Why It Works: Music in Anime: The Song is the Story

Today I’ve got a Why It Works post I’m very happy with, as I got to write at length on a topic I’m always fascinated by – storytelling conveyed without narrative, and particularly storytelling conveyed through sound design. The entry point for this discussion was how well Carole & Tuesday’s songwriting expresses its protagonists’ growth, but many of my favorite shows use not just music, but in-show musical performance as key emotional moments and character turns. As a musician and songwriter myself, I’m naturally inclined to embrace music-focused anime, and fortunately, several of my favorite anime directors seem to love musical performances just as much as I do. Here’s the piece!

Music in Anime: The Song is the Story

Simoun – Episode 18

Folks, it is absolutely time to watch some more of the graceful, mysterious, and altogether captivating Simoun. It’s been a little while since we last checked in on this story, but we left on a thunderous series of worldbuilding reveals. Entering forbidden religious ruins with enemies in pursuit, the sybullae discovered that the spring which forms the cornerstone of their religion actually has multiple entry points across the world, seeming to exist in multiple places at the same time. Additionally, more simoun craft were discovered within this ruin, one of which contained a familiar face – Angulas, the young priestess who once sacrificed herself to tear the holy empire down.

Angulas’ presence here could well indicate that the various religions all of this world’s political bodies worship all stem from one communal root, one which doesn’t pick favorites in distributing its holy favor. Angulas died in a moment of selfless religious ecstasy, a description that could just as easily be applied to priestesses inscribing their Ri Majoons in the skies. Given that, what is the purpose of all their struggling, and what goal does Onashia actually seek? And at the same time, does Angulas’ presence here mean Dominura and Limone might be similarly cocooned, waiting for their friends to retrieve them?

Whatever the answers may be, I’m thrilled to explore this thematically rich property once more, and spend some time with its very sympathetic cast. Let’s see what lies in store!

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Magical Girl Lyrical Nanoha A’s – Episode 6

Alright folks, let’s dive back into Nanoha A’s! This season has been establishing Hayate and her “family” as clear echoes of Nanoha’s crew all season, and never was that more apparent than last episode, where the show essentially assigned all of the beats normally reserved for the protagonist (opening monologue, closing statement, mid-battle reflections) to Hayate’s party. Though the episode ended on the reveal that all of Hayate’s companions are magical creatures summoned by the Book of Darkness, the rest of the episode was largely dedicated to emphasizing how little that mattered – they are as loving of a family as Nanoha’s, mutually supporting and utterly willing to sacrifice for each other.

That episode also featured a whole bunch of sweet fights, further solidifying Nanoha’s chops as an all-purpose action platform. While the show’s first season had some exciting clashes, cool animation flourishes, and a generally unique aesthetic, its fights were generally just emotional clashes of laser bursts – what sense of weight and consequence that existed was mostly contained in the dramatic casting and leadup to each major blow. With the Velka knights in the mix, Nanoha is now striving for more tactically diverse battles, with their own internal dramatic arcs. The show’s results on that front have been a little mixed – these fights still seem to be driven more by dramatic necessity than tactical back-and-forth, and devices like each team splitting into pairs for battle feel a little hackneyed. But weightiness of the physical exchanges aside, they’re still exciting as heck, and a great visual spectacle in their own right. Whether we’ve got further investigation of Hayate’s perspective or simply a bunch of sweet laser fights ahead of us, I’m ready to get back into it. Let’s see what’s what in the next episode of Nanoha A’s!

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Princess Tutu – Episode 24

With only three episodes remaining, the time for cryptic allusions and shrouded metaphor is largely behind us. Princess Tutu’s latest opening monologue emphasizes that clearly, as we are greeted by the image of a grave scattered with pages, and a pendulum swinging in the background. The narrator tells us, “once upon a time, there was a man who died. The story the man wrote was about a happy prince who loved everyone and was loved by everyone. The people fought, each wanting him to love them and them alone, and an evil raven pecked at their loving hearts one after another. The more the prince loved them and tried to save them, the more the people’s love just fed the raven. In the end, the raven thought ‘I’d like to try eating the prince’s heart, the most delicious one of all.’”

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Spring 2019 – Week 7 in Review

As we enter the second half of the season, all of my airing contenders have more or less settled into their default modes, as hope and anticipation solidify into weekly expectations, and rambunctious young stories find their mature footing. Demon Slayer’s episodic strengths and weaknesses have become relatively predictable, while Carole & Tuesday’s consistent genius is now the one goddamn thing I can rely on in this blighted world. Predictability gets a bad rap, but being predictably terrific is a pretty good thing in my mind, so I am all in favor of Carole & Tuesday’s choices. Let’s check in with our young rock stars and all this season’s other heroes, as we plow through another Week in Review!

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Why It Works: Five Shows to Scratch that Game of Thrones Itch!

For this week’s Why It Works article, I shamelessly embraced the conclusion of Game of Thrones to try and trick people into watching a bunch of really good anime. My means may have been duplicitous, but my intentions are good, which I feel is at least honoring the spirit of our fondest Westerosi friends. Any opportunity to rep Shinsekai Yori and Bokurano feels like a net positive to me!

Five Shows to Scratch that Game of Thrones Itch!

Crest of the Stars – Review

Today on ANN, I reviewed a show that I fell in love with just a couple years ago, Crest of the Stars. Approaching the space opera genre with thoughtfulness and a clear character-first focus, Crest of the Stars is basically the perfect combination of Legend of Galactic Heroes and Spice and Wolf, a show both staggering in scope and rich in intimate character moments. If you haven’t seen it, I highly recommend giving it a shot. Here’s my review!

Crest of the Stars

Crest of the Stars DVD

Scorching Ping Pong Girls – Episode 5

Hell yes folks, we’re back to Scorching Ping Pong Girls! Among the many excellent shows you readers are currently steering me through, Scorching Ping Pong Girls is almost certainly the most dedicated Fun Things Are Fun production, and I truly love it for that. Ping Pong Girls is the kind of show Tsutomu Mizushima likes to make – a loving genre riff defined by consistent high energy and a keen understanding of dramatic fundamentals. Conceits like the various characters’ visual motifs play into the show’s overall sense of genre-savvy irreverence, but Ping Pong Girls isn’t self-aware in order to parodize; it understands the dramatic appeal of great sports drama done right, and it’s here to provide.

With last episode essentially serving as a twenty minute hype session for this episode’s match, I’ve been sitting on my hands and grinding my teeth ever since I finished that one. Ping Pong Girls’ matches have consistently demonstrated a great talent for grounding their drama in clear tactical variables, and the show’s fluidity of action cuts has regularly impressed me as well. With Agari and Kiruka about to clash paddles, let’s dive right back into Scorching Ping Pong Girls!

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Magical Girl Lyrical Nanoha A’s – Episode 5

MAKE WAY CLEAR A SEAT IT’S TIME FOR NANOHA WE’RE STARTING THE SHOW. After our last episode so rudely dangled a potential full-scale battle before our faces, only to spend its full running time detailing the leadup to that battle, I feel I am basically owed an awesome fight sequence this time. Yes, Nanoha has always done that weird thing where its cold opens act as spoiler-heavy previews for the episode to come, but you can’t end a cold open on a fight pose, name your episode something like “New Powers Activate!”, and then regale us with… a perfectly reasonable but decidely non-action packed episode of character setup and exposition.

Grievances about that bait and switch aside, Nanoha A’s has by now established a sturdy platform for faceoffs between our young heroes and these Velka knights, while maintaining a great degree of mystery regarding these knights’ motivation, as well as their relationship with Hayate. My assumption all along has been that unlike Precia, these knights will end up having a pretty reasonable motivation, to go along with their clearly loving counterpoint to Nanoha’s found family. Nanoha’s first season illustrated the diverse potential influences of families in pretty stark terms, so I’m interested in seeing if the show is attempting to illustrate a more subtle distinction this time, or use its general family theme to tackle some other subtopic entirely. With so many characters in the cast at this point, it’s taken a little longer to get through initial setup, but I think A’s is ready to spread its wings. Let’s see some sparks fly!

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The Dream and the Dark – Planetes, Volume 1

The first image of Makoto Yukimura’s Planetes features protagonist Hachimaki in a bulky space suit, staring up at nothing, standing on nothing. The earth lies vast and silent beneath him, but his eyes are drawn upwards, towards something we cannot see. Without the earth in frame, the scene would feel almost peaceful; in light of its presence, Hachimaki seems terribly vulnerable, as if he’s suspended on a glass surface over an endless abyss. The shot is likely Planetes’ most defining image; a composition that simultaneously conveys the vastness of space, our fragility as we hang in its grasp, and the mundanity of turning this inspiring, terrifying expanse into your garbage removal workspace.

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