Settle in folks, it is absolutely past time for another dash of Doremi. I’m currently sitting near the end of a long and stressful workday, but my spirits have legitimately been kept high all day by knowing I’ve got a new Doremi episode waiting at the end. This show’s world is so inviting, cast so charming, and stories so suffused with empathy that it’s hard not to smile while watching. Doremi is a genuinely thoughtful and often dramatically creative children’s show, but it’s also just the most inviting comfort food of all time, and I’m always happy to return.

The show wasn’t really in comfort food mode last week, though – in fact, Aiko’s failed reunion with her mother was another of Doremi’s signature tearjerkers, and its nuanced, dramatically somber finale felt like one of the most painfully real moments of the show so far. After having her trust betrayed by her father and finding herself incapable of greeting her mother, Aiko ended up simply reflecting on her childhood memories, her friends by her side. Life can be frustrating like that; we’re often burdened with feelings that demand some sort of cathartic, coherent resolution, but the real world rarely offers neat conclusions for our personal stories. We’re often forced to find solace much in the way Aiko did; by accepting that the past is the past, our stories are still being written, and we can always rely on the support of our friends.

Anyway! Last episode was a truly great one, but given we just passed a big dramatic highlight, I’m guessing we’re in for some also-welcome farcical nonsense this time. Let’s get right to it!

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Terrific news, everyone. Another month has come and gone, and so it’s time at last for some more Ojamajo Doremi. With Chihayafuru’s second season in the past and third season waiting in 2019, Ojamajo Doremi has once again assumed the mantle of my chief comfort food anime, and it serves that role with absolute distinction. On a plain aesthetic level, Doremi is simply a very good show – excellent characterization, simultaneously beautiful and charming art design, carefully crafted stories, etcetera etcetera. But beyond that, Doremi’s faith in the decency of people, and its gentle sympathy for its heroines’ struggles, is an oasis in a turbulent world, a sunny reading nook that I’m always happy to escape to.

Media that simply comforts you, whose principle goal is to make you feel safe and content and loved, gets a pretty bad rap in many critical circles. Obviously Ojamajo Doremi is intended to offer more than straight comfort food, but I personally feel the general disdain for “pleasant” or “unchallenging” media is fundamentally misguided. This is a very painful and complex world, and after dealing with all our daily challenges, sometimes we don’t want the shows we watch to actively squabble with us, to make us feel pain or attack our worldviews. Sometimes it’s been a long day and we just need a friend who’s there and happy to spend time with us, no expectations, no anxiety, just the natural contentment of being in a place you feel you belong. People deserve media that acknowledges that need, and media which makes us feel loved doesn’t have to be any less insightful, artistically compelling, or emotionally resonant. There is space for joy in the world and space for joy in art, and I’m happy to return to a show that is so willing to share its joy with us. I’m happy you’re all here, and I hope things are going okay. Let’s settle in for an episode of Ojamajo Doremi.

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We’re watching more Doremi, folks! I only get one of these a month, so I know I should probably try and save them for a rainy day or something, but Doremi is too good and I am too impatient and so damnit I’m watching it right now. I made a serious commitment these past few months to dive into all the Current Projects that have been waiting too long, and having nearly caught up with all of them, I have earned myself some friggin’ Doremi.

Anyway. Doremi’s last episode was a terrific example of one of the show’s most satisfying modes: immature, farcical adventure. The entire plot of that episode was basically “screw Tamaki, she sucks,” turning an ostensibly Masaharu-focused episode into a referendum on how much our main crew hate Tamaki’s guts. At this point, I’m not really sure Tamaki will ever get a true “focus episode” of her own – those episodes are generally designed to humanize Doremi’s various classmates, and Tamaki works so well as a villain that that almost seems like it’d be a waste. Then again, Nanami from Utena is one of my favorite fictional characters of all time, and Tamaki is basically just Nanami in elementary school. Brats deserve depth too, but given Tamami stole the show last time, I’m guessing we’ve got an entirely new tale waiting for us today. Let’s dive right in to Ojamajo Doremi!

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It has been far too long since we watched some good old-fashioned Ojamajo Doremi. The show is one of my biggest comfort food projects, and I’m always happy to return for another episode. With thirty episodes down, Ojamajo Doremi has established a broad and vibrant cast, extending from our endearing and multifaceted leads to a variety of engaging classmates, family members, and other acquaintances. The cast is strong enough that the show could easily coast on its fundamentals at this point – if you described an episode as “tall tale girl, teacher, and Pop have a ridiculous adventure,” I’d already know this was going to be a great one. But of course, Ojamajo Doremi is always climbing towards something new, be it some moral point or the elaboration of an entire new magical system.

Our last episode split the difference between those two priorities, as we got half an episode of classmate drama and half an episode of more magical exams. Our girls have passed the level 5 exams now, meaning if past episodes are anything to go by, this one will likely focus on celebrating whatever impressive new magic they’ve finally unlocked. I’m sure they’ll screw it up, and I can’t wait to see how. Let’s settle in for another episode of Ojamajo Doremi!

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Let’s settle in for another episode of Ojamajo Doremi! The show’s last episode was pretty much textbook Doremi, balancing goofy adventures within the main cast around a sturdy character study featuring Yamauchi, one more of Doremi’s consistently well-realized and multifaceted classmates. That in turn resolved into a simple but solidly articulated lesson regarding the nature of grief and guilt, offering comfort for anyone who’s said something cruel or regrettable to a loved one in a difficult moment.

Yamauchi’s story was a little more abridged than many of Doremi’s character stories, but there was a very good reason for that: a great deal of the episode was mostly just about reveling in the fun relationships between Doremi’s various classmates. One vignette at a time, Doremi has steadily built up a roster of well over a dozen unique and engaging classmates, and at this point, simply putting a group of them together in a new setting like “graveyard test of courage” offers inherent dramatic rewards all by itself. We know and like all these kids, and throwing one person we know and like next to another one just to see what happens has been a time-tested formula for character drama since characters experienced drama in the first place. Episode twenty-nine (the Doremi horse episode) offered a terrific example of what happens when Doremi just leans into its ensemble nature for madcap thrills – in contrast, episode thirty demonstrated that Doremi’s increasingly ensemble nature can be just as useful for more somber and personal stories. Ojamajo Doremi just becomes richer and richer the more it builds up its larger cast, so I’m happy to see it putting that investment to use, and ready for whatever’s next. It’s time for some mediocre magic with the ojamajos!

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Let’s get right the heck back on board with Ojamajo Doremi! Last episode wasn’t necessarily a highlight, but it did establish a reasonable platform for the show’s drama going forward, integrating the whole “bad item” deal into Doremi’s more emotionally-founded conflicts in a very natural way. That was definitely one of the main things I was looking for in this arc – some way to marry the potentially interesting but emotionally removed Pureleine conflicts to the inherently compelling character drama Doremi already possessed. Doremi seems to be at its weakest when it leans on fantastical genre fundamentals like this Pureleine stuff, but the Majo Ruka arc also demonstrated that even in larger conflicts which don’t themselves possess that much emotional resonance, individual character struggles like Ai’s harmonica drama can still shine. With the overall Pureleine conceit and even the team’s regrettable new mascot pretty much settled into the show’s usual tone, it feels like the episodes from here on out could go basically anywhere. Let’s see where Doremi and the Ojamajos take us today!

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Let’s check back in with Ojamajo Doremi! Doremi’s show is one of the few good things in this sunblasted hellscape of a modern world, and I’m always happy to have a chance to stop in with her and the girls. The show’s new arc hasn’t really proven itself yet, and has in fact made some pretty awkward choices so far, with the most glaring being “adding a second annoying mascot character who’s also a horny old man.” “Horny old man characters” and “inspiring and emotionally educational shows for children” don’t really seem like a natural mix to me, but everyone who’s watched Doremi says the show actually improves over its running time, so I’m not worried this will really derail anything. I’m more just curious as to when this new “Bad Item” arc will actually start paying off, and what form that payoff will take.

The main issue I have with Doremi at the moment is that all of its witch world conflicts are far less interesting than its mundane classroom conflicts, because they’re invented magic-centric conflicts with no relevance to anything outside of themselves. Issues like “Majo Ruka has stolen the shop” and “we need to seal these Bad Items” possess no inherent thematic or emotional weight – the show can give them that weight, but it’s starting from a more arbitrary position than a conflict like “Hadzuki needs to learn boundaries regarding making her friends’ choices for them.” But Doremi has found resonant emotional material in unlikely places before, so I’m eager to see how it handles this new challenge. Let’s get right to the next Ojamajo Doremi!

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We return at last to Ojamajo Doremi! It’s been a little while since I spent time with these ojamajos in the real world, and I am beyond happy to return. This is my first Doremi post of 2018, a year that I’m hoping will somehow turn around the global inferno that was 2017, but considering this year started by the heat dying in my apartment followed by a blizzard sealing me in my apartment, I’m not entirely optimistic.

Enter Doremi as a ray of sunshine, a show that’s still charming and well-crafted and full of heart no matter how bad things are out there. Doremi’s last episode saw the show seemingly jumping subgenres entirely, as the introduction of “bad items” and “bad cards” offered Doremi a dash of Card Captor Sakura. I’m not yet sure what to make of Doremi and her friends being dubbed Pureleine card-hunters – I generally prefer when the show’s drama focuses more on grounded human problems than fanciful issues specific to the witch world, and this whole bad item business seems as fancifully arbitrary as they come. But I highly doubt Doremi could have given up its moral ambitions partway through its first season and still be considered such a classic, so I’m less worried and more intrigued as to how these new elements will interact with the existing formula. And either way, Pop is still a magical girl, so I don’t really get any more narrative requests for at least another season. Let’s dive right in to one more episode of Ojamajo Doremi!

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Let’s get right back to Ojamajo Doremi! It’s been a while on my side since I had a chance to write about Doremi, and I’m very excited to be back. Not only is Doremi just a generally charming show, but last episode saw us reaching the end of the Majo Ruka arc, meaning we’ll likely be returning to episodic conflicts starring Doremi’s classmates. Ruka’s arcs had its highs and lows, but the stories focused on Doremi’s classmates tend to demonstrate the show at its best – thoughtful, often very poignant, and generally just solidly written. Even at its most mundane Doremi is a pretty satisfying show, and when it comes to highlights like Hadzuki’s rabbit episode or Ai’s harmonica story, Doremi can match basically any show out there for emotional power. Let’s see what we’ve got this time!

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