Hello folks, and welcome back to Wrong Every Time. Today I am impatient to return to the ever-charming, frequently preposterous adventures of our dubious witch Doremi, as she and her companions struggle to raise their witch baby. When we last left off, they’d managed to stumble their way through a frankly embarrassingly witch baby health inspection, wherein our girls’ thoughtful, well-intentioned focus on Hana’s health and comfort earned them a bye instead of an actual pass. Frankly, I’m beginning to question Majo Heart’s credentials as a witch baby health inspector, if this is the sort of performance we can expect from her proctoring.

To be entirely honest though, I’m actually quite happy to see the team fail, as that likely means we’ll be indulging in even more Witch World adventures soon. It’s always nice seeing this production team stretch their design muscles for the outright fantasy sequences – though of course, Doremi’s greatest triumphs tend to fall more on the personal, mundane side, illustrating the difficult emotional trials of life, and the “magic” that is our ability to find solace and understanding in the people we love. Let’s see what sort of adventure awaits as we return to Ojamajo Doremi!

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Hello folks, and welcome back to Wrong Every Time. Today I’d like to check back in on the trials of Doremi and the gang, as our crew continues their magical training and witch baby-raising under the dubious tutelage of Majo Rika. Of course, there’s plenty of room for detours along the way, along with self-imposed trials like messing with Hadzuki’s dance lessons. Ultimately, magic is really just a fantastical garnish for Doremi’s true substance: its thoughtful, wide-ranging exploration of the trials of youth, and the lessons we must internalize to mature happily and with confidence.

In Hadzuki’s case, that lesson was a familiar one, resonating with past trials like Onpu coming to understand her mother’s trauma, or Aiko accepting her father’s pursuit of new romance. Ojamajo Doremi’s empathy and insight stretches to its adults as well as its leads, emphasizing that we are all fallible works in progress, and in turn encouraging its heroes to walk forward with an understanding that there is no finish line to growing up. We’re all just doing the best we can, and in this production’s hands, the wonder of coming to love ourselves and our fellows feels as magical as any outright fantasy. Let’s see what shenanigans our team gets up to next!

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Hello folks, and welcome back to Wrong Every Time. Today I’m delighted to be returning to Ojamajo Doremi Sharp, as we check in on the continuing fortunes of our increasingly competent ojamajos. Our last episode featured the welcome return of Aiko’s best friend Nobuko, who came ready to greet the fourth grade with a new adventure, “The Boy Who Ran.” Seeing all of Aiko’s friends add their own additions to the narrative was both inherently funny and also a satisfying riff on their individual personalities – even if they hadn’t inserted themselves as characters, it would have been easy enough to assign Hadzuki, Onpu, and Doremi to their respectively gothic, melodramatic, and steak-obsessed contributions.

Ojamajo Doremi’s classmate-focused episodes embody one of its greatest strengths: its dedication to furnishing its entire ensemble cast with distinctive, multifaceted, and evolving personalities, such that they feel like people we’re coming to know better all the time, rather than devices serving some specific dramatic purpose. With its remarkably thoughtful, generous narrative and marvelous production team, every episode of Doremi is a reminder of just how good anime can be, and I’m looking forward to whatever comes next. Let’s find out!

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Hello folks, and welcome back to Wrong Every Time. Today I’m delighted to be returning to Ojamajo Doremi Sharp, after far too long away from this outstanding magical girl production. Doremi is simply marvelous in all regards, demonstrating both the creative playfulness and emotional insight of top shelf children’s animation. Whether it’s a thoughtful vignette regarding one of the girls’ classmates, a fantastical exploration of this show’s charming magical world, or a dive into the complex home lives of characters like Onpu and Aiko, every episode of Doremi offers something new and special, demonstrating animation’s ability to enrich the lives of viewers of any age.

Our last episode was another top-shelf tearjerker, as we learned of the anxieties preventing Onpu’s mother from wholeheartedly endorsing her daughter’s next performance. Onpu episodes are always great, and that one fell into a particularly rich vein of Doremi Drama: the show’s sensitive articulation of its parental figures’ doubts and fears, a theme it has harnessed to remarkable effect in both Onpu and Aiko’s stories. Through its humanization of its adult characters, Doremi serves as a gentle guide for its viewers, leading them through the frightening realization that their own parents are not invincible – as well as the ensuing sense of pride and purpose found in giving back to your parents, and bolstering their slumping shoulders with your own emerging strength. I imagine we’re in for a lighter episode after that standout, but regardless of what’s ahead, I’m sure it’ll be an excellent time. Let’s return to Ojamajo Doremi!

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Hello everyone, and welcome back to Wrong Every Time. Today I am delighted to return to the world of Ojamajo Doremi, a fantastic franchise that we last visited three friggin’ years ago. That’s quite a long time in anime fandom, so let’s start off with a brief refresher. Doremi and her three friends Hazuki, Aiko, and Onpu are currently hard at work training to become full witches, which has most recently involved them taking care of a magical baby named Hana. Hana is so overstuffed with magical energy that her tantrums can topple buildings, so it’s been quite the challenge for our would-be witches – but having most recently cleared Hana’s magical health examination, they’re all feeling pretty confident about the road ahead.

That’s about where we’re at narratively, but of course, that doesn’t cover any of what makes this production truly special. With a production spearheaded by legends like Takuya Igarashi and Junichi Sato, Ojamajo Doremi benefits from expressive character animation, beautiful background art, and impactful, emotionally resonant storyboards. The show’s aesthetic strengths are further complemented by excellent character writing and unusually thoughtful vignettes, diving into difficult aspects of childhood and life more generally with frankness and grace. The show’s leads have grown significantly over the course of their journeys, and the production’s ensemble approach means we’ve come to know a great number of their friends and classmates as well. Ojamajo Doremi is an absolute standout of a magical girl show, one of those lightning-struck creative confluences that demonstrate anime at its best. Let’s see what our ojamajos have been up to!

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It’s a cold and cloudy day today, as the last dregs of summer’s humidity brush up against the chill of New England’s nine month winter. Somebody’s been hammering and yelling outside at about equal volume for maybe three hours now, which served as this morning’s alarm clock. I went to sleep with profound anxiety and have woken up with profound back pain, symptoms which may or may not be related. All in all, it’s been a pretty lukewarm morning.

Fortunately, all those trivial gripes don’t matter much now. It’s time for Ojamajo Doremi, and when it’s time for Ojamajo Doremi, I really can’t complain. Our last episode of Sharp offered the kind of story I’ve been eagerly awaiting all season – a return to vignettes about Doremi’s classmates, focusing on the charming friendship between Marina and Kimura.

Doremi’s strongest episodes often inhabit one of its genre extremes; either they’re full-on magical spectacle, either full of farcical spells or focused on the alluring witch world, or they’re full-on character drama, stories that barely make use of magic at all, and instead illustrate fundamental truths of emotional development. Last episode fell in the second category, and offered a tale of insecurity, misunderstanding, and regret that barely involved our actual stars. As is often the case, the resolution didn’t come about as a result of some massive emotional revelation or shocking twist; Kimura simply needed a friend he could talk to without any sense of insecurity or defensiveness, who could help him acknowledge the truth he already knew. With a full season of ensemble character development behind us, Doremi can now pull off episodes that are almost Doremi-free – we’re well acquainted with several dozen of Doremi’s classmates at this point, and watching them interact and resolve their own problems is an inherent validation of all the time we’ve shared. Whatever this episode brings, I’m excited to return to this lovely show. Let’s get to it!

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You guys, I think it’s about time for more Ojamajo Doremi. This year has been frankly terrible on the whole, with the summer of 2019 being marked by tragedies both personal and professional, and my own life undergoing some terrifying shifts as I do my best to resemble a functioning adult. But through all of that external calamity, Ojamajo Doremi has remained a consistent source of comfort and joy, with both its aesthetic charm and emotional warmth keeping me steady through the storm.

Ojamajo Doremi is one of those lovely shows I can enjoy passively and actively at the same time; it never asks too much of its audience, but every scene is still full of glimmering details of art design and storytelling. Additionally, its evolving narrative and rotating cast of all-star directors means every episode feels genuinely new, while still maintaining its comforting structure, and still presenting the Maho-dou as a place you can feel safe at the end of the day. Comfort food gets a bad rap sometimes, but a show being comforting doesn’t have to mean it’s also simplistic or unchallenging; Doremi tackles tough subjects with unflinching maturity, while simultaneously presenting a universe defined by mutual love and calming, familial beauty.

Last episode’s drama only enhanced that feeling of comfort, as the wholly regrettable Oyajii at last made his exit from the narrative. With our girls likely returning to either classwork or baby problems, let’s see what’s in store in the next Ojamajo Doremi!

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Settle the fuck down everyone, we’re watching more Ojamajo Doremi! Doremi’s been offering us some truly stunning episodes recently, as a two-episode star turn by famed director Shigeyasu Yamauchi served as a demonstration of both his distinct talents, as well as Doremi’s own consistent strengths. Yamauchi’s layouts are always beautiful, and consistently evoke a sense of otherworldly mystery (and at times even terror) that merges wonderfully with Doremi’s increasingly tense adventures. From his alienating portrayal of Doremi’s insecurities to his fanciful depictions of the witch world and Maho-dou, Yamauchi really made his presence felt these last couple episodes, and I can’t wait to see his work again.

On the narrative end, the introduction of Hana-chan has continued to force our leads to mature and accept responsibilities well beyond the concerns of the first season. Onpu has demonstrated consistent strength and wisdom in the face of this challenge, while both Pop and Doremi have risen to this responsibility in their own ways. It’s been great to see these characters grow, but frankly, I also wouldn’t mind a super farcical episode as a palette cleanser, perhaps one featuring Doremi, Loyal Dog. But hey, whatever happens, this show is great, and I’m sure I’ll enjoy it. Let’s watch some more Ojamajo Doremi!

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