Modern anime convention rests upon a scaffolding that has been built up over decades, a series of aesthetic and narrative conventions established one seminal work at a time. The more I explore this scaffolding, the more I find to appreciate in modern anime; as such, I was eager to check out Kaze to Ki no Uta, the film adaptation of one of the earliest and most influential works of shounen-ai manga. The manga’s explorations of sadomasochism, incest, and other charged topics made it controversial from the start; in fact, author Keiko Takemiya’s editors waited seven years from her first conception of the story to actual publishing. And its release was a lightning bolt; a hit from the start, it would help popularize shounen-ai more generally, opening the door for manga and anime’s subsequent explorations of queer identity.

Continue reading →