with a cry and collapse when he is let down. Right now, the political issues are secondary – this is Yaichirou realizing the one thing he trusts cannot be relied on. In a narrative sense, this moment clearly points towards what conflicts will cloud the second half of this show. But in its own context, it is one more incredibly personal and relatable moment in a show absolutely brimming with them, and its tragedy does nothing to diminish its beauty.

God, I hope this show maintains this quality to the end. So far I think it’s a goddamn masterpiece.

Gatchaman Crowds 6: Not to be outdone (by much, seriously, that Kazoku episode killed me), Gatchaman Crowds pulled out all the stops this week. The cliffhanger meeting from last week was delayed only so the existence of Gatchamen could become public knowledge, and the repercussions of this were as predictable as they were awesome. While the Gatchamen went to ground, Rui was forced to act – the existence of actual superheroes would throw a serious wrench in his “everyone’s a hero, no-one’s a hero” master plan. And so he arranges a meeting with Hajime through a fun set piece demonstrating the power of GALAX, ending with a clash where Hajime takes all of five minutes to acknowledge, question, and dismantle Rui’s philosophy. Hajime ain’t nothing to fuck with. Sugane and Hajime’s relationship also progressed this episode, with Sugane finally getting it through his thick skull that Hajime is far smarter than any of them. This show is heating up.

Monogatari S2 6: It sure is tough being the first seed in a season with two of the best dark horses in recent history. This episode of Monogatari got a bit too indulgent and pointlessly Isin-ish in the first half, but the second half was a lot of fun. Shinobu’s lack of fucks regarding the dynamics of time travel, and Araragi’s extremely valid and well-thought-out concerns (which he only mentions after the fact, of course, because at the time a girl had said she needed his help), made for an extremely entertaining ride. These two have one of my favorite dynamics in the show, and sending them off on a buddy cop time travel story promises all kinds of great shenanigans.

Free! 7: Thank god. Last week’s slice of life tedium feels thoroughly behind us, because this week saw a new episode director (the one behind K-On and Tamako Market, surprisingly) inject a massive infusion of visual distinction and purpose into the proceedings. Great direction and cinematography throughout this week, and virtually everything that happened was purposeful. This show’s narrative is absolute pap, but good direction can make almost anything compelling, and this episode proved that. Nice work, Free.

TWGOK S3 7: One of the funniest episodes yet for TWGOK, with this episode attempting to pull a double-booked-date double-seduction hat trick (yes, I know a hat trick involves three things, shut up). Not much else to say – last week disappointed me because it played the romantic scenario too straight, and this week bashed two or three romantic scenarios together at the same time, with Keima continuously ratcheting up his ambition despite barely being able to stand. This is comedy I can get behind.

C3-bu 7: Eh, I’m just enjoying this show for what it is at this point. This episode was pleasant, and the characters were pleasant, and the pacing was pleasant. Yura slowly becoming a moesoft tyrant is pretty great, and her characterization is well-realized. It’s a show with middling ambitions that pretty much always hits the mark.

Hunter x Hunter 93: This show is so great. This week transitioned from a tyrannical genetic mutant establishing a human meat farm to… a teenage boy tailing his friend on a date to watch out for any funny business. And it worked. It always works. I don’t know how they do it, but this show is fun and fast-paced and well-directed and full of creative ideas or great twists on old ones every single time.

So yeah. Almost everything was excellent this week. No complaints from me.

Fall 2013 Season Preview

I am kind of absurdly hyped for this upcoming season. My favorite studios, my favorite writers… basically the only way to improve it would be if Gen Urobuchi personally gave me a new show and a puppy. This lineup is stupid. I guess I’ll run it down in order of personal hype intensity?

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Summer 2013 Halfway Point: Season So Far

Management: Sequel to this post. My general thoughts so far on the winners, losers, and casualties of my summer season.

This has been a very good season, and though there hasn’t been anything I enjoy as much as I enjoyed OreGairu in the spring, I think the top show is technically better this time. But the top tier is really good all around. In descending order:

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Shinsekai Yori and True Heroism

I have to admit, I’ve been kind of dreading this essay. Granted, I actually dread pretty much every essay – this may come as a surprise, but writing mostly feels like work, and it’s only having written things that I normally like (or the feeling of editing something I’m already happy with, or that last-act stretch, when the writing feels like those burning, fleeting seconds after a shot of whiskey, and the absolute worth of the task tingles down to your extremities… okay, yeah, writing is actually pretty great). But normally I only fully break down shows I’m very passionate about, and the reason I’m saying any of this is because that’s not how it’s going right now. Right now I’m going to talk about Shinsekai Yori, and I have to admit the show left me kind of cold.

Not that it’s a bad show! No. It’s actually an extremely good show. Many people already love it, and many more should be introduced to it, because they will love it too. It has a remarkable number of strengths in its favor.

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Thematic Integration and Philosophical Discussion

Question:

As a fan of philosophy, I tend to enjoy shows that take the time to discuss their philosophical or ethical questions, such as Psycho-Pass or Evangelion. However, it seems clear that writers can go overboard with this, and that sometimes these discussions can seem inappropriate or even pretentious. Do you think there’s a specific pattern to when discussions like this are appropriate, and when they start to become pretentious?

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Fall 2013 Pre-Pre-Season Preview

So! Fall season is nowhere near upon us, but that’s no reason not to get inordinately hyped about it! The full announced list is viewable here, but these are the ones I’m already kinda giddy about.

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Summer Season 2013 – First Quarter Roundup

Because evaluating shows before they even reach their halfway point is obviously an intelligent idea, let’s check in on the season so far. Heroes have risen, villains have fallen, and a couple shows have pretty much just done exactly what I expected them to do. It’s time for the

Summer 2013 First Quarter Anime Roundup

This season is actually kinda crazy-good. I was originally skeptical it could even begin to compare to last season, but a couple wild card hits have set it up as an extremely strong lineup. This is particularly exciting because it’s implying there are some great lesser-known creators out there – last season I knew Urobuchi and Brain’s Base made good things, but my two favorite shows this season were basically shots in the dark. Let’s do it in order…

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Emotional Manipulation and Storytelling

Question:

People often describe shows they don’t like as “emotionally manipulative.” Don’t all shows do that anyway? What do people mean when they talk about “emotional manipulation” like it’s a bad thing?

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Feminism and Free!

Management: I’m a bit more heated here than my usual tone, but it’s an actually important topic, so I figured I should still post it. This was a straight-up argument, so I haven’t changed a word on either side to make sure no-one is misrepresented. It came about in response to my first Free! post, which apparently ruffled some feathers.

Question (sort of):

You didn’t need to tell us what a good little feminist you are (and oh so concerned with shitting on anything that might be remotely aimed at men) 27 times in one post.

Bobduh:

Shit, you got me! I only pretend to be a decent person to look cool on the internet.

Question:

For one thing, forcing yourself against your will to hate something that’s nothing but love and kindness (K-On!) because of some political ideology does not make you a good person – quite the opposite.

But even if we grant that your brand of feminism is what’s good, you’re still obnoxious in how often and aggressively you signal your adherence to it, just as it’s obnoxious when a religious person (who is also a “good person” by their standards) talks constantly about how much they pray and go to church.

Bobduh:

Forcing yourself against your will to hate K-On because of some political ideology

There is no part of this statement that I do not take issue with! First, there is no “force” involved here – my will, personality, and conscience mind are all in agreement that there is something deeply problematic about the archetypes displayed in shows like K-On, Clannad, Sakurasou, and any other number of shows where a female character’s infantilizing helplessness is supposed to be perceived as attractive. I am not going against any natural tendency here – every fiber of my body finds this stuff pretty disturbing, and I actually have repeatedly gotten in arguments on this board, and often just avoided other conversations entirely, because of it. You seem to think I’m just pretending to believe the things I say – I assure you, I’m not trying nearly that hard.

But this doesn’t address K-On itself, which I don’t actually hate – I honestly do believe the creators of that show were intent on making a lighthearted healing-type show, which is apparently what you got out of it. I did not intend to belittle your experience with the show, or their intent – what I take issue with is the specific style of characterization used, which is very prominent in many other less-defensible shows with overt romantic characteristics. I find those helpless  character  archetypes  indicative of an incredibly sexist and dehumanizing style of pandering. My problem is not specifically with K-On – I merely used it as an example because it’s also a KyoAni show and it bears a large number of humorous parallels to Free!, which is why I was referring to Haru as Mio throughout, etc.

Obnoxious in how often and aggressively I signal my adherence to it

I’m sorry my brand of humanism is so offensive to you! My first suggestion would be to possibly not read my posts, since they are all an extension of my beliefs and thus all likely contain the capacity to offend you, but I’d also like to add a little context here. First, and I’ve covered this earlier, but it bears repeating: I’m not filtering my voice through some outside agenda here. I’m cataloging my honest reactions, adding a little humor, and trying to show people my context on media. My first goal in writing these things is to better process my own thoughts, and become a more intelligent consumer of media (thus the questions of sexism and objectification will necessarily crop up here, since they’re such a big question when it comes to this show, and are obviously on my mind) – but in a roundabout way, you’re also right. My second goal is to impart something. Normally that thing is either my way of analyzing stories or my thoughts on media evaluation or my belief that humility and curiosity are the only ways to have a meaningful relationship with art. But my general worldview is also inescapably a part of that.

I’m not a religious person, but I can understand why a religious person would try and tell you how valuable their religion is, if they care about you – according to a great many faiths, if you’re not an adherent, you are eternally damned. That sucks! Why wouldn’t a religious person want to spare people they care about from that? And personally, as a non-religious person who instead believes that data is a real thing and prejudice exists and our world is incredibly goddamn far from a place where genders or races or sexualities or whatever can honestly consider themselves equal in society, government, law, or media, I think that downplaying this stuff, particularly in a setting where people actually read what I have to say, would be pretty inexcusable. I’m not hammering on my “agenda” here, but if my thoughts make anyone think that maybe continuously treating female characters like objects is a shitty thing to do, then I’d also be pretty fucking proud of that. If you find that obnoxious, whatever, read something else – but you can’t tell me it’s not sincere.

But seriously, I’m not actually trying with that – if I were trying, I could be doing much more directly relevant stuff than criticizing anime. This show is pretty dumb on a straight textual level, and so I find that outside of just making jokes, the most interesting angle to analyze it from is its relation to the pervasive sexism in the anime industry. When relevant cultural stuff crops up in other shows, I’ll certainly mention it, but this happens to be a show where that angle is likely the best one for encouraging meaningful discussion. I did not once think while watching this, “now would be a good time to propagate my subversive feminist agenda” – things just came up in my mind and so I wrote them down because I thought someone else might find them interesting. If that doesn’t work for you – well, sorry, no refunds.

Question:

First part: Apologies for being unnecessarily rude earlier – I did find your initial post a bit condescending. Although I can see where you’re coming from about helpless women, I don’t think this is an entirely fair portrayal of K-On! The girls in that show may be goofy and a bit childish in their personal interactions, but they’re also proactive and successful at their goals. They aren’t genuinely helpless and they don’t sit around waiting for men (or anyone else) to save them.

Second part: I think there’s a danger in jumping in too whole-heartedly into any political belief given the high possibility of those beliefs being at least least partially in error. Taking abstract beliefs completely seriously is powerful but dangerous, and can drive things like terrorism just as much as it can drive positive change (not that I think you’re going to bomb anyone). I did think it was a bit weak when you were about to criticize Free! for possibly being sexist against men and then cringed back because you were apparently terrified of being labelled an MRA neckbeard – I think it’s better to own your thoughts instead of fearing “thoughtcrime”.

For what it’s worth I have no comment on Free! itself – I don’t intend to watch it but anyone who does enjoy it is welcome to. I did think it was a bit lame that some people claimed to be watching it in an attempt to stick it to /a/ somehow – just watch what you want to watch and don’t worry about what some anon said about it.

Anyway, thanks for being reasonable when I started out being a bit snarky.

Bobduh:

Abstract beliefs

The thing is, the only real “beliefs” I’m proposing here are that all people deserve equal treatment, that various societal and systemic forces trend towards sexism, and that this extends to media as well. And none of those “beliefs” are really debatable – there’s endless academic evidence for it, and even a cursory examination of anime at large reveals the general tendency to objectify and infantilize female characters. I agree that unsupported beliefs are dangerous, but I think what you’re proposing here is equally dangerous – the idea that all viewpoints are created equal. They aren’t – there’s only one reality, and when all the evidence supports the idea that women are not given fair representation in media, the viewpoint in support of changing that becomes kinda self-evident.

Terrified at being labeled an MRA neckbeard

I was actually just making a joke there, and am not particularly worried about being labeled an MRA or whatever. I don’t deny that men can also be objectified in media (I mean, look at this show), but I think the relative objectification/agency ratio is so skewed towards male fantasies that raising a show like this as a counterpoint to sexism at large is pretty laughable. That was pretty much what I was trying to say with my joke: that Free!’s existence as a show that objectifies men does not excuse an entire culture of sexism in the other direction, farcically playing off the general tendency to use single isolated examples in order to “prove feminism wrong.”

Thanks for the apology, by the way. I try to stay as reasonable as possible, since we can’t really learn anything from each other if we’re just throwing barbs.