Oregairu S3 – Episode 7

Alright Hachiman, how are we doing this? With Yukino and Iroha’s prom under assault by Yukimom, Hachiman has decided the best course of action is to make a second prom, thereby shifting the active question from “should a prom exist” to “which prom should we choose.” Then, by ensuring his own prom is an inferior possibility, he can surreptitiously ensure Yukino’s prom goes forward as planned.

It’s an extremely Hachiman plan, in a variety of ways. Hachiman is accustomed to circumventing the arguments presented by his opponents, or even his allies. Where they see problems with one clear trajectory of resolution, he looks more broadly, and spies ways that a problem can be resolved without even confronting its central variable. So it went with the resolution of Tobe’s crush, as well as Rumi’s social problems – but of course, both of those solutions were stop-gaps, rather than lasting resolutions. And beyond this familiar vein of tactics, Hachiman is also banking on his most reliable solution: making himself (or his prom, in this case) the monster, thereby drawing all the fire from whoever he’s attempting to save.

Basically all of Hachiman’s friends have expressed their frustration with this approach, whether it’s Hayato’s “why is this the only way you know how to do things,” Yukino’s “I hate your methods,” or Yui’s tearful “you can’t keep hurting yourself for others.” It’s an approach reflective of his self-hatred, his inability to value himself even for the sake of those who love him. But Hachiman has grown a great deal since the last time he employed these methods, and this time, there’s a key distinction: it is not Hachiman himself, but this prom-avatar he’s creating, that will become the target of derision. If Hachiman can maintain the effectiveness of his methods while removing the martyrdom element, he’ll have taken a huge step forward into adulthood, maturing while retaining his fundamental self. Let’s see what he’s up to!

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Scum’s Wish – Episode 2

Hello everyone, and welcome back to Wrong Every Time. Today we’ll be diving back into Scum’s Wish, the Masaomi Andou-directed adaptation of Mengo Yokoyari’s thorny adolescent drama. So far, the show has offered plenty of Andou and plenty of drama, as high schoolers Hana and Mugi pine after the crushes of their childhood, while consoling themselves with the bodies of each other. It’s a deeply unhealthy state of affairs, a fragile disaster waiting to happen, and I’m eager to see it all come tumbling down.

More immediately, though, I’m mostly looking for this episode to add some distinctive human texture to our four leads. So far they’ve largely been defined by their romantic feelings, which doesn’t really tell us much about them specifically; we know Hana and Kanai clung to each other as a result of their missing parents, but that’s about it as far as character motivation is concerned. What we might need is some general group activity or event, something for each character to react to in their own way, and thus establish their personalities outside of the context of their romantic feelings. That’s my main narrative hope, but either way, I’m looking forward to munching on more of Andou’s delicious compositions. Let’s get to it!

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Scum’s Wish – Episode 1

Hello everyone, and welcome back to Wrong Every Time. Today we’ll be embarking on a brand new journey, as we check out the first episode of the 2017 drama Scum’s Wish. I recall a fair degree of buzz regarding the Scum’s Wish manga, with the story making waves for its willingness to engage with the emotional and physical messiness of teenage sexuality. In a field that frequently sanitizes relationships to the point where a chaste kiss is the ultimate expression of sexual fervor, Scum’s Wish acknowledges that teens are horny, and often express that horniness in self-destructive ways.

As for the production, we’ve got Masaomi Andou serving as director, whose projects all tend to feature a few common signatures. The most obvious indicator that you’re in an Andou production is the proliferation of screen-in-screen shots, where a character reaction, physical action, or some other variable is illustrated through smaller boxes layered on top of the original image. This technique tends to create a distinct sense of flow in his works, as well as the sense of a “moving comic” that is a bit closer to manga than film. Andou balances this visual signature with an otherwise restrained, almost conservative approach to direction, generally favoring clear, wide shots over angled or aggressive cinematography. Given this is a manga adaptation, I assume that’ll all translate to a rigorously manga-loyal adaptation, with his flourishes almost recreating the paneling of the source material.

Alright, I think that covers everything I know about this property and production. Let’s get to it!

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Winter 2017 – Virtually Every First Episode Retrospective

Hello and welcome! With the new anime season’s first week having come and gone, we are left with an immense pile of new series to investigate. A great part of the fun of new media is the joy of discovery, but I detest joy and your acquisition of it in particular, and so I’m here to steal that pleasure from you. Instead, you will now read my list of impressions for basically every new show that came out, which will dictate the terms of your entertainment for the next three months.

Working for ANN’s preview guide means I really do watch basically every new show, and offer a reasonably sized take on all of them (you can check out ANN’s full list here, and find my thoughts under Nick Creamer). But even that is so much material that it’s kind of ridiculous to engage with, and so here at the blog I group everything I watched into vague descending categories, with both brief thoughts and a link to my longer ones. This has been a fairly iffy season so far, so I’m sorry to say the lower brackets will be kind of stacked this time, but there’s still plenty of worthwhile anime to discover! Feel free to skim at your leisure, or just skip to the part where I start rambling incoherently and losing hope in existence. THE CHOICE IS YOURS.

Incidentally, I won’t be covering the shows that are chained to various awful licensing situations here, so just imagine my thoughts on Little Witch Academia are “please Netflix, please spare us from the pain of this empty season.” Alright, I think that covers it. Let’s run this season down!

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Winter 2017 Season Preview

I’ll be honest – this upcoming anime season is looking pretty sparse. Perhaps this is our punishment for having such a strong current season, or perhaps the good and just anime gods are displeased with Flip Flappers’ low sales numbers, but either way, we’re going to be scavenging for scraps come January. That said, there are still some bright spots here and there – sequels to strong first seasons, shows with promising creators, originals that might have have some kind of special spark. And we’ve certainly had weak winter seasons before – in fact, this winter may just end up being a repeat of last year’s, where Rakugo stood head and shoulders above the rest of the pack. We’ll get by, as we always do. And we’ll probably have some nice cartoons to help us.

As usual, I won’t be previewing every single show of the coming season, and I also won’t be providing traditional synopses. You can check a site like anichart for all that stuff – instead, I’ll be highlighting the specific shows that seem to have potential, along with the generally staff-related reasons I feel that way. Plot is cheap, but strong artists are irreplaceable. So let’s start at the vague peak of my interest level and run this next season down!

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