Summer 2013 – Week 7 in Review

Management: I think a lot of people find this format more friendly/useful than the timestamp writeups, and I write these things either way, so I think I’ll be posting them here going forward. Also, feel free to let me know anything you’d like more of in the comments.

This week was so good. My top two shows for this season are swiftly becoming two of my all-time favorites, and both of them had fantastic turns this week that seemed to indicate a honing of focus for the second half. Those first:

Uchouten Kazoku 7: This episode got me right in the gut. It started off extremely strong, with one last beautiful Benten vignette before returning the focus to the brothers. But the key here was the ending. This whole episode, the perspective shifted subtly but in a crucial way – while Yasaburou was still prominent, the focus this week was on illuminating the various sides of his put-upon older brother, Yaichirou. Seeing the contrast in his behavior towards the professor (calm, deferential), his rivals (confident, authoritative), and his brothers (childish, honest) really drove home the fact that his family is the one thing he truly relies on and lowers his guard towards. Which made the final scene, when his brother confessed to his role in their father’s death, absolutely heartbreaking. Yaichirou starts off essentially begging his brother to be innocent, and falls apart with a cry and collapse when he is let down. Right now, the political issues are secondary – this is Yaichirou realizing the one thing he trusts cannot be relied on. In a narrative sense, this moment clearly points towards what conflicts will cloud the second half of this show. But in its own context, it is one more incredibly personal and relatable moment in a show absolutely brimming with them, and its tragedy does nothing to diminish its beauty.

God, I hope this show maintains this quality to the end. So far I think it’s a goddamn masterpiece.

Gatchaman Crowds 6: Not to be outdone (by much, seriously, that Kazoku episode killed me), Gatchaman Crowds pulled out all the stops this week. The cliffhanger meeting from last week was delayed only so the existence of Gatchamen could become public knowledge, and the repercussions of this were as predictable as they were awesome. While the Gatchamen went to ground, Rui was forced to act – the existence of actual superheroes would throw a serious wrench in his “everyone’s a hero, no-one’s a hero” master plan. And so he arranges a meeting with Hajime through a fun set piece demonstrating the power of GALAX, ending with a clash where Hajime takes all of five minutes to acknowledge, question, and dismantle Rui’s philosophy. Hajime ain’t nothing to fuck with. Sugane and Hajime’s relationship also progressed this episode, with Sugane finally getting it through his thick skull that Hajime is far smarter than any of them. This show is heating up.

Monogatari S2 6: It sure is tough being the first seed in a season with two of the best dark horses in recent history. This episode of Monogatari got a bit too indulgent and pointlessly Isin-ish in the first half, but the second half was a lot of fun. Shinobu’s lack of fucks regarding the dynamics of time travel, and Araragi’s extremely valid and well-thought-out concerns (which he only mentions after the fact, of course, because at the time a girl had said she needed his help), made for an extremely entertaining ride. These two have one of my favorite dynamics in the show, and sending them off on a buddy cop time travel story promises all kinds of great shenanigans.

Free! 7: Thank god. Last week’s slice of life tedium feels thoroughly behind us, because this week saw a new episode director (the one behind K-On and Tamako Market, surprisingly) inject a massive infusion of visual distinction and purpose into the proceedings. Great direction and cinematography throughout this week, and virtually everything that happened was purposeful. This show’s narrative is absolute pap, but good direction can make almost anything compelling, and this episode proved that. Nice work, Free.

TWGOK S3 7: One of the funniest episodes yet for TWGOK, with this episode attempting to pull a double-booked-date double-seduction hat trick (yes, I know a hat trick involves three things, shut up). Not much else to say – last week disappointed me because it played the romantic scenario too straight, and this week bashed two or three romantic scenarios together at the same time, with Keima continuously ratcheting up his ambition despite barely being able to stand. This is comedy I can get behind.

C3-bu 7: Eh, I’m just enjoying this show for what it is at this point. This episode was pleasant, and the characters were pleasant, and the pacing was pleasant. Yura slowly becoming a moesoft tyrant is pretty great, and her characterization is well-realized. It’s a show with middling ambitions that pretty much always hits the mark.

Hunter x Hunter 93: This show is so great. This week transitioned from a tyrannical genetic mutant establishing a human meat farm to… a teenage boy tailing his friend on a date to watch out for any funny business. And it worked. It always works. I don’t know how they do it, but this show is fun and fast-paced and well-directed and full of creative ideas or great twists on old ones every single time.

So yeah. Almost everything was excellent this week. No complaints from me.

Free! – Episode 7

No manic energy tonight. Very sleepy. Our glistening men will have to use those ample shoulders of theirs to carry a little more weight than usual. Hopefully that won’t be a problem – I found last episode pretty dull in spite of all its touchy-feely character-building pretensions, and I’m really just here to watch Gou be a derp and see Haru and Rin shoot smoldering looks at each other. I’d always thought KyoAni’s slice of life shows were lame, but never before had I actually witnessed a combined beach/desert island/haunted house/slumber party/flashback episode – that is like four played-out tropes too many. Get back in gear, Free. Juggle your resources like this and you’ll never make it to regionals.

Episode 7

0:15 – Wow, this rise out of the water  used as much animation as an entire lesser episode  of Titan

0:23 – Nagisa if you screw this up for Haru  so help me god

2:12 – I kind of wonder if this is any more or less watchable for me than any of KyoAni’s other slice of life shows. I mean, the novelty of it being maleblobs as opposed to moeblobs has kinda worn off, so outside of the vaguely appropriated sports shell, I’m pretty much left with K-On with abs. I guess you fuckers tricked me.

2:52 – Nice shot 

3:16 – Holy shit,  I’m already liking this episode waaay more than the last couple. They’re actually building some real tension here, and all these shots are great. Are they actually trying to evoke Rin’s feeling of discomfort? Is this show trying?

Oh jeez you guys I’m sittin’ up in my chair

3:28 – Animating a fish must suck

3:48 – HOLY SHIT YOU GUYS. LOOK AT THAT OMINOUS SHOT COMPOSITION.  And the split fish shadows dancing on the ground… man, where did THIS show come from?

4:12 – Oh, of course, it’s a dream. That’s perfect – those overwhelming cicadas earlier, now slowly fading into this creeping piano line… all the smudged colors, and the way reality seems to sort of crumble at the edges… alright, Free. Take the stand

4:22 – Well now I’m glad I didn’t do some theme gimmick this week.  Lovely shots left and right

4:39 – This is so great.  A creepy, distinctive setpiece that conveys every single thing we need to know about Rin’s past and motivation with barely a word. KYOANI WHY U TROLL ME LIKE THIS

5:01 – Why are shark teeth a thing 

5:39 – Oh but it is 

6:07 – Gou prattles on about her meaningless shenanigans. Haru’s eyes reside elsewhere.  Soon!

6:33 – “I’ll have their individual swimming styles and data recorded by the time of the match.” Alright, again, that’s great and all, but… this is swimming. You swim your fastest, and the other guy swims his fastest, and the fastest guy wins. Not a whole lot of room for strategic interplay there

6:56 – Rin’s effect on Haru is so strong it activates his hair-tossling automatically 

7:46 – Why are you doing this to yourself?! You’re going down a road I can’t follow, senpai! 

8:19 – Don’t we all?  There’s not a man on this team without some devastating watersports-related baggage

8:59 – Yeah, it’s basically exactly the same as K-On . Last week someone mentioned how male bonding was much more prevalent and overt outside of America’s defensive, screwed-up society, and that makes sense to me. But these characters just don’t ring as teenage males to me – they ring as children, just the way moe SoL characters so often do. It’s a really weird disconnect, and the fact that they’re using it for male characters makes me think this has just become an established rule of the escapist SoL genre. Is it working? I’m kind of blind to moe – are scenes like this successfully making people want to hold these characters’ hands and pinch their cheeks and tell them there aren’t any monsters under the bed?

9:27 – Man this is a weird effect. I’m recognizing Rei’s character so strongly – it’s a weird mixture of glasses-pusher and the direct moe parallel, the authoritative and standoffish but secretly passionate straight-laced type. And Haru is the blank-faced savant, and Rin is the tsundere, and… dear god

9:41 – Is this the plot of the rest of the show?  So, more training, the club will prosper, more slice of life shenanigans, you’ll meet Rin but there will be a conflict and you won’t be able to beat him swimming solo so eventually you’ll meet near the end of the series in the relay and win for real. Did I get it?

9:51 – Not to get 2deep4u or anything, but that’s twice in five minutes that Haru has thought of Rin and then turned to watch an object fly away into the sky. Symbolism!

9:57 – “Matsuoka-senpai, you’re not taking the bus to regionals with everyone else?!” Again Free shows some less-than-graceful exposition

10:29 – This is a conflict I can actually get behind.  It only required one dedicated scene to establish, but it’s fundamental enough that anyone can somewhat understand this character now

11:15 – “I’m going to see my dad.” Also nice. I like that they don’t drag this out with some trashy reveal – that flashback already told us everything, so the show can just move on.

11:24 – Here’s another iteration of that “rookies are useful for narrative” thing – one of the main purposes of Rin’s roommate is simply to give him someone to exposit and react to . Characters monologuing exposition to themselves is pretty ugly

11:54 – They are going crazy with the water  this week

12:45 – Nice parallel with the roommate’s own feelings.  This episode overall isn’t quite living up to those first few minutes, but it’s still a far cry from what this show was last week

13:17 – I love these shots . One of my favorite things about anime. They’re called pillow shots, I believe – they add nothing to the direct narrative, but they convey mood and a sense of space, and work wonders for pacing. A very un-western convention that carries across film, anime, and comics. In this case, they’ve significantly shifted the tone of the show throughout this episode, and here in particular they pull back the focus from the specificity and passion of Rin’s speech to the contemplative wider atmosphere of the early morning in an extremely organic way

13:36 – An absolutely lovely pan.  The scenery looks more like a sketch with watercolors than harsh cells. The bird in flight adds a nice focal point to draw the eye upward and also echoes that reoccuring “object in flight” motif

What happened to this show you guys

14:07 – All of it together now 

14:19 – Pff, you call those bags under your eyes?  Tomoko is not impressed

15:28 – Makoto’s going for a PhD in thoughtful concerned looks 

15:39 – Can you feel the heat?  Cause you can jump in the pool if you want, the first race doesn’t start for an hour

15:55 – Omigod you guys regionals 

16:47 – At least the show also realizes  swimming is an absurd subject for a sports show

17:11 – Gou is best Free . I can’t say I’m thrilled that the moment KyoAni adopt a more angular and less moefied design style, they use it for The Swimming Anime

17:42 – He’ll be publishing his thesis any day now 

18:35 – Oh no he didn’t 

18:56 – Oshit they dropped the bass. Now you KNOW It’s On

19:19 – Makoto stop your body can’t take the strain 

19:28 – Nice shot 

21:32 – That’s right. ALL the water 

And Done

Oh man, intense ending, huh? I guess Haru’s gonna have to start giving a shit if he wants to get on Rin’s level.

Anyway, that episode wasn’t the funniest, but it handily made up for that by being far more visually inspired than I ever remember this show being. New episode director? Either way, I’m all for it, and I’m looking forward to the aftermath of Haru’s sweet, chlorinated tears. If you want to get serious, Free, I am right there with you

Summer 2013 Halfway Point: Season So Far

Management: Sequel to this post. My general thoughts so far on the winners, losers, and casualties of my summer season.

This has been a very good season, and though there hasn’t been anything I enjoy as much as I enjoyed OreGairu in the spring, I think the top show is technically better this time. But the top tier is really good all around. In descending order:

Continue reading

Summer 2013 Halfway Point: Week in Review

Management: Speculatively calling this the first half of a two-parter on the summer season. This half will focus on the specific episodes that have marked the halfway point in my schedule (I’ll probably add in Monogatari after it airs), and the upcoming one will cover my thoughts on the overall series so far.

So! Halfway through the summer season, and there really haven’t been any crazy upsets so far. My top tier is still Uchouten Kazoku, Gatchaman Crowds, and Monogatari, but I’m enjoying the also-rans as well. Let’s check in on what the crap everybody was doing this week.

Free! 6

This episode felt kinda tedious to me. I think this show has pretty much only three things that make it watchable to me:

  • The concept is funny and results in some cute subversions of genre tropes
  • It’s very pretty and the direction is occasionally inspired
  • The better episodes are actually very funny in their own right

Unfortunately, this week focused on the character relationships, and KyoAni’s slice of life characters are always too thin to afford compelling character drama. I mean, I love character-focused stuff, it’s my favorite thing, but for character-focused stuff to be compelling you need characters with a little more depth than “the genki one,” “the glasses-pusher,” etc. Bleh.

Uchouten Kazoku 6

I didn’t like this episode as much as the last two, but its first and last acts were still tremendous and heartfelt and beautiful. However, the centerpiece of this episode was a long conversation that I’m frankly still trying to figure out. Tanukis being eaten by humans (and that just being accepted as something that happens sometimes) has always been the point of greatest disconnect between this show’s fantastical flourishes and sharply grounded character conflicts, and this episode basically dove directly into that disconnect, presenting a long monologue by the mild-mannered but strongly pro-tanuki-eating professor, complete with a flashback where Yasaburou’s father displays absolute complacency towards being eaten, and only professes a hope that he doesn’t ruin an otherwise agreeable hot-pot. And Yasaburou is pretty much charmed by him!

I just don’t know how to square this – perhaps on a thematic level eventually all these contrasting viewpoints will fit into neat holes regarding the value of a life well-lived (we’re actually pretty close to that point, I think), but on a more practical character-empathy level, I just can’t relate to the way these characters treat the tanuki-eating. Which is frustrating, since this show is normally incredibly good at grounding its fantasy in universal human emotion. So while I can’t say this was a “bad” episode, it was certainly a tough one for me to wrap my head around.

C3-bu 6

C3-bu is also turning out to be more slice of life than I could have hoped for, but fortunately this show is more fun in concept, more creative in execution, more regularly funny, more dramatically sound, and populated with much better characters than Free. I’m actually just enjoying this show on its own merits at this point – Yura’s personal issues are being handled with more grace and thoughtfulness than I expected, and it really knows how to handle either a fantasy-world or standard gag setpiece. You’ve won me over, moesoft.

The World God Only Knows S3 6

TWGOK slowed down the pace this week, which I guess is fitting for the Shiori episode. Shiori’s inner monologue was both funny and relatable, and her own fantasy-world imaginings are always great, but this story itself felt far more lazy and convenient than this season has been so far. I feel this show’s strengths are its humor and its habit of pointing out and subverting cliche story structures, but this one just played entirely by the book – Keima’s plan was very simple and it worked perfectly. It was perfectly watchable, but I was still kinda disappointed.

Attack on Titan 18

This episode was definitely a step down from the previous two (which I very much enjoyed), and felt a bit like one of Trost’s renowned “oh shit this story doesn’t correlate to our number of episodes let’s check in with everybody maybe take five for a flashback and move the plot forward seven inches” episodes. The first half was more excitement with the female titan, who’s apparently beginning to favor some style in her kills, but the second half consisted of people getting up into some trees and wondering why they were in them. I’m not worried, since the female titan represents a much more immediate threat than Eren not remembering he was human or the giant boulder ever did, and this show is still leagues better in its second half, but that second half was still not particularly engaging stuff.

Hunter x Hunter 92

This arc has gone totally nuts, and this episode was a nuts cherry on a nuts cake. Desperate giant-ant surgery was witnessed, vows of parenthood and brotherhood were made, and now a minor army of powerful monsters with hallucinogen-prompted designs have begun spreading out to conquer the world. This show is basically my definition of entertainment.

Gatchaman Crowds 5

This show never lacks for ambition, does it? This episode focused on the not-so-secretly most important character, Rui, and had him basically set out his thesis statement on his ideal, communal, utterly crowdsourced society. Showing its usual respect for easy answers, this speech was immediately shut down by one of his subordinates rightly calling him a naive, idealistic fool, and promptly hanging up on Rui to go play with his adorable daughter.

Rui’s plan has always had a number of internal inconsistencies, with his belief in a human nature that’s far less reliable than he thinks certainly being one, but another being the fact that for all his rhetoric regarding the death of heroes and the equality of his system, he is king of his powers. He decides when they’re used, he pulls the trigger, he is judge jury and executioner. This episode was the breaking point on that internal tension, when the collapsing tunnel finally prompted him to make himself the hero-celebrity he’s never wanted to be. Now he’s finally going to come into direct contact with Hajime, who is perhaps the only human being who truly represents the spirit of community his hundred were supposed to embody. This show just keeps getting better and better.

And the rest

Monogatari was a recap this week, and I’ve officially dropped Watamote – the show seems to really not have any aspirations outside of humorously and deservedly dumping on Tomoko, and that’s just not too compelling to me. I’m very excited for next week, though – a new arc in Monogatari, a new day in Uchouten Kazoku, and the long-awaited confrontation of Gatchaman’s two leads promises plenty of action, excitement, and thoughtful understated character drama. My favorite things!

 

Free! – Episode 6

Hey gang! Hope you liked last week’s present, cause this week you’re getting NOTHING. That’s right, no cards up my sleeve, no conceits in reserve, I just got off a ten hour shift in my first week back from my two week vacation and I’m sipping this here beer and I’m straight-up gunslinging. Off the cuff, off the chain, no refills, no refunds. Wait, yes refills. Many such. Rei’s out getting himself drowned in the goddamn ocean and Makoto’s drowning under Tragic History and basically everybody’s drowning under the sexual tension of Haru-chan x Water-kun. Enough dilly dallying it’s time for FREE.

Episode 6

0:30 – Urobuchi approves of this plot turn. 

And seriously, I’m beginning to doubt Haru’s philosophy of playing his cards so close to the vest. If Makoto’s the only overtly competent Free!, I don’t know how any of them will get out of this alive

1:11 – Just think, this may very well be the last time .

Also not really sure how his chest is supposed to work, there. Just checked my own chest for reference, and failed to notice any carapace-esque bone structure

That’s right, downgrading from lunatic concept pieces to complaining about unflattering frames of animation. On firetonight!

2:19 – YES. OUR HERO RISES . May or may not be losing my grip on reality here, cause I don’t think I’ll be able to revert to non-Yagami  Haru at this point

2:41 – Just a moment to survey the scene,  but the conclusion is obvious. Rei’s foolish pride, Makoto’s generous heart… dear god, has my tower crumbled so soon?

I can’t help it you guys what is wrong with meee

2:50 – Boys may not go to the restroom together, but Frees sure do 

3:00 – Both dead, of course.  The grief washes over me for a moment, and is swiftly replaced by disappointment. This will surely complicate getting to regionals

3:17 – Water-kun has betrayed Haru-chan . Not sure I can watch this

4:44 – No bullshit here. I’m amazed they’ve shifted from the usual shenanigans to making this scene work , even if genre-awareness means I know Rei and Nagisa were saved by a friendly manatee or something

4:57 – “At least… we’ll always have… the doujins…” 

5:18 – AHAHA oh man trolled so hard . You want that kissu? Too fuckin’ bad 

5:32 – It really is amusing the tropes this show is playing with 

6:32 – Sure, I almost drowned… but more importantly, Makoto seemed really upset . It’s good these guys are keeping their narrative priorities straight

7:01 – Jeez Makoto, freezing up when you see your friend drowning?  What kind of goddamn sissy sad-sack are you?

7:24 – Jesus christ that body.  How old is Makoto again? Well, I guess technically we’re counting in Yoko-years 

7:40 – What is my takeaway supposed to be from this scene?  Is it just latent angry-nerdy-teenagerdom that makes me see all masculine bonding as incredibly sexual?

7:50 – Wow, way to ruin the mood  you goddamn second-string wobble-chests

8:11 – This wishy-washy male bonding shit has gone on long enough . First Makoto propositions him, now everybody’s all touchy-feely about Rei’s feelings… this is bullshit. Haru is laying down the fucking law 

8:37 – This drama is so silly. It’s a good thing nobody’s paying attention to what they’re talking about 

8:46 – 10,000 BDs or bust!  That pause actually made me laugh out loud

9:00 – DID SOMEBODY SAY HAUNTED LIGHTHOUSE?!? 

9:27 – Oh thank god someone said something 

10:19 – Great work KyoAni. You are living up to your potential 

10:48 – What is this show. What am I doing with my life 

11:35 – Sure, why not. Aprons for everybody!  Get it all out, Free

12:16 – Wait, how the fuck did they find edible mackerel in an abandoned lighthouse? Goddamnit these plot holes. My suspension of disbelief is lying in tatters

13:41 – I think I’ve only just realized what “like K-On, but with boys”  actually implies. There is no end to this suffering

13:50 – And you thought they’d deny you shouta Rei! 

14:53 – Ohmygod yes HaruxWater CANON MOTHERFUCKERS 

15:37 – Seriously, is this what this genre is actually like?  I hate you. All of you. I hate every single one of you.Damnit KyoAni

17:52 – I like all of this . He wasn’t even that close to the man, but it was still an affecting childhood experience. Not overplayed, but still understandable. Nice work

19:09 – Theirs are the chests that will pierce the heavens. 

Ugh, cheap joke. Gimme a do-over

19:46 – Alright, yes, we’ve bonded.  Great work, team

20:39 – I have to admit he has lovely eyes 

And Done

Jeez, that episode was… pretty dull. Right? Am I right? Seriously, great, fisherman story, we got Makoto’s tragic history out, but… well, as I clearly stated in the user manual, KyoAni’s slice of life stuff bores me to tears. And make no mistake, this episode was slice of life as fuck – bonding moments, sewing circles, lighthearted haunted lighthouses… Goddamn, you guys, this show isn’t pulling any punches. Here’s hoping we make it out of this alive.

Free! – Episode 5

Dear Diary,

My thoughts congealed in a familiar pattern on this day. But how could I help it? How could any resist the temptations I suffer?

How it vexes me.

Consumes my thoughts. Torments my dreams. Drowns out every waking moment in its sloshing, seductive gurgle.

The water. The water. THE WATER.

Those nattering fools think they understand. A compulsion, they say. How could they understand? Does the water speak to them? Whisper its’ sweet nothings in their unhearing, unmoistened ears?

No. Of course not. They are children of mundane instincts. Their comprehension will always be limited. I shouldn’t despise them for that – I should pity them. And I do!

Oh, how I pity them.

No, no, I mustn’t think that way. It is not their fault. They mean well; giggling, empty-headed Nagisa, proud Rei, Makoto…

Oh, Makoto. That gleam in his eye – does he know too much? Could he suspect my true thoughts? He sees himself as gentle overlord, assuredly – and why not? If I remain vigilant, if I offer no hints of my own thoughts, it would seem obvious to consider him king in a land of fools. He cannot know. He must not.

Calm yourself, Haruka. Consider the water – graceful, ever-flowing, untroubled by our crude frames. The water does not acknowledge adversity. The water embraces and lets past and is still again. Untroubled by my grasping strokes, or even by Rin’s…

Rin…

No. No more of this. I must sleep, for tomorrow the charade must go on.

But soon.

SOON!

Episode 5

Dear Diary,

0:21 – Our torsos were unamused by Gou’s nonsense this morning. She lives in a strange, dedicated fantasy, but it is a harmless kind of madness. Not worth my attention.

0:34 – As always, her distinctive hair, Rin’s hair, sent my thoughts adrift. An idle comment almost revealed me, but fortunately the fool Nagisa was thinking only of Rei, of whom he has taken responsibility. Nagisa does not concern me – unsurprisingly, it is Makoto’s suspicions that I must assuage. His charming, nurturing smile hides a conniving mind

2:45 – It is little surprise to me that Rei’s narrow, superficially aesthetic-minded sensibilities could not possibly appreciate the beauty and sorrow of my work

3:05 – Makoto plays out his charade of leadership. It is simpler this way – none can deny his skill in leading the simpletons, and as long as his goals mirror my own, I am content to play the jester

3:13 – His gaze turns to me. The moment is critical – I must project calm authority, but remain the willing subordinate, displaying no threat to his command of the situation. I consider a moment, and deploy my words with care

3:16 – His pride is untarnished. The charade continues

3:43 – Gou has found a beautiful object. Her mouth jabbers senselessly of islands and regimens, but does nothing to diminish the grace of the poster

4:06 – As Gou’s inane nattering reaches a fever pitch, I center myself, taking mental refuge in the water’s calming, fluid grasp. Sometimes their foolishness is simply too much to bear

4:25 – Even the stalwart Makoto is no island. Gou stumbles blithely onward. She is oblivious to the tender fragility of a man’s heart. His vulnerabilities are clear to me, but I am no romantic. His weakness is my gain

4:50 – Her monologue is interminable. To survive, I must be like the water. I struggle to maintain my composure – bellowing for silence would not serve my goals

5:05 – How he scours himself for the team. His sacrifice is admirable. Foolish, but admirable

5:13 – The fools laugh as I contemplate the infinite grace of the still pool, the subtle truth of its’ reflection. To attain stillness is to become empty, and reflect all shadows but your own. My fingers send ripples through the water, but reflect only my own disturbance – it is not the water that is disturbed

Also, apparently we’re going on some kind of swimming trip

5:37 – Sometimes I believe our advisor is playing on a higher plane than any of us. There is a warped coherency to her evasions

5:44 – Makoto extends a peace offering. Could I trust him? Sometimes the weight of my own thoughts seems too much to bear alone. If I were to…

No. Foolish. It is merely another ploy. I accept the popsicle graciously, but remain unmoved

6:08 – As if a plebeian such as Gou could understand the subtle distinction of a well-fitted suit. My rage seethes

6:27 – Mere generosity? Ludicrous. What is his game?

6:29 – Ah, a power play. Deftly done. My estimation of his skill rises as I munch softly on the popsicle

7:07 – I reflect soberly on mortality. The goldfish knows not of its’ past or future – it is a living moment, an extension of the water. If only I could achieve such presence

7:36 – Nagisa and Gou babble in unison. My aggravation is poorly masked

9:12 – He speaks lightly of concerns beneath us both, gracelessly masking his trepidation. We may not be allies, but he is a worthy foe – it is beneath him to be debased like this. I am forced to act

9:15 – The moment lingers. Unlike the water, my shadow is long and black. My pride is too strong

9:55 – The moment passes. His words do not console me, but they are enough. Though our paths may differ and our goals may never join again, for one brief moment, our shadows merge. Perhaps, one day…

Dear Diary,

10:16 – In keeping with the solemnity of the occasion, I have selected my finest sweater

10:53 – Gou displays her usual grace with subtext

12:17 – Again she flaunts her idiocy and lack of all taste. My desire to strangle her intensifies, but I remind myself Rin would likely disapprove

12:32 – No. Impossible. Why now? My panic rises, and I forcefully remind myself I am wearing my best sweater

12:35 – Death and calamity, Rin is here. And me, stranded in the company of these mewling children. My cheeks flush. The air feels cloying and damp, my sweater no solace, suddenly a joke, a travesty, a fumbling satirical jab at the very concept of fashion or taste. His swimsuit is perfect. His swimsuit is the ideal. The lines perfectly complement his fluid, agile form, complementing those wild, burning locks that Gou defames like a sick joke. His stature is firm but never stiff, confident, as willing to shift and impossible to shake as the water itself. He stares forward with a whimsical half-smile, the only one whose eyes can truly see the grand, ethereal joke. The only one…

12:51 – Gou’s fumbling implicates her yet again. I could kill all of them for this

13:01 – Nagisa’s chipper nonsense forces me to action. He cannot ruin this, not now, not here. The plan will be followed. But his flippant words tempt me like a hook on the line. How I wish I could simply discard my machinations, how this careful waiting and adjusting and aligning tortures me… oh, to simply be as the water, to flow where I would, to spring gaily upon that linoleum floor and announce my tortured psyche for the world to hear!

But no. Rin’s cherished pride would never allow such an evasion. Such selfish whimsy would be a debasement of all we’ve fought for. My options are few, my margins narrow. As much as it pains me, however my heart rallies against it, I must contort and contrive and abuse those narrow cracks that just might lead to a happy end. Stillness, Haruka. Be the water. Be the water

13:15 – His piercing eyes are evaded, for now. But soon. Soon!

14:06 – Our advisor’s cunning is apparent once again

14:33 – Even in Gou’s absence, Nagisa maintains the appropriate level of aggravating frivolity. I remain cool

OOC: 15:04 – Oh my god this is the most amazing thing

15:17 – The plan must succeed. If dignity must be sacrificed, so be it

15:38 – My sympathy extends in spite of myself. Like the water, my hair flows free

17:06 – Makoto’s expression of honest competition moves me. Like a fever inside me, the question writhes: Can I trust him?

-Begin Excerpt-

18:06 – Momentary shock, but it’s pretty obvious. More of her silly schemes – surely the boys are here, Makoto, Yappy, and… him

18:15 – She’s always been like this. Doesn’t she understand the stakes here? I could meet them, sure – but would Haru’s pride recover? He’s always been sensitive, as much as he tries to act tough and above it all. Honestly, it’s one of the things I like about him. But here, now? God, if only I could throw away these training pants and form-fitting suits, and just live!

But swimming is still there.

It’s always been there

18:33 – How insensitive can she be? No, stay calm, you know that damn temper will be the death of you, Rin. But did she even once think to consider Makoto’s feelings?! Are those boys just some kind of game to her?!

18:58 – It’s no lie. I would give anything to simply throw this all away. But Haru… well, it’s just like him, isn’t it? All I can do is train, and smile, and hope

-Excerpt Ends-

19:49 – Rei’s emotional weakness leaves me unmoved. Such situations demand a Makoto

20:06 – Your leadership is appreciated, Makoto. Bunk me with one of these yappy, insecure children and they’d be dead by morning

Dear Diary,

The plan continues apace. Barring Makoto, my instruments are temperamental and foolish, but they will serve. Save any true idiocy on their part, our paths will flow together once again, merging and intertwining in the fluid future where all rivers eventually meet. I must be patient. I must be graceful. I must be still.

SOON!

Free! – Episode 4

Welp, three episodes in and the fourth awaiting. Last time, it was around week four that I went more or less literally insane on Crime Edge fever. These are different times and I’m a different man, but cracking is never really that improbable. So just… just give me a moment to get the demons out.

If I may be briefly indulged, I have to say I have a whole goddamn lot of respect for comedians. And I mean actualcomedians here, people who make real jokes with setups and punchlines and creativity and wit and insight and storytelling and tone, who don’t go for easy targets, who don’t play off in-crowd camaraderie just to tell an audience what they always wanted to hear. I’m not talking about hur dur what a wacky 4koma situation[1]   orlulz we are both fanz of anime[2]   or WOOPSIE DAISY I SLIPPED AND NOW TITS[3]  , I am talking about COMEDIANS goddamnit. And I don’t want to say my elitist preferences regarding lulz are because I have more developed taste in comedy or anything, but they are because that is exactly true.

There was a point here.

Right. As far as actual comedians go, I have tremendous respect, because comedy is goddamn hard. First, it certainly is a legitimate art form – it requires creativity and personality and an understanding of pacing and structure, and at its best it can conjure insight and common humanity in a method all its’ own. Second, one of the great challenges unique to comedy is that it’s inherently built on revelations or surprises – sometimes it shocks the audience, sometimes it surprises them by combining old thoughts in new ways, sometimes it merely rephrases the mundane to make it the absurd or profound. Meaning comedy requires a constant infusion of novelty, and cannot be built on craft alone. Meaning every single joke needs to reach further, think deeper, and try harder than the one before.

Meaning goddamnit you guys I did not sign up for this. I HATE THESE COMEDY WRITEUPS. Fuck this shit, fuck this show, fuck you people.

Let’s swimming.

Episode 4

0:00 – Fun fact: I actually wrote that one on Tuesday to cut down on prep work, utterly sober. One day I will do a writeup and it will just be one continuous scream.

0:00.1 – Addendum: In all seriousness, all the love[5]  . You are my favorite community

0:13 – It’s a tough decision.[6]   What if Rin’s there?

That actually is a great gag though. I am continuously perplexed by the amount of moe they are able to wring out of Haruka.

You know, I actually think I might be able to enjoy moe more when it’s applied to a gender I’m not attracted to, since combining it with actual attraction to make this “Look at this adorable thing, helpless thing! DON’T YOU WANT TO FUCK IT?!” combination just doesn’t work for me

1:11 – “What’s Med. R? Is that someone’s name?” Ohhh, so they added glasses-pusher to give us an audience proxy, too. Man, these guys know how this genre structure works!

Should I do a bit more on that one? Uh, briefly: you know how so many sports or action shows/films/books/etc center their story on some kind of newcomer or rookie? Well, that actually serves a ton of purposes – it saddles you with an automatic underdog, it provides for a fully articulated heroic journey, it optimizes the opportunity for surprises, etc. But one of the critical roles it serves in any story where a game with established rules is central to the drama is that it lets other characters directly explain those rules and concepts to the camera without it coming across as clumsy exposition – if they have to explain it to the rookie, then letting the audience know how everything works comes across naturally

Sorry if you already knew that or it was obvious. Moving on!

1:26 – “Man, even if it’s justified, this much exposition seems kinda boring. How can we… oh, right. Manservice[7]  .”

1:50 – I feel like they’re getting some pretty distinct expressions[8]   out of these more angular and older-looking character designs. KyoAni are pretty much expression masters (though White Fox[9]   are giving them some competition)

Damnit, this episode is giving me too many real things to talk about! Stop being interesting, Free!

1:58 – “It’s my brother’s old regimen.” Gasp![10]   Seriously can’t tell if the show is pushing these undertones or if all-male sports shows are just naturally homoerotic

3:30 – Well, at least I know ONE thing[11]   the show is selling!

3:36 – …and selling…[12]  

3:44 – …and COME ON NOW, REALLY?[13]   IS THAT EVEN A REAL STRETCH?!?

3:55 – Wow, they didn’t even make a joke about that. Man, at least Monogatari puffs up its’ smut by pretending to be about, like, perspectives and shit

4:13 – Glasses you stop being a sex object[14]   this instant!

4:21 – Seriously these camera angles are unstoppable[15]  

4:39 – Alright if I pause every time this show objectifies Glasses I’ll never get anywhere. But I do like that Gou just straight-up admits she’s forgotten the plot and it’s all biceps to her

4:54 – I’m not the only one who sees those penguins, right?[16]   Just making sure

5:19 – Man, Rei just gracefully sinking[17]   to the bottom of the pool actually had me laughing out loud. I forgot how good KyoAni are at physical comedy

5:32 – “Haruka-sempai… why do you swim?” Jesus Gou, getting into the deep philosophical questions already? Give it time, we haven’t even had tea yet

6:00 – “But I think he’d be a little closer to his dream if he were with you guys.” THE ANTS ARE A METAPHOR FOR TOGETHERNESS.[18]   Jesus KyoAni, you’re gonna have to try harder than THAT to impress me

6:27 – It’s actually awesome to see the rival say this[19]   pretty much immediately. Very tired of rival sycophant #387

6:40 – It all comes down to talent, eh? Sorry, I don’t buy it[20]  

That’s right, I’ll plug last season’s shows if I want to. Just how I roll[21]  

6:55 – “They haven’t even been working out,” he mutters, disgusted. Flinging the hand towel over his shoulder, he walks out all in a huff

7:10 – And then he goes for a run. It’s obviously pretty presumptuous to say, but I’m kind of jealous of people who find such satisfaction in competition – all my demons are related to my artistic output, and I can’t quiet them by just being even meaner to my body. A shame

7:30 – Man, I had this expression for like all of high school[22]

7:53 – Bow before your overlord. 

This episode’s straight-up very funny. Which actually makes writing about it harder. Conflicted!

8:29 – Oh my god Rei’s laugh is great

8:50 – Even goggles won’t stop him from glasses-pushing . To whoever declared they’d be covering glasses-pushing duties – that still counts!

9:44 – Rei really does add a lot to this series.  Genki and bighands are too upbeat and Haruka is too moe (and by moe I mean lobomotized) to really add enough flavor to the dynamic

9:57 – Laughed as he sank again. So good

10:01 – Man after my own heart, Haru-chan 

10:30 – And they just cut away from Sensei. This episode is really goddamn funny!

That said, my drunk is escalating faster than this episode is ending. Power through!

11:22 – “The water doesn’t like you.” “A more appropriate analogy would be.. a submarine.” See, I can’t just pause and say “hey look, the show made another great joke.” Free! you are killing me

11:51 – I am continuously laughing what is wrong with my body.  Man, applying classic glasses-pushing techniques to swimming is just endless entertainment

12:58 – “I believe the color also plays a psychological role.” Or the entire process plays a psychological role. Because this is just some magic dancing shoes shit applied to mostly-naked men

13:33 – How’d this suddenly become the best comedy I’d seen in years?  Free, you weren’t nearly this good last episode. What the fuck happened?

14:05 – Because why not 

14:28 – Don’t worry Gou,  it was hard on all of us 

14:36 – “Now I know how guys feel when they go shopping with girls…” Ohoho, directly addressing how this show plays with traditional narrative gender roles, Gou? Hmmm…

14:59 – “Well, this is awkward.  Should I tell him he looks great in that suit? Shit, no, that’s stupid, we haven’t really talked in years. God, what would we talk about, anyway? Did we even have anything in common beyond swimming? I wonder if he picked up the new One Direction album. Fuck, no, that’s stupid, HE DOESN’T EVEN KNOW YOU ANYMORE.

15:01 – “I like swimming.” 

15:57 – Look, we get it.  It’s your catchphrase. Everyone’s real happy for you

16:05 – And a thousand pens hover restlessly over a thousand possible doujins 

16:09 – I’d say it writes itself, but that’s not true. It’s actively writing itself 

17:34 – Why is it so funny every time??? 

18:47 – It really only gets better . Watching this makes me think no other studio actually understands how jokes work or something. Timing, people. Setup. Expectations. Don’t linger on the dismount. Jeez

Anyway, this episode’s structure is also classically sound comedy stuff. An internal arc built through a series of comic but actually relevant conflicts (Rei can’t swim!) resolved by the addition of a variable actually moving the central plot forward (Rin’s “I need you” speech)

19:45 – “Just dive in.” “…what?” “Dive in… with your heart.” “That doesn’t help.” That might actually be my favorite joke. Don’t you get it, Rei? HE’S TRYING TO IMPART A MEANINGLESS SHOUNEN MORAL

21:21 – Yes, obviously the graceful freedom of the noble butterfly  inspired him to swim. Great work, Free

And Done

Jesus, that episode was actually good! Consistent humor! Excellent pacing! What the fuck!

I don’t know where that came from, and it kinda only makes my job harder, but I’ll take it! Pretty honestly impressed here; in my mind, this episode shifted the show from “an amusing experiment in anime gender norms cast in a very typical genre shell” to “an actually witty and kinda self-aware experiment in gender norms cast in a very typical genre shell.” That’s a good shift! That is a very good shift!

Also Gou is a great audience stand-in, Rei makes the overall team dynamic much, much funnier, and the comedic pacing is just awesome. Holy shit guys, this show just got kinda good!

Free! – Episode 3

Well I guess it is time for this show that I am obviously not tsundere for. Seriously, I’m not tsundere for Free!, I’m just yandere for beer. There’s a difference.

Now that that’s cleared up, yeah, last episode was definitely better than the first one. It still wasn’t good, in the way that, you know, good[1] shows are good, but it was certainly entertaining. It also featured a “let’s clean the pool” montage, and went incredibly deep on Haru-chan being perhaps a little bit obsessive maybe. I really didn’t buy the whole “oooh, he hurt his friend’s feelings that one time five years ago, that’s why he gave up his sole passion!” plot development, but if I can look past the fact that this is basically K-On with abs, I can probably look past a few extra-maudlin plot beats. Plus this has the added advantage of not being Everything Wrong with the Anime Industry™, and instead being A Winking Subversion of Everything Wrong with the Anime Industry™.

Note: this is not an invitation to argue about K-On. I dislike[2]   K-On, you are all allowed to like[3]   K-On, let’s leave it at that. This is my derpy show, I get fast and loose on reactions, if you’re uncomfortable with the temperature I’d advise exiting the kitchen.

Alright, I think I’ve picked enough pointless fights for this intro. Let’s Swimming!

Episode 3

0:00 – I like how I’m downloading all these in 1080p just because. KyoAni I am addicted to your drawings

0:21 – Truly the moeist[4]  

0:54 – Yet also an untamed wild stallion[5]  

2:45 – Goddamnit this OP. Rin’s single tear. This pain in his heart can only be settled IN ONE WAY. GET SET RED GYAO

2:58 – “Oh, you know, just some light reading.[6]  ” COULD THIS BE A CLUE?

3:20 – “It was easy enough to guess.” Oh come on, do it. You know you want to.

3:25 – “Considering those recruiting posters in your bag…” C’mon, you’re deducing right now! DO IT!

3:30 – There it is[7]  . Yesss, glasses-pusher. Embrace your nature!

3:50 – That face nooo. KyoAni’s powers are frightening[8]  

5:41 – I like how they’re just going all-in[9]   on Haru being nuts for swimming. It’s nice to see a KyoAni protagonist who’s such a derp – although really, this again is just showing how much more this show is falling into their moe SoL lineage. For all my problems with those shows, they certainly have more democratic ensemble casts than Haruhi, Chuunibyou, or Hyouka did – there’s less of a clear protagonist here, since while Haru is the central character, he’s also probably the least reliable member of the group

6:19 – Yesss do it again the crowd loves it[10]  

6:42 – Jeez, did they think I wasn’t already enthralled[11]   by club recruiting or something? Give it a rest Free!, I’m not that easy. Push glasses or gtfo

7:19 – Alright, this actually is a parody, right?[12]   I mean, I’ve seen serious glasses-pushing[13]  , but this is on another level

8:06 – He’s insatiable![14]  

8:51 – “After all, humans evolved to live on land.” I see no faults in this argument

8:59 – They better keep making these[15]  

9:39 – She’s awesome[16]  . Her and Gou are both kind of one-note, but they’re making the most of it

9:48 – I noticed this with the train station pan too – what are they doing with these backgrounds?[17]   They look like painted sketches or something. It’s very nice

10:37 – “But factor in shifts in the pole’s center of gravity.” Of course. How could you be so stupid?

11:02 – “You’re too focused on the technical side.” That’s right, glasses. You gotta feel the heart of the pole!

Wait that came out wrong

11:43 – “It’s Kou.” This show keeps surprising me with its’ humor. I’m a big fan of this style, where they mix genuine love for such a cliched genre with plenty of subversion and winks (like the absurd pole-calculations). Gatchaman Crowds is doing something similar, though I think that show’s running with it a bit more successfully. You should all be watching Gatchaman Crowds, by the way. No, I will not stop using this platform to advertise all my season favorites

12:21 – “They all have girly names…” Rei knows those girly names ALL TOO WELL[18]  

12:58 – Someone hold him down[19]  Okay I’ll stop (no I won’t)

13:48 – ALL RANGE MODE[20]  

14:01 – Look I’m not the one doing it[21]  . And we’ve gone too far to stop

14:54 – “Oh, Rei-chan!” “You’re Haru-chan? Show me your beautiful body

15:10 – Free seriously I need to sleep tonight[22]  

15:26 – I agree, this episode was[23]   getting kinda slow

16:41 – “You can use one of our spares.” Wuhoh, what a wacky misunderstanding! But seriously show me him naked. Leave the glasses

16:44 – They did and they did[24]  

18:18 – Ahahaha. Thank you for the doubletake KyoAni

20:40 – “Be free.” Hey, that’s the name of the show. And describes Haru’s power, and probably what Rin is trying to reach from whatever his megadark past is. Also, the soundtrack is often a little silly, but I really love the tracks they use for these low-key but climactic moments

21:09 – Once more for luck![25]  

21:29 – Am I supposed to be interpreting this some other[26]   way?

Well, whatever. I’m sure Nagisa will make a great dad

And Done

Alright, full disclosure: I’m actually having a ton of fun with this. Yeah it’s dumb, but it’s also funny. Yeah swimming is a hard thing to make look inspiring, but they’re doing their best. Yeah Rei-chan might be pregnant, but Nagisa is gonna take responsibility.

Anyway. I think that’s enough glasses-pushing for one night.

Ahahahahahaha[27]  

Hm[28]  

Okay see you next week.

Feminism and Free!

Management: I’m a bit more heated here than my usual tone, but it’s an actually important topic, so I figured I should still post it. This was a straight-up argument, so I haven’t changed a word on either side to make sure no-one is misrepresented. It came about in response to my first Free! post, which apparently ruffled some feathers.

Question (sort of):

You didn’t need to tell us what a good little feminist you are (and oh so concerned with shitting on anything that might be remotely aimed at men) 27 times in one post.

Bobduh:

Shit, you got me! I only pretend to be a decent person to look cool on the internet.

Question:

For one thing, forcing yourself against your will to hate something that’s nothing but love and kindness (K-On!) because of some political ideology does not make you a good person – quite the opposite.

But even if we grant that your brand of feminism is what’s good, you’re still obnoxious in how often and aggressively you signal your adherence to it, just as it’s obnoxious when a religious person (who is also a “good person” by their standards) talks constantly about how much they pray and go to church.

Bobduh:

Forcing yourself against your will to hate K-On because of some political ideology

There is no part of this statement that I do not take issue with! First, there is no “force” involved here – my will, personality, and conscience mind are all in agreement that there is something deeply problematic about the archetypes displayed in shows like K-On, Clannad, Sakurasou, and any other number of shows where a female character’s infantilizing helplessness is supposed to be perceived as attractive. I am not going against any natural tendency here – every fiber of my body finds this stuff pretty disturbing, and I actually have repeatedly gotten in arguments on this board, and often just avoided other conversations entirely, because of it. You seem to think I’m just pretending to believe the things I say – I assure you, I’m not trying nearly that hard.

But this doesn’t address K-On itself, which I don’t actually hate – I honestly do believe the creators of that show were intent on making a lighthearted healing-type show, which is apparently what you got out of it. I did not intend to belittle your experience with the show, or their intent – what I take issue with is the specific style of characterization used, which is very prominent in many other less-defensible shows with overt romantic characteristics. I find those helpless  character  archetypes  indicative of an incredibly sexist and dehumanizing style of pandering. My problem is not specifically with K-On – I merely used it as an example because it’s also a KyoAni show and it bears a large number of humorous parallels to Free!, which is why I was referring to Haru as Mio throughout, etc.

Obnoxious in how often and aggressively I signal my adherence to it

I’m sorry my brand of humanism is so offensive to you! My first suggestion would be to possibly not read my posts, since they are all an extension of my beliefs and thus all likely contain the capacity to offend you, but I’d also like to add a little context here. First, and I’ve covered this earlier, but it bears repeating: I’m not filtering my voice through some outside agenda here. I’m cataloging my honest reactions, adding a little humor, and trying to show people my context on media. My first goal in writing these things is to better process my own thoughts, and become a more intelligent consumer of media (thus the questions of sexism and objectification will necessarily crop up here, since they’re such a big question when it comes to this show, and are obviously on my mind) – but in a roundabout way, you’re also right. My second goal is to impart something. Normally that thing is either my way of analyzing stories or my thoughts on media evaluation or my belief that humility and curiosity are the only ways to have a meaningful relationship with art. But my general worldview is also inescapably a part of that.

I’m not a religious person, but I can understand why a religious person would try and tell you how valuable their religion is, if they care about you – according to a great many faiths, if you’re not an adherent, you are eternally damned. That sucks! Why wouldn’t a religious person want to spare people they care about from that? And personally, as a non-religious person who instead believes that data is a real thing and prejudice exists and our world is incredibly goddamn far from a place where genders or races or sexualities or whatever can honestly consider themselves equal in society, government, law, or media, I think that downplaying this stuff, particularly in a setting where people actually read what I have to say, would be pretty inexcusable. I’m not hammering on my “agenda” here, but if my thoughts make anyone think that maybe continuously treating female characters like objects is a shitty thing to do, then I’d also be pretty fucking proud of that. If you find that obnoxious, whatever, read something else – but you can’t tell me it’s not sincere.

But seriously, I’m not actually trying with that – if I were trying, I could be doing much more directly relevant stuff than criticizing anime. This show is pretty dumb on a straight textual level, and so I find that outside of just making jokes, the most interesting angle to analyze it from is its relation to the pervasive sexism in the anime industry. When relevant cultural stuff crops up in other shows, I’ll certainly mention it, but this happens to be a show where that angle is likely the best one for encouraging meaningful discussion. I did not once think while watching this, “now would be a good time to propagate my subversive feminist agenda” – things just came up in my mind and so I wrote them down because I thought someone else might find them interesting. If that doesn’t work for you – well, sorry, no refunds.

Question:

First part: Apologies for being unnecessarily rude earlier – I did find your initial post a bit condescending. Although I can see where you’re coming from about helpless women, I don’t think this is an entirely fair portrayal of K-On! The girls in that show may be goofy and a bit childish in their personal interactions, but they’re also proactive and successful at their goals. They aren’t genuinely helpless and they don’t sit around waiting for men (or anyone else) to save them.

Second part: I think there’s a danger in jumping in too whole-heartedly into any political belief given the high possibility of those beliefs being at least least partially in error. Taking abstract beliefs completely seriously is powerful but dangerous, and can drive things like terrorism just as much as it can drive positive change (not that I think you’re going to bomb anyone). I did think it was a bit weak when you were about to criticize Free! for possibly being sexist against men and then cringed back because you were apparently terrified of being labelled an MRA neckbeard – I think it’s better to own your thoughts instead of fearing “thoughtcrime”.

For what it’s worth I have no comment on Free! itself – I don’t intend to watch it but anyone who does enjoy it is welcome to. I did think it was a bit lame that some people claimed to be watching it in an attempt to stick it to /a/ somehow – just watch what you want to watch and don’t worry about what some anon said about it.

Anyway, thanks for being reasonable when I started out being a bit snarky.

Bobduh:

Abstract beliefs

The thing is, the only real “beliefs” I’m proposing here are that all people deserve equal treatment, that various societal and systemic forces trend towards sexism, and that this extends to media as well. And none of those “beliefs” are really debatable – there’s endless academic evidence for it, and even a cursory examination of anime at large reveals the general tendency to objectify and infantilize female characters. I agree that unsupported beliefs are dangerous, but I think what you’re proposing here is equally dangerous – the idea that all viewpoints are created equal. They aren’t – there’s only one reality, and when all the evidence supports the idea that women are not given fair representation in media, the viewpoint in support of changing that becomes kinda self-evident.

Terrified at being labeled an MRA neckbeard

I was actually just making a joke there, and am not particularly worried about being labeled an MRA or whatever. I don’t deny that men can also be objectified in media (I mean, look at this show), but I think the relative objectification/agency ratio is so skewed towards male fantasies that raising a show like this as a counterpoint to sexism at large is pretty laughable. That was pretty much what I was trying to say with my joke: that Free!’s existence as a show that objectifies men does not excuse an entire culture of sexism in the other direction, farcically playing off the general tendency to use single isolated examples in order to “prove feminism wrong.”

Thanks for the apology, by the way. I try to stay as reasonable as possible, since we can’t really learn anything from each other if we’re just throwing barbs.

 

Summer Season Initial Impressions

Management: My writeups will still obviously all be on the test, but here are my overall initial impressions of this season’s lineup.

This week sure was summer. I caught the first episode of a whole tidal wave of shows, dropped several, clung to a few more, and was actually impressed by exactly two. Let’s get those out of the way first.

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