Throughout the course of Planetes, Hachimaki and his companions have pursued a variety of paths to find meaning and purpose in the face of oblivion. The simultaneous grandeur and mundanity of their labor has framed this task in sharper terms than for most; collecting garbage while spotlit against the infinite nothingness of space, it becomes hard to forget your own ultimate irrelevance. You are a speck in a universe that cares nothing for you, that cannot even recognize your presence within its all-enveloping emptiness. Against this backdrop of existential insignificance, they pick up trash and put it somewhere else, certain only that their labors will never end so long as human ambition endures. They are as ants scurrying between the footsteps of gods, but unlike ants, they are burdened with the capacity to desire meaning, purpose, and love.
Tag Archives: Manga
The Liberation of Study in Witch Hat Atelier
With every return to Witch Hat Atelier, it is a rush and a comfort to again be guided by Kamome Shirahama’s skillful hands, her ability to lead the eye across visual compositions with such grace that the trick becomes invisible, only noticed by those who spend too much time thinking about things like panel blocking and negative space. As the apprentice witch Agate steps up to a bluff’s edge and then leaps off, briefly falling and then soaring into the distance, the effect provoked by each carefully chosen shape offers guidance for visually navigating this experience: the triangle of the bluff in the first panel leading the eye up towards Agate’s shock of dark hair, the way that curving bluff and Agate’s arched form guide us up, over, and down through the following two panels, the effortless way geography and panel lines combine to show motion across stable, inviting landscapes.
Planetes and the Dignity of Garbage Collection
Planetes’ fourth volume begins with an accounting of our heroes’ trials, all framed in relation to the profession that once united them. Hachimaki is en route to Jupiter, “committed to never again collect garbage in space.” Tanabe is now Mrs. Hoshino, and “currently collects garbage in space.” Fee “might be sick and tired of commanding a team that collects garbage and space.” And the thoughtful, quiet Yuri seems content with his lot, and “will perhaps always collect garbage in space.”
Summer 2023 – Week 10 in Review
Hello folks, and welcome back to Wrong Every Time. The warm days of summer are currently ceding to chill winds and autumn leaves, which is normally a time of great existential terror for me, but I’ve frankly been so preoccupied by the day-to-day chaos of life that I can’t really bother to be scared about aging with nothing to show for it. Instead, I’ve been keeping busy with writing projects big and small, from breaking into the deliciously well-written It’s MyGO! to proofreading the last few quests of my DnD campaign. Also, the live action One Piece came out! My expectations were thoroughly muted after the disastrous live action Cowboy Bebop, but positive buzz and my abiding love for the material drew me back, and I’m happy to report that the live action One Piece is nearly as good as a live action One Piece could possibly be. What does that mean? I’m glad you asked!
We Are Not Fireworks: A Silent Voice
“I hope I die before I get old.”
– The Who, ‘My Generation’
A Silent Voice begins with an ending, as Shoya Ishida settles his affairs and prepares to end his own life. Saturated in a cold, otherworldly light, he runs through a list of final preparations: give notice at his part-time job, sell off his belongings, close his bank account, repay his familial debts. Trembling, uncertain piano keys offer a murmur of anticipation like slipping off into a dream; bathed in soft focus, he floats like a ghost towards his terminal destination. It is a somber moment, but also an oddly liberating one. After this moment, he will no longer struggle, no longer suffer, no longer labor under the weight of guilt and self-hatred and despair. Stepping up to the edge of the bridge, he prepares to reenact a familiar ritual of his childhood, leaping out into space in a final prayer of escape.
Chainsaw Man and the Nature of Violence
With a final prayer to Aki, Himeno is consumed by her bonded devil, leaving only scraps of clothing to indicate she was ever here at all. That is the ultimate fate of all devil hunters, the fate of anyone who has been conscripted into a machine that sees them as no more than expendable fuel. Himeno allegedly served a grand purpose, but there is no trace of Himeno in the purpose she served. Only those who stood beside her remember her now, knowing and mourning the passionate, unique human being who was compressed into the shape of a devil-aimed bullet. And even that consolation is a fleeting balm; Himeno sacrificed herself to ensure Aki could leave flowers at her grave, but when he is gone, Himeno truly will be as well.
The Honesty of Magic in Witch Hat Atelier
Across its first two volumes, Witch Hat Atelier has articulated a philosophy of magic that’s quite distinct from your usual fantasy adventure, wherein practice, caution, and discretion are lauded as the key prerequisites for becoming a great mage. That is because, as any great craftsman or artist knows, there is no further secret. With careful study and diligent practice, anyone can create marvels that seem like magic to the untrained eye. Magic is no different than carpentry or painting in its method of mastery – the only thing that does separate it from any mundane craft is the profound danger of its misuse, meaning any large-scale act of magic must be initiated with the greatest of caution.
Bloom Into You – Volume 6
Bloom Into You’s sixth volume begins with the curtain about to rise on our play-within-a-comic. After an entire series spent playing the part of her sister, Touko will in this performance be playing the part of someone who rejects that philosophy outright, and chooses to embrace their own fledgling, uncertain identity. It’s simultaneously a gradual step and a terrifying one. On the one hand, she’s only playing the part of the person Yuu wishes she could be, in the context of an established, inauthentic performance. But on the other hand, she will be performing this new self in front of a vast audience, essentially the entire student body that she has sought to “fool” all this time.
Planetes and Ordinary Happiness
Wouldn’t it be wonderful to stare up at the stars, secure and certain of your place within their grand design? To not see the cosmos as a sprawling reflection of all the opportunities you’re conceding, all the moments you’re wasting with every second not harnessed to your true purpose? To truly know who and what you are, your current self and your ultimate intended function? In a universe as vast as our own, the idea that each of us has some destiny that we must seek, some specific route that was made for us among the countless potential paths we might tread, feels more like a hopeless lament than a call to action. And yet some truly do seem to have found their calling, treading confidently forward with certainty at their side.
Chainsaw Man and the Cost of Kindness
It feels uniquely Chainsaw Man-appropriate that three volumes in, Denji could look up and see “Kill Denji” plastered as the volume title of the manga that’s literally about him. The kid just can’t catch a break – not from his enemies, and not from his allies either, for whatever that designation is worth. Aki treats him with nothing but contempt, his other coworkers view him with a mixture of fear and loathing, and the woman he believes he is in love with is simply exploiting his obvious, easily manipulated desires. Pretty much the only person who doesn’t hate or desire to manipulate him is Power, which is an undeniably sad place to be.