Yep, big surprise, I reviewed The Idolmaster. As I’m sure you know if you’ve been reading the week in review posts, I was a big fan of this show – in fact, its final score ends up approaching Flowers of Evil/Ping Pong the Animation levels, so yeah, this was definitely a favorite. I was actually a huge fan of this show in spite of the fact that neither of its final emotional arcs really worked for me. I couldn’t buy into either Chihaya or Haruka’s drama, and both of their stories struck me as kind of contrived and hollow. But the execution of those stories was remarkable, and the show overall had such an incredible sheen and understanding of quick touchstone character work that I can barely fault the show for failing in its most emotionally ambitious moments. Idolmaster nailed the small moments, the ones where characters were just coming to understand each other through proximity and time, and that stuff does great work in justifying a couple melodramatic overreaches.
Plus, and this bears repeating many, many times, Idolmaster is so friggin’ beautiful. Holy crap this animation, holy crap this direction, holy crap basically everything about this show’s visual and aural storytelling. Christ, I wish I got to complain about storytelling quibbles in shows this beautiful more often. I wish the general problem was “this show is a visual masterpiece, but sometimes it’s not so good at executing on emotional setpieces.” It’s kind of funny to me that a couple years ago, I probably wouldn’t have been able to appreciate this show, but would likely have been groaning about there being no heir of Gainax to take up the legacy of shows like Evangelion and FLCL. Well, Gainax’s children are here, and they’re doing the best they can. Hire a couple better writers and we’ll be right back in the golden age.
You can check out my extremely positive review over at ANN, or run down my pages and pages and pages of notes below!