Tag Archives: OreGairu

Spring 2015 – Week 3 in Review

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So I know this is supposed to be the bad season that follows winter’s shocking bounty, but it turns out this season is actually really good. It’s not exactly a deep bench, and Plastic Memories is so far turning out to be a disappointment, but Blood Blockade Battlefront, Oregairu, and Sound! Euphonium are all top tier shows, Ore Monogatari!! isn’t far behind, and even the rear of the pack is relatively entertaining. I normally only expect one or two truly great shows in a season, so even if nothing else rises in my standings (and honestly, there’s not much that could, outside of maybe a surprise turn by Punch Line), this is still solidly above par. Who would have thought that a season with a sequel to one of my all-time favorites, a show directed by one of my favorite directors, and a new low-key drama by KyoAni might actually be pretty okay?

Yeah, I guess I should probably have seen this possibility. Well, for once, I’m very happy to be proven wrong. Let’s run ’em down!

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Oregairu S2 – Episodes 1-3

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My first Oregairu S2 post is up! Don’t have much to say here that I didn’t already say in the piece – I love Oregairu, the new season is so far even better than the old one, and I wish we got more shows that were nearly this sharp in their character writing. I really hope it stays this good!

My full ANN writeups is available here. Notes below!

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Spring 2015 – Week 2 in Review

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Well, I’m exhausted. Preview week’s done, my new media and identity essay is out, and I just want to lie down somewhere for a very long time. But anime marches inexorably on, and so it’s time once again for the week in review. This’ll just cover episodes that weren’t already covered in my retrospective – I’ll be continuing Punch Line conditionally and MY Love STORY!! definitely, but their first episodes only arrived within the last week. Other than that, my lineup seems pretty set for the time being. Let’s run ’em down!

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Spring 2015 – Virtually Every First Episode Retrospective

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It’s time at last. Time to run down all the highlights and lowlights, time to reflect on what was and what’s yet to come, time to talk about way too many god damn anime. As expected, this season’s new crop isn’t really able to measure up to the departing set – but when we’re losing Shirobako, Death Parade, Yurikuma, and Maria all at the same time, that’s probably to be expected. There are still new gems to enjoy, and new could-be heroes to watch with shining eyes as they rise only to incinerate in a cloud of their own wasted potential. The season’s beginning is always a fraught time, but don’t worry, I’ve got quick blurbs and links to all my friggin’ ANN reviews to guide you through it. Shows run from most loved to most reviled, with general categories of watchability marking each group as it arrives. And incidentally, the three I’ll be covering for ANN this season are going to be: SNAFU, Sound! Euphonium, and Nagato Yuki-chan. Alright, enough preamble, LET’S RUN DOWN SOME ANIME.

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Spring 2015 – First Impressions, Part One

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THE PREVIEW GUIDE HAS BEGUN. It’s still warming up at this point, so my sanity is more or less intact, but that will likely fade over the next couple days. I’m pretty sure there are eight new shows coming out today. EIGHT SHOWS. I’m trying to knock them down as fast as they appear, but I’m pretty sure momentum is on their side.

Oregairu

Here’s the preview guide, where I currently have reviews up for Is It Wrong to Try And Pick Up Girls in a Dungeon? and Food Wars!, and SNAFU S2, with Seraph of the End soon to arrive. Quick ratings and individual links below!

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Spring 2015 Season Preview

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It’s that time once again! With three weeks of the winter season to go, it’s time for me to start feeling existential dread at the thought of one more preview guide, and time for you all to get some uselessly vague predictions about how this whole spring season’s gonna go down. As per the usual, I’ll just be covering stuff that actually looks interesting to me – if you want the full list, head on over to anichart to check it out. Normally, this is a time of celebration – it’s the end of winter doldrums, and spring is generally a pretty stacked lineup. But between Shirobako and a few intrepid newbies, this winter season has actually been perfectly respectable, so let’s try and approach the upcoming shows with a bit less desperate of a look in our eyes. It’s just another anime season, you guys. No need to get excited.

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Top 30 Anime Series of All Time

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Yep, I’ve finally put together a top shows list. As I hopefully made clear in part one and part two of my critical biases post, this is obviously my list – it represents the things I think are most valuable in stories in the way I think they’ve best been articulated. It’s also just a list of shows I enjoy – there’s no hard criteria here, so I wouldn’t stress the numbers too much. Also, it’s a bit front-loaded – I only started watching anime seasonally about two years ago, so the last couple years are disproportionately represented. Incidentally, I’m not including movies here either – I think direct comparisons between shows and films are a bit of a stretch, but if they were included, this list would certainly be somewhat different. And finally, I’m absolutely (and thankfully) certain this list will change over time – there are still piles of widely beloved shows I’ve never seen, so I’m sure the current rankings will be filled out in the years to come. So with that all said, let’s get to the list – Bobduh’s Top 30 Anime of All Time.

-edit- I have now created a Top Shows Addendum for shows that have either fallen off or just barely missed this list. Please enjoy these additional almost-top shows!

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Top Twelve Anime of 2013

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And so 2013 comes to an end. This has been a big year for me in blogging, what with it being my first year in blogging, and so a lot of these shows hold a possibly unreasonable place in my heart. Nah, I don’t think that’s actually true. I think we’ve just had a great year, and that blogging really has done what I always wanted it to – force me to apply a more critical eye to my media, which, contrary to popular belief, has actually made me appreciate my favorites even more.

And there sure were plenty of favorites! As I said, this has been an excellent year in anime, with tons of genres, styles, and themes represented by stylish, confident productions. If this is your first time checking the blog, let me introduce myself by saying I’m a horribly biased shithead who wouldn’t know a good action show or comedy if it comically murdered me. I like people, and I like ideas, and my list reflects that (if you’re looking for Attack on Titan or Maou-sama, you can find my reviews of those here and here). I like to think I’m pretty good at telling good writing or direction from bad, but everyone has different things that appeal to them, and so you can consider the numbering here a mushy compromise between favorite and best, though the list overall encompasses both. I’m not gonna give you synopses here – if you’re interested, each title links to that show’s description, but that’s not what you’re not paying me for. These comments will cover why I loved these shows. I was aiming for a top ten, but when compiling the list, the shows that immediately bubbled to mind ended up numbering twelve, and instead of arbitrarily cutting two off I’ve decided to honor them all. Also, I’m only counting shows that ended in 2013 here, so no Kill la Kill or other half-finished two-parters. So here it is: my top twelve anime series of 2013!

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Yahari Ore no Seishun Love Comedy wa Machigatteiru – Review

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It’s a common complaint about anime. Why are so many series obsessed with high school? Why do we only get young protagonists? Why aren’t there more stories I can still relate to, now that I’ve grown beyond that setting? And it’s an extremely valid one – anime does squander its infinite potential by adhering to such similar settings, and we really are deeply lacking in protagonists covering the range of mature human experience. The reasons for this trend (the age of the fandom, the high premium placed on nostalgia and escapism, the natural tendency to continue making what sells, the adherence to safe formulas, etc) are as understandable as they are disappointing. And the complaint doesn’t even take quality into account, which is another issue – many of these shows tread the same ground, they often deal in archetypal, empty characters, they often exist as pure escapism or viewer self-insert fantasies, their humor repeats, their drama repeats worse, they exist as commercial shells and have no greater human ambitions. Sometimes it can feel like we’re well and truly fucked when it comes to imbedding some creative spark and ambition in this sea of similar, empty productions.

To this jaded and completely reasonable perspective (one which you can probably tell I largely agree with), I would have to say: OreGairu.

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Yahari Ore no Seishun Love Comedy wa Machigatteiru – Episode 13

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Guys I don’t even know. Can I take this? Will tomorrow even be worth living through? I’ve suffered a lot in my life, but this, this…

OreGairu is ending, you guys. What am I gonna do.

I’m not gonna get all weepy now – I’ll save the histrionics for the review. I know the actual show is pretty much already over, and that this final episode is an anime-original. It’s almost like they knew I’d need one more nostalgic adventure with these characters. This episode also marks the original light novel writer’s first time collaborating on an anime (I think). This is a good thing, because I want him writing all of the shows from now on, and he has to start somewhere. Hopefully in a few years he will work at all the studios and write everything.

Doing my best to stay objective here. Oh god. Here come the tears. Fuck it, roll the episode.

Episode 13

0:37 – “If everything is worth experiencing, then there’s little doubt that the feeling of not experiencing something is, in itself, worth experiencing.” -Sniff- I’m gonna miss you, buddy

0:52 – “The worst part is how convincing he is despite not being consistent at all.” So damn cute together. And once more the show outright says that Hikki’s philosophy is nonsense, something most of the criticism aimed at this show seems to miss entirely. The feeling of not experiencing something may be worth experiencing, but the feeling of not experiencing OreGairu seems like a pretty big loss for those guys

6:45 – It’s funny seeing an actual legitimately energetic person make Yui as weirded out as the misanthropes

8:10 – Also funny seeing how into this project Yui is getting. This is basically a fanservice episode, but fanservice in this show is just the characters being themselves around each other

10:50 – I say that, and then we actually get Yui in a Saber costume

11:47 – And Hayama takes the gold. I’d be perfectly happy if the rest of the episode were just a Hayama being awesome montage

12:57 – And then there’s nice callouts like remembering Silver’s weakness is fashion, or finally pairing the two otaku together for an episode

13:55 – “The starting shell has been blown!” This episode is completely insane

17:50 – “If it’s for you, I can handle way more than this!” My god this episode. That rallying speech was hilarious too. I didn’t think such a derp episode could be so satisfying

19:27 – “Did you really think I’d leave you unmarked?” Of course Hayama’s also totally buying into it. I think this probably all works for me because after the trials of the series, it’s just really satisfying to see these characters have fun together for once

21:23 – “You were watching too?” “I-I just happened to see it.” Thirteen episodes in, and we have finally arrived at the tsundere starting line. Life is tough

And Done

Well, that was surprisingly fun. I figured it’d be pretty much a write-off bonus episode, and it kinda was, but they ran with that and had the characters actually cut loose and be comfortably silly together. Definitely nice to see the brighter life they’ve earned through the course of this series.