And so the summer ends. I really couldn’t be more burnt out on talking about anime, considering I just finished three 8+ page essays on TWGOK, Uchouten Kazoku, and Gatchaman Crowds, but I’ll at least wave my hand in the direction of final impressions.
Tag Archives: Monogatari
Monogatari S2 – Episode 13
This weekend is gonna kill me you guys. I have written so many words. I have so many words left to write. C3-bu. TWGOK. Gatchaman. Uchouten. Titan. Why am I doing this to myself?!?
Alright, that’s not Monogatari’s fault. In fact, Monogatari’s the nice show, the one that isn’t piling on the mountain of reviews I’ve foolishly assigned myself. So let’s take it easy, Monogatari. Maybe just have an episode of pretty backgrounds I can cap and say “hey look at this pretty background” to. Please don’t get thematically dense on me here.
That seems pretty unlikely, though – between the snake and Ougi, this arc has already firmly declared it will be about the Fallacy of Victimhood, and how Nadeko uses her alleged helplessness as a defense mechanism even as she pursues selfish and potentially damaging ends. Given her desire to direct dissatisfaction outwards and minimal ability to express herself, Nadeko is possibly our most unreliable narrator yet, which in the context of Monogatari is really saying something. Let’s get to it.
Summer 2013 – Week 12 in Review
Would it be hyperbole to call this the best week of the season? Don’t really see how it could be – sure, Gatchaman was hamstrung by its budget issues, but everything else… well…
Monogatari S2 – Episode 12
New arc! Man has this season been some good Monogatari. I think Neko Shiro is probably my single favorite arc of the show to date, and Araragi-Shinobu: Time-Traveling Zombie-Fighting Buddy Cops isn’t far behind. I’ve written more about this goddamn series than any other by a fairly significant margin, but it’s generally been a show I found more interesting than fully coherent – the style of storytelling was very unique, and the tricks of direction were extremely compelling, but it didn’t necessarily gel into a cohesive production. This season has blown that complaint away, telling vivid and compelling stories that don’t lean on either Isin’s wordplay or Shinbo’s cinematography, but instead make best use of each of their strengths in tandem. And now we have the Nadeko arc.
This is gonna be interesting. In Bake, I felt her arc was basically a biting, caustic comment by Shinbo, but Nadeko herself didn’t really have any presence. These first two arcs have been well-written and well-directed, but they’ve also had the benefit of leaning on two of the Monogatari universe’s strongest variables, Hanekawa herself and the Araragi-Shinobu relationship. Since Nadeko is so loosely define, this arc could go basically anywhere. So let’s go on an adventure.
Summer 2013 – Week 11 in Review
No Monogatari this week, so I only had two thirds of the great shows I normally do. That turned out to be fine, though, because the second-strings were in extremely good form.
Brief Aside on the Beauty of Uchouten Kazoku
Management: So yeah, I’m pretty much just evangelizing at this point. I was asked why I found the visuals of Uchouten so striking, and basically compiled a collection of many of my favorite moments. Of course, every other shot of this show is beautiful, so this isn’t even close to exhaustive. As usual, my responses were to real questions, but I’ve shortened the questions to their most basic form to keep it as general as possible.
Question:
Can you explain why you find the visuals of Uchouten Kazoku so beautiful? I agree that there are a number of standout moments, but it often feels like the backgrounds are just photographs someone put through a posterizing filter, which can clash with the hand-drawn characters. What do you get out of them?
Monogatari S2 – Episode 10
So do we get to see adult Mayoi now? That’s clearly what they’ve been baiting, but knowing Isin, the answer is no because fuck you. Not that I’d be moved much either way – frankly, last episode was so good it’s already justified whatever other nonsense this arc pulls together, and we haven’t even gotten to the full thematic point yet. Good times ahead!
Incidentally, I missed last week’s episode because busy, but I’ve caught up and put together a writeup for that one as well. You can find that here.
Episode 10
1:27 – Have to admit, Mayoi as a zombie hunter is pretty badass. And Araragi knows it – nice series of ‘holy shit, that’s Mayoi?’ shots there
1:59 – Shinobu, if you haven’t realized by now that this universe runs according to the rules of narrative convenience…
3:15 – Nice. They are playing with shadows a lot in this arc. Clues, clues…
3:53 – Well, there’s a clarification. We are indeed in a many-timeline universe
4:26 – Isin has trouble keep a straight face in pretty much all his stories. Nice name, Shinobu
4:43 – I always love these interpretive sequences. And I guess this makes two stories in a row where the antagonist is an unwanted version of a character’s self
5:22 – Also great. Also, Oshino’s line about the impossible hope of his mission kind of resonates with Shinobu’s line from last week about maintaining optimism and pushing forward just to avoid stasis. Which in turn works with the red light/green light thing, and the futility of dwelling on (or attempting to change) the past
5:32 – When have Araragi’s powers EVER been relevant to his missions? Outside of Hanekawa’s issues, he mainly just gets beat up while talking the enemy to death
5:49 – As if Araragi could resist that
6:56 – I love her replacement badass survival backpack. Also, all this work to save her and she’s still alone
8:35 – New palette! And what a lovely color scheme it is
9:15 – Even this world is beautiful now that Araragi knows that somewhere, Hachikuji survived
10:29 – Not quite sure what all to make of this conversation. Nice view, though
12:31 – They make for quite the silly pair
13:11 – I kind of jokingly referred to this as an Araragi/Shinobu buddy cop arc early on, but… yeah, that’s pretty much exactly where they’ve gone with it. Fun bonding time in alternate universe zombie apocalypses
13:22 – Well this is a new one
14:11 – Isin finds outer demons significantly less interesting than inner ones
Okay, that was hammy, even for me
15:02 – They are getting so much visual mileage out of this shrine
17:27 – This Shinobu required the same thing our Araragi did – to know that there is still hope somewhere.
20:00 – One more shadow for good measure. Right, shadows have always been relevant
23:01 – Alright, moral of the story time
23:15 – And two…
23:35 – …and three
24:05 – Jeez Araragi, leaving a little explaining for the rest of us, would you?
And Done
Route down! That was pretty solid – I enjoyed the second half significantly more than the first, but that’s mainly because I find Shinbo’s gorgeous cinematography far more satisfying than Isin’s campy humor. I liked how it was primarily a Shinobu story, and that Hachikuji’s own theme was kind of just sewn in along the edges – Hachikuji’s general theme of “you must go forward, come what may, because going forward is its own reward and what makes you happy will often come as a surprise” basically bookended the series, whereas Shinobu’s far more classically Monogatari story (accepting all elements of yourself, a very close parallel to Hanekawa and Tsukihi’s stories) basically took over in the parallel world. I really like how Isin tied the two resolutions together – the parallel of Araragi’s satisfaction at seeing a world where Mayoi had a chance to be alive and happy with alternate-Shinobu’s (no, I will not type out her ridiculous name) combined happiness and grief at her own better self is pretty satisfying stuff. Not just elegant, but also emotionally effective – Araragi introducing that concept helps on the emotional sell of Shinobu’s climax.
Overall, I don’t think this arc was as strong as the first (which isn’t really a fair comparison, since I think that arc is the best thing Monogatari’s done yet), but it was still some solid Monogatari. Bring on the next one!
Monogatari S2 – Episode 9
Well I’m certainly ready to see this kick into high gear. This arc hasn’t been as tedious for me as the first Mayoi one (which is still easily my least favorite part of the series overall), but personally Isin’s comedy is kinda hit-or-miss for me, and not really what I’m here for. So I’d say an apocalypse or something is definitely in order.
Episode 9
0:02 – Nice establishing shot
0:18 – Sweet, they weren’t kidding. This is a lovely series of shots, too. This one in particular is very interesting – all these shots possess much more detail than Monogatari’s usual highly stylized and flat aesthetic, and here we see the telephone poles’ usual appearance (a solid block of color, usually white) shift into more color as they reach the point where the corruption/natural overgrowth has reached them. Like the normal aesthetic is representative of the clinical, controlled environment these characters normally live within, and destroying that world also destroys that aesthetic
0:24 – God damn that’s nice
0:40 – There’s one for the “inappropriate OP transitions” highlight reel
2:17 – Another beautiful composition. Love the use of shadow here – those ominous power lines reflected in black
2:27 – Back to the flat colors. Araragi’s house has escaped the destruction
3:01 – More great shadows. Really enhances the ghost town feel
3:39 – Shinbo gets to have so much fun with composition. I get that not every show would be appropriate for such a stylized approach, but I wouldn’t mind seeing a lot more of it
5:30 – So Shinobu’s obviously got some kinda secret. Good to know!
6:16 – Seems trustworthy
6:39 – They keep changing the color palette of this place
6:55 – Ermahgerd this show’s design. They are really going all-out today. It’s like the characters, the talisman, and the background have all been pulled from disparate worlds
7:25 – They are making it very hard for me to get through this episode
7:47 – God, look at it. I love the consistency of the color trick – not only does the overall image fade from green to red, but you can see the individual trees in the distance do the same. It might be stylized, but it’s like the colors themselves are the ecosystem
8:02 – The green has spread significantly since they entered. Not yet sure what to make of that
9:09 – Well this is different. Their shifting, cut-paper texture kinda reminds me of Madoka
10:09 – Today is a good day
10:47 – And to think I was complaining about this arc. This episode’s an embarrassment of riches
11:39 – Well I can see why she had trouble telling him. Wonder where they’re going with this…
12:26 – “Me that isn’t myself.” Pointing to some common Isin topics here. Links easily enough with fate, but there’s not yet enough pieces to tie it into the red light/green light stuff
13:32 – Jeez, that’s a morbid way to reference that
14:39 – I like that this is more of a Shinobu arc than a Mayoi arc. Shinobu secretly being a possibly unbalanced world-shaking power is something the show generally breezes over, and keeping it relevant makes the Araragi-Shinobu relationship more interesting
17:08 – An interesting play on “true self.” Shinobu isn’t actually reformed, this is just a new version of her self, and that other self still exists
19:50 – Hanekawa reforms by embracing the various interpretations of her ‘self.’ Shinobu reforms by denying hers
20:45 – I like pretty much every shot of this episode, but here’s another particularly nice one
21:23 – He’s even at the playground? Jeez, I wonder who they’re gonna run into
And Done
What a great episode! Goddamn. Excitement about this season = renewed. Beautiful shots throughout, digging at some interesting stuff about Shinobu’s character, and who doesn’t love a good zombie apocalypse, particularly in Monogatari’s fantastic style? Still not sure of everything this arc is really about (though Shinobu’s little “you can’t always be pessimistic and wait for things to happen” speech at the end seems suspiciously relevant), but as long as the ride is this beautiful and exciting, I’ll remain happy to find out.
Summer 2013 – Week 8 in Review
Because both story structure and the 1-cour system are kinda inflexible, this week pulled the interesting trick of having almost every single show I’m watching put their protagonist through the emotional wringer, questioning their very base motivation and bringing them as close to “defeat” (relative to each story’s stakes) as possible. Fun times!
Uchouten Kazoku 8: Jeez, you thought last week’s episode was heavy? This week dove directly into the grieving process, exploring the brothers’ father more fully than ever before through a series of quirky and moving flashbacks. Yajirou’s relevant backstory was fully laid out, culminating in the beautiful image of a rail car terrorizing downtown Kyoto and fading with the haunting shot of the family standing on the roadside, waiting for their father to come home. Even Yasaburou was forced to reflect on his relationship with his father, and possibly acknowledge that he must take up the mantle of responsibility simply because no one else can. Still on track to be the fourth anime in my list of basically perfect shows.
Gatchaman Crowds 7: Another doozy. Hajime pointing out Rui’s hypocrisy pushes him to Do The Right Thing and directly confront Katze. And so his Hundred are murdered, he’s nearly killed himself, and the Gatchamen’s chain of command is shattered. Only Hajime is able to save them, and even then only because her intelligence and philosophy amuse Katze. But even she is shaken by the appearance of a character who seems to put the lie to her fundamental faith in our common goals and desire for connection and understanding. Rui chose to forego his own ideals in order to hopefully create a future worthy of them. Will Hajime be forced to do the same?
Monogatari S2 7: Man, I act all cool and brooding about this season’s two Anime Worth Discussing, and then we get to Monogatari which was all derping around with loli Hanekawa and making terrible decisions about time travel. So far, this new arc has been much more comedy-focused than the first, which is fine as long as the comedy is good, and Araragi/Shinobu still have a fantastic dynamic. This episode was entertaining for what it was, but I’ll be happy to get into the meat of this time travel nonsense next week, and discover exactly how badly these idiots have fucked everything up.
C3-bu 8: Back to frowntown for this one, as Yura’s incredible insecurity has led her to first prove her worth to the team at any cost, and now seek victory in the same way. Cheating? Why, I never. I find pretty much everything about this show outside of Yura’s character development pretty flat (routine plotting, workmanly direction and dialogue), so it’s fortunate that they’re doing such solid work with her arc.
Free 8: And wrapping up my “everything sucks for everyone” roundup, this week featured Haru feeling really sad about not winning at swimming. Aaand not much else – the very distinctive direction from last week has been tuned down again, so once again it’s mainly watchable because I make silly jokes the whole time. I sure am excited for KyoAni’s next show…
TWGOK S3 8: I think this show’s turn will come next week, when Keima’s overt two-timing blows up in his face, but this show has always been more episodic anyway. Regardless, this particular week was mainly a rearrange-the-board style episode, setting up pieces to be knocked down in the next couple episodes. That’s fine, that’s sometimes necessary, but it’s not the kind of episode that shines in a weekly context.
So yeah, kind of a downer week overall, but the shows I’m invested in are still doing their thing with aplomb. As long as 2-3 shows continue to impress me, I’m happy.
Monogatari S2 – Episode 8
So, Araragi and Shinobu, time travelling buddy cops trying to find their way back to the future. Or, as various people have pointed out, simply waiting for the future to happen on its own, since technically neither of them actually age. But wouldn’t that result in double Araragis and double Shinobus? I guess they could always just wait until present day again and then kill their doppelgangers… or wait, no, they don’t have to, they can just wait until the extra ones (not extra technically, just them in the future-past) head back in time. And that works whether this is a new timeline or simply a point in the past on the original one. Problem solved!
I like time travel.
Episode 8
1:03 – Baiting Kizu once again. KyoAni have some competition in the troll olympics
1:56 – These two have a great dynamic. Actually, most of the characters in this show have a pretty decent rapport, outside of Nadeko I guess. One of the many things that makes this a harem-but-not-really – I mean, structurally it is a harem (well, more of a supernatural/psychological thriller in a harem shell), and everybody pretty much loves Araragi, but almost all the conversations are an even back-and-forth based on friendship, not romantic tension. In fact, many conversations seem to possess sexual tension but not romantic tension, which is much more rare in anime, or at least rarely done in a way that isn’t just fetishizing a character for the sake of the audience. And legitimately good banter is a precious thing.
3:37 – Eh, lesser OP. I wonder if we’ll get another Platinum Disco?
4:01 – For the plot to work, obviously. That’s how time travel always works.
Incidentally, holy fuck does getting precise screencaps suck in this damn stream.
5:23 – Yeah, because saving a little girl 11 years ago isn’t going to affect anything else. Araragi is not a very good time traveler. Then again, if anyone ever was, time travel stories would be exceedingly boring
5:56 – Goddamnit Araragi. For someone who was expressing questions of parallel timelines an episode ago, you sure are flippant about making massive shifts to the course of peoples’ lives. His martyr complex is not gonna do history any favors
6:13 – I can’t believe Shinobu is the one talking sense into him
7:19 – Yes. This is how the butterfly effect works
7:36 – This makes no sense literally, so I have to assume we’re digging at the theme of this arc. Much like that first conversation about red versus green lights. Which works well with Hachikuji’s existence as an apparition, an eternal red light who can never proceed. Not that they’ll necessarily take it there, but Isin tends to scatter a whole lot of relevant Lego pieces, so I generally just poke pieces into each other until they seem to fit
8:57 – Goddamnit you two stawp
9:59 – Loli Hanekawa. We have jumped the shark
10:18 – Man, Shinbou and his sweet visual gags. A montage of street signs to simulate the experience of rolling down the street. Nice
11:04 – You’re fired. You’re fired. Everyone’s fired
12:36 – If you want to stop being mistaken for a pervert, you should stop being such a goddamn pervert, Araragi
12:38 – This entire episode is just fanservice of Araragi and Shinobu being adorable together. THEY’VE FOUND MY WEAKNESS
13:15 – Very nice
13:44 – Everyone involved is enjoying this arc far too much. New team: also fired
16:26 – Our hero
16:46 – Yes, Araragi. By all means, convince her you’re no one suspicious
17:52 – This is such an insane changeup from the last arc. But I guess Hanekawa arcs are heavy psychological drama, and Hachikuji arcs are pretty close to straight comedy
21:46 – I love the shrine’s color scheme
And Done
Oh jeez, saving a life fucked up the entire present. WOOPSIE-DAISY ARARAGI. Goddamnit. You can’t express some understanding of time travel dynamics and then BREAK THE ONE FUCKING RULE OF TIME TRAVEL. Jesus. What am I gonna do with these kids