Today I returned to one of my favorite styles of Why It Works articles, as I went point-by-point through the smart storytelling choices of JoJo’s most recent major battle. There is both an art and a craft to great action storytelling, and I appreciate Araki for consistently demonstrating all the finer points of this unique storytelling form. Let’s get to it!
Bucciaratti Versus Secco: Breakdown of a Classic JoJo Battle
Folks, I’d say it’s about time we watch some more Girls’ Last Tour. This post-apocalyptic slice of life adventure’s first two episodes were an altogether lovely time; the show hasn’t really been making any grand philosophical statements or anything, but it’s done an excellent job of conveying the felt, sensory experience of Chi and Yuu’s journey. I’ve been particularly impressed by how well the lighting and sound design convey the sensation of traveling through heavy snowfall, from the muffled crunch of footsteps through snow, to the way snow can either steal your voice away or filter it through an alienating echo, as if there’s always someone just out of sight, shadowing your path and your voice.
Atmosphere-centric strengths like that have given Girls’ Last Tour an alternating sense of solemnity and quiet menace, which in turn serves to counterbalance the girls’ seemingly carefree adventures. Whether this show will continue to excel as a muted, contemplative tone piece or embrace more narrative structure remains to be seen, but I was happy to see the quest for high ground give us at least a general goal last episode. I mean, you kinda need something to hope for in a world like this, right? Regardless, wherever their journeys take them, I’m happy to spend some more time traveling with these blobby companions. On to episode three!
I hope you folks are ready. Today we’re embarking on a journey both new and familiar, as we begin the second season of the ambitious, heartwarming, and stunningly executed Ojamajo Doremi.
As I’ve already rambled my way through fifty episodes of this acclaimed children’s show, I’m sure you know my general feelings on it by now. Ojamajo Doremi demonstrates that great children’s entertainment need not be dramatically or emotionally simplistic – in fact, it reveals that children’s anime that doesn’t talk down to its audience can actually broach a wider array of topics and emotions than many shows aimed at more general audiences. There is no artifice or bravado in terms of Doremi’s presentation – the show is honest, perceptive, and brimming with sympathy for its young cast. Over the course of the first season, Doremi has explored topics as sensitive and wide-ranging as love, divorce, bullying, family, creative passion, professional ambition, and even death, elevating its nuanced dramas through its strong visual sensibilities and plenty of fantastical flourishes.
Not only are Doremi’s various adventures all funny and heartwarming in their own right, but the show’s strength is also cumulative. Within our main crew, Doremi has grown from being a perpetual screwup to a genuine leader, and though she’s still unreliable in many ways, her growing confidence, strength, and compassion are clear as day. Having admitted her own fundamental loneliness, Onpu has learned to look outside of herself, and found both friends and a greater sense of purpose through helping others. Aiko has taken great strides in coming to terms with her parents’ separation, and Pop has become a formidable witch in her own right. And outside that crew, we’ve come to know and love dozens of Doremi’s classmates and teachers, making each new episode a testament to the power of ensemble storytelling.
All that, and I’m told Ojamajo Doremi actually improves as it continues, with the contributions of anime titans like Mamoru Hosoda still to come. Ojamajo Doremi has been both an aesthetically rewarding experience and a genuine source of comfort to me, and I hope all of you are enjoying this winding journey as well. Let’s see what awaits us in the first episode of Ojamajo Doremi Sharp!
While Neon Genesis Evangelion’s eighth episode served as Shinji and Asuka’s formal introduction, any camaraderie they might have developed during that adventure was more or less necessitated by circumstance. In the wake of that explosive field trip, their initial impressions seem stable: Shinji finds Asuka mean and terrifying, while Asuka considers Shinji weak and childish. Their ability to work as a team outside of any but the most desperate of circumstances is basically negligible; thus we enter Evangelion’s ninth episode, an episode famous for being the most ridiculous, farcical, and unabashedly Super Robot-influenced episode of all Evangelion. Get ready folks, it’s time to dance like you want to win.
Holy hell folks, we’re at the three quarters mark of the season. One of the sad truths of aging is that each week, season, and year somehow passes even faster than the last, but fortunately, at least this week’s cartoons were really excellent. Every single show I’m watching offered a fine episode this time; the combination of Carole & Tuesday having a slightly weaker episode and everything else excelling meant this week was pretty much an even line of solid entertainment from start to finish. They weren’t even the kind of straightforward “well that was competently executed” good that leaves me without much to talk about – they were good in exactly the convoluted, context-dependent ways that make for plenty of meaty critical interrogation. Let’s dive into the spoils then, as we break down another impressive week in anime!
Today I’ve got one more grab-bag of anime recommendations, spinning off the signature strength of this season’s Demon Slayer. To be honest, even Demon Slayer itself could really use some stronger characterization for Nezuko, but she’s definitely starting to take a stronger role in the story relative to her earlier situation. And in the meantime, I’ve got a pile of shows that already demonstrate how well anime can articulate the unique joys and stresses of sibling bonds. Have at it!
Five Anime With Great Sibling Bonds!
How the fuck is it already time for another season preview? It was February like three weeks ago, the spring season can’t possibly be ending now. What did I even do this spring? What am I doing with my life?
Yes folks, it’s time again for a season preview, and all the existential dread and recrimination which accompanies it. This season has gone by in a flash, and though our endless secession of days is certainly a cause for concern, we can at least console ourselves with the prospect of new cartoons to enjoy. While the spring season concentrated its highlights into a small number of shows, and was defined mostly by the titanic presence of directors like Shinichiro Watanabe and Kunihiko Ikuhara, the summer is looking to be much more diffuse in its highlights. There are fewer sure hits, but plenty of shows with at least a dull glimmer of potential, giving me a whole bunch to talk about. As usual, I won’t be highlighting or summarizing every single upcoming show – there are plenty of sites you can check for that, and not much for me to add. Instead, I’ll just be emphasizing the shows I’m genuinely looking forward to, as well as my generally staff or source material-related reasons for that excitement. Starting with the season’s brightest prospects, let’s break down the stars of the coming season!
Get ready folks. It’s time to continue our journey into Nanoha, and see what those dastardly Velka Knights are up to now! A’s prior episode was a very important one, as it centered on the long-awaited reveal of Hayate’s true family history. As the family’s many idle interactions have made obvious, regardless of what evils the Velka Knights performed in the past, at this point they are entirely dedicated to preserving Hayate’s idyllic family life. To that end, they’re even willing to disobey their master’s own wishes, and work to complete the book of darkness in order to keep her alive.
The reveal of the Velka Knights’ history went basically as expected, and did great work in further illustrating the moral contrast between these foes and the first season. While Hayate feels ever more like a direct parallel for Nanoha, her knights have been defined as essentially the opposite of Fate.
Condemning Testarossa, and drawing Fate from her side, was a pretty morally straightforward proposition – Fate was being abused and mislead by her mother, and Testarossa’s own goals were catastrophic in both nature and intent. In contrast, the Velka Knights are actually working to help their master in spite of her own wishes, are fully aware of the stakes and consequences of their actions, and are working in service of a goal that, while dangerous, is still fundamentally sympathetic. While Testarossa was responsible for basically all the pain Fate both inflicted and endured, Hayate has been nothing but good to her knights, and they’ve done nothing but become more human and sympathetic in turn. They’re frankly getting far more sympathetic framing this season than our actual protagonists, who are very nice people, but also technically Space Cops.
With their history finally revealed, A’s is prepped and ready for another confrontation between our main teams. Whether this episode focuses on that or Yuuno exploring a friggin’ library, I’m ready for whatever may come. Let’s dive into another episode of Nanoha A’s!
Alright folks, gather round, gather round. Lower your paddles and set your ping pong balls at rest. The hour is nearly upon us, and already the machine gun clatter of balls against boards can be heard humming in the distance. It is absolutely time for more Scorching Ping Pong Girls!
When we last left off with the ping pong girls, Agari and Koyori had just proven their mettle against the team’s intimidating captain, Kiruka. Of course, their “victory” came in the form of winning exactly one point each against her, after she’d already exhausted herself defeating every single other member of the team. The episode thus offered a natural mixture of “our heroes have leveled up” and “our heroes still have a long way to go,” along with persistently seeding the overhanging promise of Nationals as the true prize.
That repeated emphasis on Nationals may reflect Ping Pong Girls’ structural constraints more than anything – we’re almost halfway through the season, and we’ve still just finished introducing our own main team. Ping Pong Girls isn’t wasting our time at all – the reason its overarching narrative has moved slowly is because it was too busy dazzling us with fun matches, which is the story’s true purpose. But that pacing does mean we’ll only have time for maybe one tournament, and “earning a spot at Nationals” will likely be the point of that tournament.
Meanwhile, Ping Pong Girls continues to be very charming in terms of its fluffy slice of life material as well. The show’s jokes are hit or miss, but Kiruka and Munemune being extremely married was a very endearing turn, and helped flesh out each of them as sympathetic people. Let’s see what our champions get up to next in Scorching Ping Pong Girls!
There is nothing truly new to report about this week’s anime as a whole, and I’m already two hours late on posting this article anyway, so we’re jumping right into it, folks. Demon Slayer was solid, JoJo was ridiculous, Sarazanmai was repetitive, Carole & Tuesday was transcendent – I think that’s about it for preamble? Yeah, I think we’re basically covered. Starting off with Tanjiro and Nezuko’s shonen shenanigans, let’s run down one more week in anime!