Top Anime of 2024 (And Year in Review)

Hello folks, and welcome to the end of another year on this swiftly decaying orb. There’s no sugarcoating it; this has been a year of absolute horrors on the global stage, with my own government doing its best to sanitize a ruthless genocide while the world at large slips further into regressive, reactionary social attitudes and outright fascism. The neoliberal consensus of the early 2010s has broken on the back of capitalism’s increasingly ruthless post-COVID exploitation, and the best message the alleged adults in the room could muster was “things are fine the way they are,” a message that resonated so poorly it sent a narcissistic, buffoonish reality show host back into the most powerful seat in the world.

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A Thankless Passion: Look Back

Why is it that we create art? Certainly not for the adulation of the crowd; for beyond the theoretically accommodating audience of your close family and friends, there is little chance you’ll be impressing anyone without putting in thankless, outrageously time-consuming practice for any hope of positive return. Doubly so for financial incentives, which have frequently eluded even the most popular and historically celebrated of artists. Is it simply so difficult for us to express our feelings plainly and move on with our lives? Is there some form of egoism inherent to our species, that we must believe our particular thoughts are so noteworthy they demand public distribution? Is making art just another way of fearing death?

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