It’s a cold and cloudy day today, as the last dregs of summer’s humidity brush up against the chill of New England’s nine month winter. Somebody’s been hammering and yelling outside at about equal volume for maybe three hours now, which served as this morning’s alarm clock. I went to sleep with profound anxiety and have woken up with profound back pain, symptoms which may or may not be related. All in all, it’s been a pretty lukewarm morning.

Fortunately, all those trivial gripes don’t matter much now. It’s time for Ojamajo Doremi, and when it’s time for Ojamajo Doremi, I really can’t complain. Our last episode of Sharp offered the kind of story I’ve been eagerly awaiting all season – a return to vignettes about Doremi’s classmates, focusing on the charming friendship between Marina and Kimura.

Doremi’s strongest episodes often inhabit one of its genre extremes; either they’re full-on magical spectacle, either full of farcical spells or focused on the alluring witch world, or they’re full-on character drama, stories that barely make use of magic at all, and instead illustrate fundamental truths of emotional development. Last episode fell in the second category, and offered a tale of insecurity, misunderstanding, and regret that barely involved our actual stars. As is often the case, the resolution didn’t come about as a result of some massive emotional revelation or shocking twist; Kimura simply needed a friend he could talk to without any sense of insecurity or defensiveness, who could help him acknowledge the truth he already knew. With a full season of ensemble character development behind us, Doremi can now pull off episodes that are almost Doremi-free – we’re well acquainted with several dozen of Doremi’s classmates at this point, and watching them interact and resolve their own problems is an inherent validation of all the time we’ve shared. Whatever this episode brings, I’m excited to return to this lovely show. Let’s get to it!

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You guys, I think it’s about time for more Ojamajo Doremi. This year has been frankly terrible on the whole, with the summer of 2019 being marked by tragedies both personal and professional, and my own life undergoing some terrifying shifts as I do my best to resemble a functioning adult. But through all of that external calamity, Ojamajo Doremi has remained a consistent source of comfort and joy, with both its aesthetic charm and emotional warmth keeping me steady through the storm.

Ojamajo Doremi is one of those lovely shows I can enjoy passively and actively at the same time; it never asks too much of its audience, but every scene is still full of glimmering details of art design and storytelling. Additionally, its evolving narrative and rotating cast of all-star directors means every episode feels genuinely new, while still maintaining its comforting structure, and still presenting the Maho-dou as a place you can feel safe at the end of the day. Comfort food gets a bad rap sometimes, but a show being comforting doesn’t have to mean it’s also simplistic or unchallenging; Doremi tackles tough subjects with unflinching maturity, while simultaneously presenting a universe defined by mutual love and calming, familial beauty.

Last episode’s drama only enhanced that feeling of comfort, as the wholly regrettable Oyajii at last made his exit from the narrative. With our girls likely returning to either classwork or baby problems, let’s see what’s in store in the next Ojamajo Doremi!

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Settle the fuck down everyone, we’re watching more Ojamajo Doremi! Doremi’s been offering us some truly stunning episodes recently, as a two-episode star turn by famed director Shigeyasu Yamauchi served as a demonstration of both his distinct talents, as well as Doremi’s own consistent strengths. Yamauchi’s layouts are always beautiful, and consistently evoke a sense of otherworldly mystery (and at times even terror) that merges wonderfully with Doremi’s increasingly tense adventures. From his alienating portrayal of Doremi’s insecurities to his fanciful depictions of the witch world and Maho-dou, Yamauchi really made his presence felt these last couple episodes, and I can’t wait to see his work again.

On the narrative end, the introduction of Hana-chan has continued to force our leads to mature and accept responsibilities well beyond the concerns of the first season. Onpu has demonstrated consistent strength and wisdom in the face of this challenge, while both Pop and Doremi have risen to this responsibility in their own ways. It’s been great to see these characters grow, but frankly, I also wouldn’t mind a super farcical episode as a palette cleanser, perhaps one featuring Doremi, Loyal Dog. But hey, whatever happens, this show is great, and I’m sure I’ll enjoy it. Let’s watch some more Ojamajo Doremi!

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Pack it in folks, it’s just about time for some more Ojamajo Doremi. Doremi’s second season has been a total joy so far, with the trials of taking care of Hana-chan offering an emotionally rich and consistently rewarding focal point for the show’s continuing drama. It really does feel like the girls have had to grow up a little bit – from the relatively carefree adventures of chasing after episodic Bad Items, they’re now being forced to accept the compromises necessary for embracing adult responsibilities, and putting the needs of their little magical time bomb over their own desires. Last episode saw Pop demonstrating the inherent rewards of accepting such responsibilities, as her time spent caring for Hana-chan ended up giving her the strength to finally pass her witch exams.

That episode also served as a beautiful demonstration of Doremi’s substantial aesthetic strengths, as acclaimed director Shigeyasu Yamauchi lent his unique talents to an episode full of evocative layouts and standout visual sequences. The moody framing of the Maho-dou, Pop and Onpu’s shared lullaby, Pop’s dazzling entrance into the Witch World – Doremi’s always a good-looking show, but Yamauchi’s presence added a welcome touch of dark fantasy surrealism, and apparently he’s directing this episode as well. Let’s see what he brings to Doremi’s wonderful world in episode four!

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Dear lord am I ever happy to return to Ojamajo Doremi. I don’t yet know when you’ll be reading this, but as of today, I just finished writing my way through a hellish weekish and a half that included around twenty preview guide premieres, a Crunchyroll column on top of that, and two sprawling, confessional essays on Neon Genesis Evangelion and End of Evangelion. It was almost certainly the most writing I’ve ever done in a single week, and I’m frankly still not through – I can’t really justify pausing the Current Projects for another weekend, so as of Thursday morning, I need to write three Current Projects articles and my next Why It Works column by some time on Sunday.

But as of right now, it is absolutely time for Ojamajo Doremi.

Watching this episode will technically fulfill one of my Current Projects obligations, but more than that, I need something I genuinely love and that always tends to bring me peace, and that is absolutely Doremi. This show is so charming, so visually engaging, so fundamentally thoughtful and kind. Last episode saw our heroes learning just a few of the many complex responsibilities of parenting, as they worked to take care of a baby with more magical energy than all of them put together. Hana-chan’s powers thus served as a clean metaphor for the emotional experience of parenting – you run yourself ragged, while your baby always seems to have more energy, demands, and tantrums ready. Doremi and the girls did the best jobs they could, handling their new responsibilities with diligence and pride.

It was an excellent episode on the whole, but after two episodes of establishing the season two premise, I’m kinda hoping we get to check in with Doremi’s classmates again. Either way, I’m sure we’ve got an endearing and thoughtful journey ahead of us, because goddamnit, this is friggin’ Doremi. Let’s see what episode three has in store!

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Heck yeah folks, it’s time for more Ojamajo Doremi! The Doremi sequel’s first episode was largely taken up by reintroductions and the establishing of a new hook, as our heroines’ despair at relinquishing their wands was soon replaced by trepidation at the idea of actually raising a baby. It was a necessary episode, but also necessarily not a highlight – there was just too much board-establishing work to be done for the episode to also include one of Doremi’s usual madcap adventures or poignant vignettes. But with that episode concluded, we are left with a truly absurd situation, as Doremi and her friends struggle to raise a child who is also a tiny little magical time bomb.

Considering I’d be hesitant to let Doremi take care of a rubber plant, I am eager to see how her stewardship of an actual living baby somehow doesn’t end in disaster. And with introductions done, I’m guessing we’re in for a full episode of baby-related catastrophe, as all our girls struggle with a responsibility greater than any before. In spite of being a perpetual ojamajo, the Queen’s faith in Doremi and her friends is not misplaced – they’re kind and generous people who have grown tremendously over the course of their training, and who probably don’t even realize just how capable and considerate they are. Let’s see how they handle this new adventure in the second episode of Ojamajo Doremi Sharp!

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I hope you folks are ready. Today we’re embarking on a journey both new and familiar, as we begin the second season of the ambitious, heartwarming, and stunningly executed Ojamajo Doremi.

As I’ve already rambled my way through fifty episodes of this acclaimed children’s show, I’m sure you know my general feelings on it by now. Ojamajo Doremi demonstrates that great children’s entertainment need not be dramatically or emotionally simplistic – in fact, it reveals that children’s anime that doesn’t talk down to its audience can actually broach a wider array of topics and emotions than many shows aimed at more general audiences. There is no artifice or bravado in terms of Doremi’s presentation – the show is honest, perceptive, and brimming with sympathy for its young cast. Over the course of the first season, Doremi has explored topics as sensitive and wide-ranging as love, divorce, bullying, family, creative passion, professional ambition, and even death, elevating its nuanced dramas through its strong visual sensibilities and plenty of fantastical flourishes.

Not only are Doremi’s various adventures all funny and heartwarming in their own right, but the show’s strength is also cumulative. Within our main crew, Doremi has grown from being a perpetual screwup to a genuine leader, and though she’s still unreliable in many ways, her growing confidence, strength, and compassion are clear as day. Having admitted her own fundamental loneliness, Onpu has learned to look outside of herself, and found both friends and a greater sense of purpose through helping others. Aiko has taken great strides in coming to terms with her parents’ separation, and Pop has become a formidable witch in her own right. And outside that crew, we’ve come to know and love dozens of Doremi’s classmates and teachers, making each new episode a testament to the power of ensemble storytelling.

All that, and I’m told Ojamajo Doremi actually improves as it continues, with the contributions of anime titans like Mamoru Hosoda still to come. Ojamajo Doremi has been both an aesthetically rewarding experience and a genuine source of comfort to me, and I hope all of you are enjoying this winding journey as well. Let’s see what awaits us in the first episode of Ojamajo Doremi Sharp!

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Well folks, the moment has arrived. After fifty diverse and rewarding episodes of Ojamajo Doremi, and one climactic stab at the final witch exams, we have at last arrived at the end of Doremi’s first season. The things I’ve enjoyed about this season feel too numerous to list, but we’re at the dang finale now, and I think some pomp and circumstance is probably appropriate.

First off, I’ve come to absolutely love this main cast, with all four of our heroines surprising and impressing me over time. As is appropriate, Doremi started as the most helplessly ojamajo of any of them, and yet has probably undergone the most growth as well. Doremi started this series kindhearted and motivated, but very often petty and rash, as well as lacking in a personal passion she could take pride in. She can still be petty and rash, but her developing progress as a witch has forced her to challenge her own feelings, step back from the spotlight when necessary, and ultimately gain both the confidence and skill to apply herself and positively change the world through her mastery of witchcraft. The World’s Unluckiest Pretty Girl has grown into a genuine hero, and it’s been wonderful to witness.

Of course, Ojamajo Doremi has always been an ensemble production, and its illustration of Doremi’s friends and family have offered some of its most poignant, thoughtful, and emotionally instructive tales. Aiko’s process of coming to terms with her parents’ divorce, as she grapples with the distance between her and her father’s feelings, clings to the memory of her old home life, and ultimately learns to assert her needs without retreating into the past. Hadzuki quietly demonstrating she’s actually the weirdest of the three of them, proving herself equally suited to absurd kidnapping capers and somber meditations on death and the limits of our strength. Onpu finding the intimacy her family withheld in the camaraderie of her peers, and the trust of her closest friends. And all their various families and classmates and mentors and friends, who through their stories have collectively rung out that whatever your passion, if you embrace it with a positive spirit, it is worth celebrating.

That, in the end, may be our heroines’ saving grace. All through this season, characters have hidden the passions they love, often using them as a stand-in for the feelings they’re repressing as well. Their ultimate celebration of those passions has often echoed their celebration of those feelings, be it Masaru’s memory of playing trumpet with his father, Mutsumi’s determination to become a pro wrestler, or whatever else they most secretly and earnestly feel. Here in the last episode, the greatest secret of all is on full display – but at this point, Doremi and her friends have become such talented, laudable witches that perhaps that’s not such a big deal. However this season resolves, I feel privileged and delighted to explore one more episode with you all. Let’s watch some Ojamajo Doremi!

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Folks, we are well overdue for another installment of Ojamajo Doremi. Doremi has always been a pretty great show, but it feels like the production has been really swinging for the fences lately in terms of its personal drama and character development, as we’ve run through critical and brilliantly realized episodes focused on both Aiko and Onpu.

Onpu in particular has grown much closer to the main cast over her last several appearances, and last episode even used her magic to ensure she lost in her pursuit of an acting role, once she realized how much the part meant to her strongest competitor. That spirit of empathy seems a far cry from the girl who brainwashed an admirer to avoid actually dealing with him, and when that brainwashing nearly ruined his relationship, flew off with a carefree “not my problem.” Onpu has not just learned to take responsibility for her own actions (as when she resolved that group date catastrophe), but has also seemed to develop a genuine concern for others, and perhaps even a sense of moral obligation to use her powers well.

Given all this recent development, I’m guessing Onpu will be contributing heavily to the season finale. Speaking of which, HOLY SHIT WE’RE AT THE SEASON FINALE! After a rich and rewarding year of Doremi episodes, we’ve finally arrived at the two-parter that ends its first season. I’m told the show actually gets even better in its later seasons (I can’t friggin’ wait to see Mamoru Hosoda’s take on this show), so I’ve got no time for tears – I’m just excited to see what this consistently impressive show whips together for such a major occasion. Let’s dive into another episode of Ojamajo Doremi!

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