Tag Archives: One Piece

Fall 2024 – Week 12 in Review

Posted on by
1

Hello folks, and welcome back to Wrong Every Time. Today I write to you from the midst of more end-of-year preparations, as I simultaneously chart out my favorite anime of the year, and also cram in as much Dead Dead Demons as I can before the dead dead deadline. I’ve been enjoying the show more now that I’m past the point I read in the manga, and am no longer directly comparing the two; taken as a work in its own right, it provides a fatigued, almost fatalistic snapshot of our lives on the cusp of apocalypse, perfectly echoing both our real-world inability to contest the decline of late-stage capitalism, as well as the ease with which that uncertainty lets us justify the unthinkable. I’ve also been puttering away at some big Dungeons & Dragons projects, and am currently nearing the end of designing a “quest” that’s in truth a brief campaign in its own right, featuring a fully populated boom town and a variety of Wild West-evoking side quests. I’ll probably let you know how that turns out either here or in my Vox Machina pieces, but in the meantime, let’s break down the week in films!

Continue reading →

Ishitani Ascendant: One Piece Fan Letter

Posted on by
Reply

Among the many talents that have benefited from Toei’s renewed dedication to One Piece’s anime adaptation, there are none more spectacular or consistent than director Megumi Ishitani. Having first directed the final episode of Dragon Ball Super, she has since made an indelible mark on One Piece, affirming her talent through directing what is likely the series’ all-time greatest episode during its Wano arc. That episode revealed the absurd range of her aesthetic genius, the eye for storyboarding and cinematic embellishments that make every work she creates feel not just like an episode, but an event. That episode also embodied her unique talent for drawing diverse dramatic threads into one cohesive, thematically resonant whole – to basically synthesize One Piece’s appeal down to its purest essence, the yearning for connection and quest for liberation that are the story’s most poignant and central themes.

Continue reading →

Passion in Motion: A Handful of Favorites

Posted on by

Hello friends, and welcome back to Wrong Every Time. I recently received a request to write some sort of “sakuga article,” meaning an article relevant in some way to the exemplary individual cuts of animation we anime stalwarts refer to as “sakuga.” This has been a source of some consternation to me, as I don’t generally consider myself particularly studied or well-informed when it comes to the specific craft of animation in the abstract. I know enough to describe why a cut feels evocative or impactful to me, but my specialties are first and foremost writing-related, followed by filmic technique, with animation following behind.

Continue reading →

Spring 2024 – Week 12 in Review

Posted on by

Hello folks, and welcome back to Wrong Every Time. Though it is technically the end of the spring anime season, the summer heat is currently reducing my cat to a sad puddle, and I am not faring much better myself. I have been attempting to beat the heat by preoccupying myself with essential anime viewing, and have so far made it just over halfway through Nadia: The Secret of Blue Water. The show has been an interesting watch so far, more educational than fully entertaining, but certainly a worthy sort of education. Watching Nadia, it is easy to see elements that Gainax would reiterate in Neon Genesis Evangelion, but also hard to believe how they jumped from this show’s proudly rudimentary characterization to the thoughtful interrogations of its successor. I’ll have more thoughts on that when I finish, but for now, let’s burn through a fresh selection of films!

Continue reading →

One Piece – Episode 1089

Posted on by

Hello folks, and welcome back to Wrong Every Time. Today’s project is a bit unusual, as we are neither touching down on a new production nor continuing one of our existing journeys – instead, we’re plunking down right at episode 1089 of the long-running One Piece. As any followers of my twitter account likely know, I’ve spent the last few years diving ever-deeper into One Piece, and ultimately coming to appraise it alongside Hunter x Hunter as a superior and frankly incredible shonen production. The story’s scope, skill of execution, and constant creative embellishments make it a source of continuous wonder; it embodies the essence of cartooning while also succeeding as a grand fantasy epic, and I would recommend anyone who’s curious about it to at least check out the manga.

As for our current assignment, episode 1089 marks the transition from the long-lasting, feudal Japan-themed Wano arc to the current Egghead arc, which the anime production accompanied with a wholesale reimagining of the One Piece aesthetic. Gone are the formidable line weights and bright colors of Wano, replaced by delicate lines and pastels that harken back to One Piece’s original look. It’s a transition with a clear thematic intent: after the high dramatic peaks of Wano, Egghead is partially intended as a nostalgic return to form, a reminder of the freewheeling “what will the next island hold” spirit that once characterized this production. From their arrival at the second half of the Grand Line through Wano, Luffy and his companions’ course was largely directed by their alliance with fellow pirate Trafalgar Law – but now that the goals of that alliance have been achieved, the Straw Hats are again free to sail wherever the winds might take them. Let’s get to it!

Continue reading →

Spring 2024 – Week 4 in Review

Posted on by

Hello folks, and welcome back to Wrong Every Time. It’s been another productive week on my end, as I’ve reduced my outstanding Current Projects to less than a dozen essays and other features, with my article buffer now encompassing more than a month’s worth of drafts. I’ve matched that productivity with a fair portion of off-the-books anime viewing, as we munched through more of Gundam’s supplementary Universal Century projects, as well as anime films both venerable and vestigial. Having watched so many of the early Toei films, I’m now looking to round out my ‘80s animation education, while also likely taking a break from Gundam to watch some other outstanding series; I haven’t quite decided yet, but Nadia, Mononoke, VOTOMS, and Moribito are all high on my list. Anyway, I’ll catch you all up on that when I get to it, but for now let’s break down my latest animated escapades!

Continue reading →

Spring 2024 – Week 2 in Review

Posted on by

Hello folks, and welcome on back to Wrong Every Time. It seems like spring is actually getting off its ass and into some sort of motion at this point, as we’ve finally escaped the chills and showers of early April. I’m thus looking forward to sneaking in a run sometime this afternoon, but in the meantime I’m happy to report that both our film viewings and tabletop adventures are proceeding smoothly.

I’m attempting to maintain a somewhat tricky balance in our current campaign, as I’m both the most comfortable speaking entirely in-character, but also aware of my necessity as a player who actually pushes the party towards their next objectives, rather than simply riffing or waiting for something to happen. As such, I need to be mindful of making sure neither my characterization nor mechanical prodding becomes too overbearing; I’m leading from the back here, but working to make sure Tilly (my nervous goblin cleric) doesn’t overwhelm either the personalities or agency of my allies. D&D is often a process of attempting to construct a coherent fantasy drama out of potentially incompatible base materials, but with a full campaign as DM at my back, I’m doing whatever I can to make sure this one succeeds, and that we collectively embrace a greater degree of in-character drama than ever before. Also, films! Let’s get to those!

Continue reading →

Winter 2024 – Week 12 in Review

Posted on by

Hello folks, and welcome the heck back to Wrong Every Time. Today I am riding high on the success of our new campaign’s first session, wherein I took on the guise of Tilly The Goblin With Anxiety, and became fast… well, acquaintances at least with my party of a swashbuckler, mad scientist, and Dandelion From The Witcher. Having already completed two campaigns with this group, our confidence in executing in-character drama has never been higher; compared to actually serving as dungeon master, simply staying in character during the session feels totally effortless, and I’m thus looking forward to more directly party-driven drama in the sessions to come. And alongside that, I have of course continued with our regularly scheduled film and anime screenings, munching through some light One Piece adventures while also completing Gundam 0083: Stardust Memory. I’m frankly not quite sure where to go at this point in our Gundam journey; I suppose Gundam Unicorn would be the next natural step? Anyway, I’ll figure that out myself, while you all enjoy my latest week in films!

Continue reading →

The Leaf and the Giant: The Astonishing Animation of Akihiro Ota

Posted on by

So, goddamn Wano, huh? It turns out I caught up on One Piece at an exceptionally good time. Over the past several years, the team at Toei have endeavored to make One Piece’s latest arc a landmark in the genre, a towering feat of animation offering film-tier feats of fluidity and scale on a nearly weekly basis. From the moment the Straw Hat crew set foot on Wano’s long-awaited shores, it was clear something was different; the arc immediately dispensed with One Piece’s traditionally thin linework and limited shading, offering instead bold splashes of ink and color emulating audacious works of traditional calligraphy. Yet at the same time, one of my favorite things about Wano is how loosely it treats its new art design mandate; its aesthetic is a suggestion, not a demand, and individual animators frequently stray far beyond the models and linework of Wano’s standard mode.

Continue reading →

Top Anime of 2023 (And Year in Review)

Posted on by

Another year has come and gone, leaving us undeniably older and presumably wiser, though at this point it’s hard for me to tell if each new year of knowledge outpaces the mental erosion of aging. That phrase “they’ve forgotten more about subject than you’ll ever know” always seemed a bit strange to me – I mean, I’ve forgotten way more stuff than I’ve remembered, and I don’t exactly take that as a point of pride. I’m really good at forgetting stuff! It’s probably what I’m best at! It does not make me a better thinker or critic!

Continue reading →