Hello folks, and welcome back to Wrong Every Time. Today I’m delighted to be returning to Eureka Seven after far too long away, picking up after one of the show’s most impressive episodes to date. The combination of Sayo Yamamoto on direction and Chiaki J. Konaka on script made for a uniquely cinematic and psychedelic experience, with intimate, carefully boarded sequences like Renton overhearing Gidget and Moondoggie’s liaison bumping shoulders with tense, bewildering sequences of Eureka’s fraying mental state.
The episode was a perfect fit for both its key talents. Yamamoto is one of the few directors in anime who can evoke comfortable sexual intimacy, not just adolescent sexual preoccupation, making her the ideal choice for conveying Renton’s realization that he’s perhaps not quite prepared for what “joining the world of adults” really means. And Konaka has spent most of his career obsessing over fraying minds (most recently his own), making him an excellent choice for articulating Eureka’s mental disarray.
Ultimately, Renton was sufficiently chastened by his experiences to offer Eureka a genuine apology, and admit he’s still in over his head. Perpetual manchild Holland has made for an awkward role model, but Renton is fundamentally a good kid, more driven by his urge to connect than his need to impress. Admission of misunderstanding is the first step to true understanding; there is still much we don’t know about the Coralians, but if Renton can follow through on his pledge to earnestly engage with Eureka’s world, these two might just make it work. Let’s get to it!