Rock is a Lady’s Modesty – Episode 2

Hello folks, and welcome back to Wrong Every Time. Today I thought we might check in on Oushin Girls’ Academy, and see how new arrival Lilisa is managing to uphold the tenets of dignified high-class ladydom. Having crawled up from the ranks of the peasantry through her mother’s union with the distinguished Suzunomiya family, Lilisa is determined to become the academy’s Noble Maiden, and thereby secure a lasting future for herself and her mother. And it won’t take much – just abandoning her current personality and her most precious memories, including her conjoined love of her father and the guitar.

So yeah, that probably wasn’t going to happen. Nonetheless, it took the intervention of fellow young maiden and born blue blood Otoha Kurogane to shake her poise, calling her back to the guitar and the earnest, unvarnished feelings it represents through the time-honored challenge of “what are you, chicken?” Along the way, Rock is a Lady’s Modesty has presented a bevy of charged visual motifs, defining life at Oushin as a series of cages and mirrors, barring true expression while consistently allowing glimpses of humanity to seep through in fountain pools, painted glass, or the sweat of pure, reckless passion. I’m at this point most curious to learn of Otoha’s “true self,” or whether she has actually managed to integrate the duality of propriety and rebellion more gracefully than Lilisa, but I’m down for whatever this team has to throw at us. Let’s get to it!

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Rock is a Lady’s Modesty – Episode 1

Hello folks, and welcome back to Wrong Every Time. Today we’re barreling into a brand new production, as we continue to enjoy the fruits of this delightfully rock band-rich era of animation. This time we’re checking out the currently ongoing Rock is a Lady’s Modesty, a show whose title alone promises a culture clash between reserved, high-class elegance and raucous, audaciously expressive rock performance, as our heroine works to juggle her familial expectations and personal passions. So basically like The Ramones finding each other in a Class S drama or something? I don’t know, but I’m eager to find out.

As for our production team, director Shinya Watada has been a reliable hand at Sunrise for many years now, handling episodic directorial duties on major productions like the Gundam Build Fighters and Love Live! franchises. Both of those franchises are known specifically for the dynamism of their direction, and how well they make camera positioning an active part of the drama and comedy (that Kotori corner face is really just the tip of the iceberg), so I’m expecting good things from him and equally seasoned series composer Shogo Yasukawa. Interestingly, art director Hirofumi Sakagami is actually better known for background art than anything involving animation, which I suppose makes sense given the performance sequences will be motion-captured 3DCG based on actual performances by the OP group BAND-MAID. Watada’s own words demonstrate a clear appreciation for the themes of both rock band anime generally and this production’s particular contrast of values, so I’m feeling pretty darn confident about our prospects here. Let’s get to the show!

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