Tag Archives: Film

Spring 2024 – Week 5 in Review

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Hello folks, and welcome back to Wrong Every Time. Today I write to you in the midst of a furious productivity burst, as I charge through my last outstanding Current Projects while also working on various independent creative endeavors. Having broken through the anxiety of doing right by Evangelion’s most legendary episodes, I’ve been savoring my return to the series that first sparked my love of anime, and learning I do indeed have a whole lot to say about the show that made me who I am. And with my house now steadily marching through their third DnD campaign, I’ve been balancing independent writing between whittling journal entries describing that campaign’s progress and plotting out postgame adventures for our previous campaign.

There’s little more satisfying than hearing your players demand they get to spend more time in your world, and I’m doing my best to honor that request with suitably harrowing new adventures. Anyway, I might share some of my in-character diary entries or design documents soon, but for now, we’ve also got a pile of fresh films to talk about. Let’s get to it!

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Twenty Years Later

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Twenty Years Later is the story of João Pedro Teixeira, a leader of Brazil’s rural Peasant Leagues who achieved some notoriety in the early 1960s. Teixeira was vying for more equitable conditions for his town of Sabe’s workers, who were being heinously exploited by the local landowners. Forced to produce cash crops for export instead of self-sustaining food, and constrained within a situation where both their jobs and homes were owned by local barons, Teixeira’s neighbors had no recourse but to come together, using the title of “Peasant League” to avoid the fraught term “union.” This semantic defense did not protect them; Teixeira was murdered on the side of the road while returning his son’s library books, and his league died with him.

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Spring 2024 – Week 4 in Review

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Hello folks, and welcome back to Wrong Every Time. It’s been another productive week on my end, as I’ve reduced my outstanding Current Projects to less than a dozen essays and other features, with my article buffer now encompassing more than a month’s worth of drafts. I’ve matched that productivity with a fair portion of off-the-books anime viewing, as we munched through more of Gundam’s supplementary Universal Century projects, as well as anime films both venerable and vestigial. Having watched so many of the early Toei films, I’m now looking to round out my ‘80s animation education, while also likely taking a break from Gundam to watch some other outstanding series; I haven’t quite decided yet, but Nadia, Mononoke, VOTOMS, and Moribito are all high on my list. Anyway, I’ll catch you all up on that when I get to it, but for now let’s break down my latest animated escapades!

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Spring 2024 – Week 3 in Review

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Hello folks, and welcome on back to Wrong Every Time. This week I come to you in a state of shame and disgrace, as I have to admit I mostly sorta liked an Uwe Boll movie. I know, one of the chief cinematic punching bags of the ‘00s actually entertained me – although truly, my increasing appreciation of his oeuvre can likely be ascribed as much to the ensuing degradation of Hollywood action movies as to the quality of Boll’s own films. The era of full greenscreen has essentially destroyed Hollywood’s capacity to create an action movie, and the streamers are if anything even worse – films like Jungle Cruise, Red Notice, and The Grey Man all testify to the death of the traditional action vehicle. Anyway, that aside, I’ve mostly been enjoying the fresh spring air while channeling my natural instincts into the anxiety attacks of my poor goblin cleric, which has been an altogether liberating experience. Let’s burn down the week’s features in the latest Week in Review!

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Spring 2024 – Week 2 in Review

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Hello folks, and welcome on back to Wrong Every Time. It seems like spring is actually getting off its ass and into some sort of motion at this point, as we’ve finally escaped the chills and showers of early April. I’m thus looking forward to sneaking in a run sometime this afternoon, but in the meantime I’m happy to report that both our film viewings and tabletop adventures are proceeding smoothly.

I’m attempting to maintain a somewhat tricky balance in our current campaign, as I’m both the most comfortable speaking entirely in-character, but also aware of my necessity as a player who actually pushes the party towards their next objectives, rather than simply riffing or waiting for something to happen. As such, I need to be mindful of making sure neither my characterization nor mechanical prodding becomes too overbearing; I’m leading from the back here, but working to make sure Tilly (my nervous goblin cleric) doesn’t overwhelm either the personalities or agency of my allies. D&D is often a process of attempting to construct a coherent fantasy drama out of potentially incompatible base materials, but with a full campaign as DM at my back, I’m doing whatever I can to make sure this one succeeds, and that we collectively embrace a greater degree of in-character drama than ever before. Also, films! Let’s get to those!

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Spring 2024 – Week 1 in Review

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Hello folks, and welcome back to Wrong Every Time. Spring has apparently sprung at this point, though you wouldn’t know it by the grim, cloud-haunted spectacle outside my window. Still, even if we can’t measure the season in beautiful spring days, we at least have the inexorable march of anime production to help us keep the time. Apparently Tsutomu Mizushima’s got another original show this season, which may well raise me from my slumber to the point of actually watching an airing production. And beyond that, I’m also beginning my fashionably late consumption of recent favorites, with Frieren and Delicious in Dungeon currently at the top of my list.

After watching through Zeta, ZZ, Char’s Counterattack, 08th MS Team, G Gundam, War in the Pocket, Stardust Memory, and Unicorn, I’m feeling a little Gundamed out at the moment, so I’m looking forward to balancing things with some fantasy – and of course, if you all have suggestions regarding classics I’ve missed, I’m always looking for new favorites. Anyway, that about covers my anime state of the union, so let’s press onward to the film screenings!

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Winter 2024 – Week 13 in Review

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Hello folks, and welcome the heck back to Wrong Every Time. Today I am floating on air, as the second session of our third formal DnD campaign ended up sprawling into a seven-hour extravaganza of dynamic roleplaying and haunted house exploration. After two campaigns where the drama was almost entirely provoked by external narrative elements, my group has finally reached the point of in-character confidence for us to spend an hour or so figuring out if our rogue is constantly lying to us, and another hour building up my poor goblin Tilly’s confidence enough to serve as an effective cleric. As you all know, I believe engaging character writing is the heart of emotionally resonant storytelling, and so at last achieving the improv confidence necessary to truly have the party members lead the action has been a thrilling revelation. We’re bickering, revealing our histories, setting up long-term character growth arcs – it’s all that crunchy stuff that I love so much in fiction, here executed on the fly as we beat on ghosts and vampires. Anyway, that was the highlight of my week, but we also ran through some films as well! Let’s run ‘em down!

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A Pale Mirror: Maborosi

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Hirokazu Kore-eda makes somber, majestic films about quietly unhappy people, people whose lives didn’t amount to everything they might have hoped, but who still hold a candle for tomorrow. You can chart a direct line from his work back to the gorgeous films of Yasujiro Ozu; like Ozu, Kore-eda understands that the substance of our lives is captured not in the grand acts of defiance or reinvention, but in the countless, frequently indistinct moments between, as well as the spaces in which we spend these moments. I imagine they find a sort of redemption in venerating these segues and stillnesses; for the lonely and longing and perpetually noncommittal, the beauty both these directors find in our everyday interactions is a profound comfort.

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Winter 2024 – Week 12 in Review

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Hello folks, and welcome the heck back to Wrong Every Time. Today I am riding high on the success of our new campaign’s first session, wherein I took on the guise of Tilly The Goblin With Anxiety, and became fast… well, acquaintances at least with my party of a swashbuckler, mad scientist, and Dandelion From The Witcher. Having already completed two campaigns with this group, our confidence in executing in-character drama has never been higher; compared to actually serving as dungeon master, simply staying in character during the session feels totally effortless, and I’m thus looking forward to more directly party-driven drama in the sessions to come. And alongside that, I have of course continued with our regularly scheduled film and anime screenings, munching through some light One Piece adventures while also completing Gundam 0083: Stardust Memory. I’m frankly not quite sure where to go at this point in our Gundam journey; I suppose Gundam Unicorn would be the next natural step? Anyway, I’ll figure that out myself, while you all enjoy my latest week in films!

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Winter 2024 – Week 11 in Review

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Hello folks, and welcome the heck back to Wrong Every Time. This has been an altogether productive week on my end, as my screening crew accompanied a fresh pile of films with a run through Netflix’s recent Avatar: The Last Airbender adaptation, which I’m frankly embarrassed to admit I actually quite enjoyed. Aside from that, my regular DnD group are now gearing up for our third shared campaign, wherein I’ll be stepping back from dungeon mastering to once again participate as a player character. That’s frankly more than fine by me; DMing was an absurd amount of work, and I’m looking forward to taking a break from writing several novels’ worth of narrative-sculpting and quest design to instead portray exactly one character: a goblin cleric with anxiety. I’m sure I’ll have more to say about all that after our first session on Monday, but for now, let’s break down a fresh week in film and television!

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