Hello all, and welcome the heck back to Wrong Every Time. Today I am beyond eager to return to Big Windup!, as we’ve finally arrived at our team’s first actual game. After three episodes of Abe and Mihashi struggling to connect, witnessing Mihashi’s treatment by his former teammates finally gave Abe the context he needed – he now understands where Mihashi is coming from, and what’s more, he actively sympathizes. Abe doesn’t just want to manipulate his pitcher, he wants his pitcher to succeed, and I’m guessing that means we’re going to see some real cunning from our scheming catcher. The show’s premiere offered a brief taste of how Abe can use his opponents’ psychology against them, and since then, each episode has only reaffirmed Big Windup!’s insightful approach to its characterization and drama. With Mihashi’s old teammates arrayed against them, I’m looking forward to a thrilling fusion of sports tactics and psychological drama. Let’s get to it!
Tag Archives: Big Windup!
Big Windup! – Episode 3
Hello everyone, and welcome back to the site. Today I’m eager to return to Big Windup!, whose last episode ended with Abe at last agreeing to try Momoe’s practice methods. Is Abe actually capable of the humility necessary for genuine teamwork, or will this just reaffirm his belief that all his teammates are idiots?
Abe and Momoe have made for an interesting contrast over Windup!’s first two episodes. Rather than attempting to genuinely connect with his teammates as human beings, and cultivate their skills into well-rounded baseball players, Abe has essentially been trying to fool his players into winning in spite of themselves. He’s not bothered by the fact that Mihashi is skittish and unbalanced; those qualities make him easier to manipulate, so Abe considers them a plus. In contrast, Momoe wants her team to be well-rounded, confident, and resilient, with each player carrying their own weight, and knowing they can trust their teammates to support them. The two butted heads over Windup!’s first two episodes, but it’s already become clear that Mihashi is dedicated to genuinely improving, and that Abe is losing his grip on his pitcher. With Momoe having assigned Abe the task of actually speaking honestly with Mihashi, let’s see how our battery fare in episode three!
Big Windup! – Episode 2
Hello folks, and welcome back to Wrong Every Time! Today I’m eager to get back to a property that’s lain dormant for far too long, the intriguing baseball drama Big Windup! Though my initial excitement for this property was centered on Tsutomu Mizushima’s presence as the director, Big Windup!’s first episode proved the core material being adapted is already brimming with punchy, narrative-friendly ideas. Rather than focusing on a team of idealists all trying to Do Their Best, Big Windup! has so far been driven by the whims of Abe, a psychological mastermind determined to manipulate his team into greatness. Abe’s perspective offers a unique tactical twist on the sports drama standard, and the show’s already promising some intriguing tension between his and captain Momoe’s perspectives. Beyond that, it’s too early to tell where this series may lead, so let’s get right to business then. Onward to Big Windup!
Big Windup! – Episode 1
Hello everyone, and welcome back to Wrong Every Time. Today we’re embarking on a new journey, as we explore the first episode of 2007’s baseball-focused drama, Big Windup! I didn’t really know anything about Big Windup! before starting this project, save for a general familiarity with its character art, so I of course went to work checking out the staff and such to get some picture of what I’m in for. That led to me discovering this was directed by Tsutomu friggin’ Mizushima, and with that, my anticipation for baseball action was thoroughly primed.
If you’re not familiar with Tsutomu Mizushima, I’d describe him as a workmanly director with a particular mastery of editing, meaning his shows usually benefit from both high-paced narrative momentum and phenomenal comedic timing. His shows are defined less by specific visual signatures than a general sturdiness of form and lightness of tone, and his recent catalog is brimming with fine shows like Girls und Panzer, Shirobako, Witch Craft Works, and Prison School. Both Witch Craft Works and Prison School clearly demonstrate he’s able to augment his style to match the aesthetic of his source material, and beyond that, I’m also excited to see an award-winning sports manga by a female mangaka.
As a final point, this first episode is directed by Mizushima himself, with animation direction by the show’s character designer and Chief AD Takahiko Yoshida, meaning we’re undoubtedly in for a blueprint of the show’s intended style going forward. With all that established, let’s check out the first episode of Big Windup!