Hello folks, and welcome the heck back to Wrong Every Time. Today I am beyond eager to dive back into Star Driver, because goddamnit, what is happening in this show!? The last episode saw the narrative seemingly tensing for a whole-scale board flip, with Kanako demonstrating the variable subfactions and distinct priorities within Kiraboshi, even as Sugata slipped ever closer towards proud villainy. Having shifted from just sort of being a generally creepy guy to receiving private lessons on arrogance from Head, it’s clear that Sugata is now headed down a dark road; even if he’s currently using the King’s Pillar simply to assist Takuto, I can’t imagine he’ll stop there. After all, as Head says, power is gifted by the gods, and the gods intend us to use our gifts.

Meanwhile, the drama of both Kanako’s makeshift family and the You sisters is demonstrating a variety of awkward fault lines both within and adjacent to the Kiraboshi organization. Both Kanako and Marino seem more dedicated to protecting their loved ones than progressing the organization’s central cause, so I’m hoping we might see some defections in the near future, which could shed some light on how this organization came to be. Regardless, with Igarashi and Enokido at the helm, I’m sure we’re in for a fun and fascinating time. Let’s get to it!

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Hello everyone, and welcome back to Wrong Every Time. Today we’re going to be continuing our examination of the fascinating Star Driver, which as of now appears to be settling into the rhythm of its second act. After a tumultuous climax wherein Sugata first activated his King’s Pillar, the show rapidly shifted gears, introducing first Mizuno and then Marino as fresh dramatic irritants. But now that both sisters have been reasonably established, it seems we’ve reached a point of relative stability, allowing for the reintroduction of more tangential side stories like last episode’s Simone vignette.

Still, it’s clear that larger forces are rearranging themselves beneath our surface drama. Last episode’s most potentially consequential moment was undoubtedly the meeting between Sugata and former Kiraboshi leader Head, wherein Sugata’s misgivings about his power were ameliorated by Head’s assurance that “talent is bestowed on us by the gods for a reason. To not use it might be a sin.” These words gave Sugata the confidence to activate the King’s Pillar during the ensuing battle, which was lucky for Takuto at the time, but will likely incur more significant long-term consequences. The flipside of “talent is bestowed on us by the gods for a reason” is “my actions are righteous because I am a chosen vessel of god,” which aligns alarmingly well with both Sugata’s self-righteousness and his preordained role in this island’s ritual structure. Takuto and Sugata were able to settle their differences with some old-fashioned roughhousing last time, but with Head whispering flattering devilry in his ear, I imagine there’s trouble in store for our core trio. Let’s check it out!

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Hello folks, and welcome back to Wrong Every Time. Today I figured we’d step back into Star Driver, whose narrative has essentially been in Full Chaos Mode for two episodes now. With episode eight clearly serving as the ending of Star Driver’s first act, we’ve subsequently witnessed a full-scale invasion of the plot by sisters Mizuno and Marino. Both on the cheerful school adventure side (through Mizuno’s immediate crushing on Takuto) and the ominous Kiraboshi side (through Marino’s ascension as Manticore), the You sisters have been making their presence known with all possible haste. And personally, I’m all for it; Mizuno has already proven herself to be one of the show’s most charming characters, and Marino seems far more interesting than our dear departed Head.

Given the necessity of fully integrating these intruders into the ongoing drama, Star Driver has understandably been dedicating less time to the unveiling of its core mysteries. But even on that front, the reveal that Mizuno is one of the shrine maidens seems to imply that this burden can be abandoned, or perhaps gifted upon another. When Head tired of his caged maiden, he let her go, and she was able to escape the island. Does this mean simply rejecting the island’s doctrine is enough to dispel its hold, or is there something else that binds Wako and Mizuno to their duties? I’m eager to find out, so let’s dive right into the next episode of Star Driver!

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Hello folks, and welcome on back to Wrong Every Time. Today I am beyond eager to get back to Star Driver, whose narrative is currently being invaded by a rampaging Mizuno. After appearing as a brief figure of mystery two episodes ago, this most recent episode saw Mizuno crushing hard on Takuto, forcefully inserting herself into the drama department, and ultimately revealing her status as one of Southern Cross’ legendary shrine maidens. In a mere twenty minutes, she has charged through as much personal drama and lore shakeups as took the original cast half a dozen episodes, handling it all with a wave and a smile.

As my tone might indicate, I am all for this shakeup, and can’t wait to see what Mizuno does next. In contrast with the relatively passive Wako, Mizuno seems to already be pushing Takuto out of his comfort zone, while simultaneously embodying a challenge to the conservative gender paradigm of the shrine maiden system. Her energy seems like a better match for Takuto’s own personality, and perhaps more than anything, she’s just plain fun to be around. Let’s see how Mizuno continues to resculpt this narrative, as we return to the fascinating Star Driver!

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Hello folks, and welcome back to Wrong Every Time. Today I’m eager to get back into Star Driver, and finally see what this new act has in store for us. It’s currently pretty difficult to make any solid predictions as to this story’s trajectory, as the last episode resolved basically all of our immediate conflicts, while also finding time to seed in a couple new ones. It’s a brand new day on Southern Cross Isle, and I can’t imagine what Enokido has in store for us next.

For the moment, we can at least take stock of where last episode put us. Takuto and Sugata have resolved their disagreements through the Fists of Friendship, leaving our core trio repaired, and Sugata as the only person who’s activated the King’s Pillar and recovered. Meanwhile, the mysterious Order’s leader has lost his caged bird, having dismissed her in the wake of her challenging his desire to leave the island. This presumed shrine maiden has now left the island entirely, but in her wake, a new girl appears to have just arrived.

All of these changes seem to imply a shakeup is incoming, as the Order rethinks their tactics while their enemies solidify their bonds. This is a fairly common transition in Enokido compositions; after the first third or so of the story establishes a dynamic through repeated episodic routines, the second act opens with a rearranging of the narrative variables, challenging the audience on their understanding of this world and its attendant themes. Like his former collaborator Ikuhara, Enokido seems to enjoy using familiar narrative templates (in this case, a “mecha of the week” battle anime) to unusual ends, using the familiar to spotlight the new, while simultaneously challenging the moral assumptions of the original structure. With Star Driver’s first act behind us, let’s see what brave new paradigm emerges from the wreckage!

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Hello folks, and welcome back to Wrong Every Time. Today I’m impatient to dive back into Star Driver, where Sugata just managed the allegedly impossible feat of waking up after using the King’s Pillar. Though his friends did everything they could to help him, it was ultimately the strange mechanics of Zero Time that seemed to wake him, further implying some key connection between Sugata and the secrets of this island. Unfortunately, before Sugata’s true friends could reach him, Benio intervened with one of her mind control makeout sessions, putting his current loyalties in question.

Of course, Sugata’s true intentions have always been a touch ambiguous. Though he’s been framed as part of a trio with Wako and Takuto, he’s always seemed a bit distant from the other two, and more preoccupied with his duty to the island. Seeing the Order of Cross lieutenants immediately swear deference to him was thus not terribly surprising; he’s always possessed the aura of a melancholy mastermind, and his connection with the strongest Cybody likely makes him essential to their long-term plans. As such, I feel like we might now be getting introduced to the “true Sugata” for the first time, which will be accompanied by an enlightening realignment of the show’s field of conflict. We’ve clearly got a consequential episode ahead of us, so let’s not waste another moment, and jump right back into Star Driver!

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Hello everyone, and welcome back to Wrong Every Time. Today I’m eager to return to the scene on the ground at Southern Cross Isle, where just moments ago, Sugata unleashed the power of the King’s Pillar. That’s right, it’s time for more Star Driver, and all the glorious action animation/confounding thematic investigation that implies. After five episodes of tentative worldbuilding hints and regular episodic battles, episode six offered a mid-season board flip of tremendous intensity, explaining Sugata’s true nature just before potentially killing him. Just like Wako, Sugata is tethered to this island by the nature of his inheritance – but unlike Wako, he is trapped not by his connection to the shrine gates, but due to the fundamental danger his power represents.

All of these mechanical revelations slot neatly into Star Driver’s ongoing thematic conflict. The shrine maiden conceit embodies a fundamentally conservative perspective on female sexuality and agency, framing women as caged birds whose “purity” must be protected at all costs. The male counterpart to this framing is men defined as insatiable sexual predators, creatures who simply cannot control their urges (thus necessitating the imprisonment of women and downplaying of feminine sexuality). Sugata being framed as “too dangerous to leave the island” completes the circuit of Southern Cross’ gender paradigm, with the threat he poses summed up by the phallic symbol of the King’s Pillar.

So yes, Sugata has waggled his metaphorical penis around and potentially destroyed the island, himself, or both. But it was for a good cause! Let’s see how he and our other thematically imprisoned heroes are faring as we return to Star Driver.

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Hello everyone, and welcome back to Wrong Every Time. Today I thought we’d take a trip back to Southern Cross Isle, where the heroes of Star Driver most recently faced off with their predatory school nurse. Last episode basically felt like a classic Igarashi comedy episode, with a single ridiculous concept leading a parade of goofy expression work and improbable punchlines. He’s directed more than his share of such episodes over the course of Sailor Moon and Ojamajo Doremi, but of course, given Star Driver’s unique preoccupations, the tone here was just a smidgen different. Igarashi has been involved in some of the most poignant and thematically rich anime in history, but he still finds time for goofiness in all of them, and for that I am thankful.

Given the proud irreverence of the entire previous episode, I’m expecting this one will steer us back into murkier waters, perhaps elaborating on the odd bond between Wako and her “fiancé” Sugata. We know troublingly little about Sugata considering his centrality to the narrative, but to be honest, we know troublingly little about basically everything at this point. More data is clearly required, so let’s break out our thematic notepads and settle in for another episode of Star Driver!

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Hello everyone, and welcome the heck back to Wrong Every Time. Today I’d like to dive back into Star Driver, that intriguing combination of Igarashi and Enokido’s sensibilities. Between FLCL, Utena, Evangelion, Doremi, and Diebuster, the two of them were collectively involved in like a quarter of my most favorite anime, so it’s no surprise that I’m having a great time with Star Driver.

Last episode saw us finally spending some quiet time with Takuto and Wako, as the island fell under a Cybody-empowered spell. We learned that Wako once dreamed of leaving this island, but is bound here by her duty as a shrine maiden. Only breaking a maiden’s seal will allow them to leave – but with all the other seals broken, if Wako’s does as well, the Cybodies will be released.

Of course, given this is an Igarashi/Enokido joint, all this shrine maiden business mostly seems like a metaphor for the course of adolescence, and the demands for “purity” that so often restrict young women. Wako’s admission that “my grandma was supposed to teach me when I joined junior high. But when I was still in grammar school, I apprivoised on my own” maps perfectly to the awkward progress of puberty, implying the Cybodies are linked to our sexual maturation. Enokido has exploited similar metaphors throughout his career, from FLCL’s robot boners to their spiritual successors in Diebuster, not to mention Utena and Captain Earth. He is perhaps the greatest writer of one of anime’s most persistent narratives: “adolescence projected as apocalyptic external drama.” Let’s see how this metaphor develops from here!

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Hello everyone, and welcome back to Wrong Every Time. Today I’m eager to get back to Star Driver, where we most recently watched Kanako attempt to defeat Takuto with the power of horny, and then send her servant Takashi into battle with him. That battle’s outcome will likely damage Kanako’s standing within the Order, but interestingly, Takashi himself didn’t seem bothered. In fact, judging by his final conversation with the Order’s president, Takashi doesn’t even need a bier to activate his robot – he has an emblem of his own, and can graduate to his “second phase” with the same ease as Takuto.

All that plot and mystery stuff is well and good, but you know me; I’m more interested in Star Driver’s thematic and psychological content, and much of that remains obscure. Kanako’s entire personality seems to undermine any possibility of the Order being defined by its conservatism; in fact, between her and Benio’s behavior, the Order seems more willing to embrace thoughtless or transactional sexual agency than their opponents. And yet, their rituals are steeped in the language of traditional gender roles, speaking often of “caged birds” and shrine maidens as symbols of purity. I’d love to dig into their philosophy further, but in the immediate sense, I’m mostly hoping for more texture and history from our hero Takuto. Either way, I’m sure Star Driver will find new ways to delight and impress, so let’s dive right into the fourth episode!

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