Goodnight Punpun’s third volume begins and ends in resignation. Its front cover largely defines the drama to come: Punpun lost in a bustling crowd, just one (admittedly bird-like) face among many. In elementary school, Punpun marveled at the infinite wonder of the universe, thinking there might be a destined place for him out among the stars. In middle school, he grappled with a hyper-awareness of his own feelings, lost in the sordid anxiety of first self-consciousness. He was lonely, but he was distinct. Now he doesn’t feel like anyone at all.
Tag Archives: Goodnight Punpun
Goodnight Punpun – Volume 2
Goodnight Punpun’s second volume is clammy and claustrophobic and cold. Its characters are alternately bundled in heavy winter clothes or sweating and naked beneath the sheets, suffused with a sense of spiritual isolation or simply embarrassed at the wriggling baseness of their desires. Childhood is over for Punpun, and even if it was an awkward and frightening time, it was still laced with precious, golden memories. Punpun is in middle school now. Middle school is terrible.
Goodnight Punpun – Volume 1
Solanin is a story about young adulthood, written by Inio Asano at the point when he was experiencing the feelings he was transcribing. It’s a great story, but it is very much about that moment – that specific kind of freedom, that specific kind of fear. A Girl on the Shore is similarly concerned with the specific emotions of a listless, emotionally deadened adolescence, and that story ends when its exact emotional moment concludes.
Goodnight Punpun is a work that seems to be striving for true emotional universality. And so Goodnight Punpun is about a bird.