“They say her voice was as beautiful as that of a goddess.” That’s one of the few things Amano learns about Rika, the woman who supposedly tied her own stepmother to the clock’s face. What would lead a person to do that, and what her own thoughts might have been… all of this can only be inferred, refracted through secondary sources with their own ambiguous motives. All pictures of her were burned, and now she exists only as a distant wraith in the background of a single photo, and a cautionary tale about the dangers of feminine hysteria.
Tag Archives: Manga
One Piece – Volume 9
One Piece’s ninth volume is titled simply “Tears.” It’s a thematically relevant choice, but it’s also about as clear an indication as you could hope for of the emotional trials to come. This volume is a harrowing journey, featuring One Piece’s greatest moments of character writing and most cathartic points of high drama so far. It’s an easy peak for the manga, a dramatic accomplishment any story would be proud of.
A Silent Voice, Volume 7 – Review
And so A Silent Voice comes to an end. This volume was definitely weaker than much of what came before, and essentially gave too much time to what was all pretty much epilogue. There were loose narrative tangents and unnecessary additions, and it all made for a slightly rambling experience. But A Silent Voice’s fundamental character writing is so strong that it really didn’t harm anything, and at this point, seeing the untidy threads of the manga actually just makes me feel even more excited for the film. A Silent Voice is a fantastic manga, but it could be condensed into a basically perfect movie. For the first time in a while, I can’t help but let the hype be real.
You can check out my full review over at ANN!
One Piece – Volume 8
The Baratie arc came to an end in this volume, concluding with as much dignity as it could muster. As before, a great deal of this volume’s weakness came down to the fact that Don Krieg is just not a particularly exciting opponent. Volume six deliberately undercut him by using him as a prop to build up a more threatening opponent, and volume seven dawdled through a series of fights with underwhelming underlings. Even Don Krieg’s theming isn’t particularly compelling – his main gimmicks are a focus on “military might” and his wide variety of weapons, neither of which serve to make him particularly threatening. Don Krieg is altogether pretty much a failure of an antagonist.
UQ Holder, Volume 6 – Review
UQ Holder arrived at another peak in this volume, with the Santa arc’s second half offering both big visual thrills and some legitimate emotional sensitivity. The manga deliberately and somewhat unexpectedly sidelines basically all its established characters in order to give Santa’s story more room, a choice that really ends up paying off. Santa is one of the most compelling characters introduced in the manga so far, so I hope this is a sign that the central dynamics will continue to improve.
You can check out my full review over at ANN, or my chapter notes below!
Goodnight Punpun – Volume 1
Solanin is a story about young adulthood, written by Inio Asano at the point when he was experiencing the feelings he was transcribing. It’s a great story, but it is very much about that moment – that specific kind of freedom, that specific kind of fear. A Girl on the Shore is similarly concerned with the specific emotions of a listless, emotionally deadened adolescence, and that story ends when its exact emotional moment concludes.
Goodnight Punpun is a work that seems to be striving for true emotional universality. And so Goodnight Punpun is about a bird.
A Silent Voice, Volume 6 – Review
A Silent Voice just continues to be intimate and painful and heartfelt and all that juicy feely-weely stuff that kills me every time. This sixth volume actually pulled one of my favorite dramatic tricks, something I maybe first fell in love with while watching Evangelion – drawing back from the overt narrative momentum in order to spend some time exploring each individual character, and giving their own internal world the time and respect it deserves. Shoya’s fall is a perfect moment to cut the drama short, and the results are as consistently enlightening as they are heartbreaking. A Silent Voice is the best manga I’m reading, and dear lord does the upcoming movie ever have a high ceiling.
You can check out my in-depth review over at ANN, or my chapter notes below!
UQ Holder!, Volume 5 – Review
My journey through Akamatsu’s latest continues with volume five. This one couldn’t quite match the either character or battle-based entertainment of the fourth volume, but it does seem like the manga at least has a solid platform to stand on now. There are definitely plenty of ways to give a story dramatic stakes even if your protagonists can’t really die, and Akamatsu seems to be figuring them out one at a time. It’s still not as compelling within its genre as something like My Hero Academia, which is basically the essence of good shounen, but I know Akamatsu has some smart ideas in there. I’m on for the ride.
You can check out my full review over at ANN, or my notes below!
One Piece – Volume 7
The battle against Don Krieg continues in One Piece’s seventh volume, hampered only by one small but somewhat significant problem – Don Krieg himself is not an intimidating villain or interesting character.
Part of this comes down to his fundamental design. If Krieg has any character or power-related gimmicks, they are “weapons and ruthlessness.” His personality is based on only looking out for himself, which somewhat works in the context of this particular arc, but doesn’t make for a particularly engaging character. And his battle tricks lack the unique style or cohesion of Kuro and Buggy – he’s just a guy in a big metal suit who shoots a lot of cannonballs.
Yuureitou – Volume 1
There’s something ugly lurking in Yuureitou. It seeps in from every corner, lurking in too-close panels of drifter Amano savoring his darkest instincts, or his new friend Tetsuo reacting with uncommon violence or disdain. It’s there in the way the panels themselves fetishize Tetsuo, who seems uncomfortable in his own seemingly unwanted skin. It’s ingrained in the manga’s horror tones and exploitation roots, the way it crosses sex with violence so callously that you’d almost guess the mangaka thinks they’re one and the same. And it erupts in vivid, hideous bursts, as the story’s characters are made instruments of fear by lurking, bag-faced men.