Hello everyone, and welcome back to the show. I’ve got a bit of an oddball collection for you today, driven by my housemate’s tendency to essentially throw darts at the dartboard of our various streaming services. As a result, I watched a couple films that were not on and would likely never approach my radar, along with the requisite pile of One Piece, and at least one genuine classic. I’ve also been watching some actual airing anime, and have so far been thoroughly impressed by ODDTAXI – I just recently wrote up the first episode, and will have another piece coming soon. I’ll be trying to fit in Dynazenon as well over the next few weeks, but for now, let’s run down the week in films and One Piece!
Tag Archives: One Piece
Spring 2021 – Week 7 in Review
Hello everyone, and welcome back to Wrong Every Time. We have got a lot to get through today, and a bunch of it is actually anime-related this time! I finally checked out the Given movie, filled in one of the great remaining gaps in my Gainax knowledge, and even watched Netflix’s Death Note movie – along with which, of course, there was plenty of the usual horror and One Piece. Our One Piece momentum has slowed down just a tad, but we were still able to bound through the Sabaody Archipelago, while leaving more room to return to my crawl through cinema history. We’ve got a lot to break down and I assume you’re supposed to be working or studying right now, so let’s get right to the Week in Review!
Spring 2021 – Week 6 in Review
Hello everyone, and welcome back to Wrong Every Time. I ran through a diverse grab bag of films this week, including a few recent features, an old horror classic, and some genuine bullshit. I generally prefer silence when I’m not actively watching something, but one of my housemates is most relaxed when there’s some sort of background noise in the environment, so we tend to compromise with films that categorically could not command our attention: The Meg, G.I. Joe, etcetera. Along with that, I’ve also been surging ahead through One Piece, and have now blown entirely past Thriller Bark. It was a productive week and I’ve got plenty to talk about, so let’s get right to it and dive into the Week in Review!
Why It Works: How Usopp the Liar Became a True Hero in One Piece
You all knew this One Piece rampage would inspire some articles eventually, right? Well, here’s the opening salvo, as we explore the journey of my current favorite One Piece character. Usopp’s journey was fascinating to me for several reasons, but the article’s right there, so you might as well click through. I really enjoyed writing this one!
How Usopp the Liar Became a True Hero in One Piece
Spring 2021 – Week 4 in Review
Hello everyone, and welcome back to Wrong Every Time. I’ve once again got an oddball collection of films for you all this week, along with more reflections on my ongoing journey with One Piece. I’ve learned over time that you really have to tune down the amplitude of praise people apply to their favorite properties, as they’re generally speaking from a position of deep emotional attachment, and more expressing that than anything essential to the property itself. Because of that, claims of One Piece being some uniquely spectacular shonen kinda faded into the din of claims that every show is uniquely spectacular – thus, I have been completely blindsided by the fact that One Piece actually is as good as everyone says it is. It’s doing stuff in shonen that I’ve associated with Hunter x Hunter and literally nothing else, and I’ve found myself hooked on it with precisely that same HxH intensity, a need to barrel through episodes like I’m stuffing my face with delicious, narratively nutritious popcorn. But we’ll get to that soon enough – let’s first start off with some films, as we bound through the Week in Review!
Spring 2021 – Week 3 in Review
Hello everyone, and welcome back to Wrong Every Time. I’ve got a bit of an odd selection for you all this week, as a fair amount of my standard movie-watching time was once again consumed by One Piece. I am loving the heck out of One Piece, but I’m also noticing a problem developing here – given my amount of free time, the show is more or less functionally infinite, so I’ll have to find a better way of managing my watch schedule. Still, having a pile of Chimera Ant-scale arcs in my future is a nice feeling; it’s been some time since I felt this much natural incentive to plow through an anime, so I’m cherishing the feeling, and letting it serve as a reminder that plenty of great shows are still hiding out there. I’ll find you, great shows! Just listen to the sound of my voice, or… no, no, I’ll come to you. Just wait right there!
Anyway, the Week in Review.
Spring 2021 – Week 2 in Review
Hello everyone, and welcome back to Wrong Every Time. We ran through a wild grab bag of films this week, touching on fantasy, action, comedy, and even a Musical Filmic Journey that more or less defies characterization. Along with these various films, I actually have been watching a fair amount of anime in my free time, though I haven’t even started with the spring season yet. Instead, I’ve mostly just been gorging myself on One Piece, powering through Skypiea as I work on Monster Hunter Rise, and having an altogether terrific time with it. Did you folks know One Piece is good? Niche property, I know, but probably deserves a second glance. Anyway, I’m sure I’ll dig into that at more length, so let’s dive right into the Week in Review!
One Piece – Volume 19
We return to One Piece in the midst of its Alabasta arc, as we’re presumably nearing the climax of the overarching “Baroque Works” era. I haven’t actually read One Piece before, but given this final confrontation will involve squaring off against the actual leader of the Baroque Works pirates, and prompt either the fruition or destruction of the plan he’s been concocting for literally years, I have at least a certain degree of confidence that this arc will resolve the overall Baroque Works saga. So how does the view look from this point, as we near the conclusion of such a crucial conflict?
One Piece – Volume 18
There are scattered moments within One Piece that seem to embody the romance of the high seas; the mysteries of the ocean, the scale of its vast movements, the ways we can come to understand it so well it feels like an old friend. Nami excels at facilitating these moments, as her navigator’s knowledge and generally contemplative personality tend to make her most attuned to the ocean’s sway. The scene early in chapter eighteen, where Nami muses on the nature of underwater vents, doesn’t impact our ongoing narrative in any way, and would be skipped in a point-to-point summary of this arc’s events. Nonetheless, it’s a beautiful moment that naturally embodies the wonder of the ocean, and highlights how One Piece is far more than a straightforward action tableau. I appreciate that Oda consistently offers these little tonal oases, these beautiful moments that are only their own reward.
One Piece – Volume 17
As always, Eiichiro Oda opens One Piece’s seventeenth volume with a brief personal anecdote, one of the many ways this manga creates a personal relationship between reader and storyteller. Oda mentions how he and his assistants often visit a raucous family restaurant, full of loud children and their parents. However, if you visit on Sunday at 7:30, the restaurant is quiet. All children are turned to the television, all eyes on Oda’s One Piece. Oda understands the responsibility inherent in that – that he has an opportunity to teach and inspire, and that few possess the platform he does for reaching young people. There are few jobs more noble or significant than inspiring the next generation’s dreams, and Oda’s understanding of that responsibility is clear in his every page.