Author Archives: Bobduh

Bloom Into You – Episode 1

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Hello folks, and welcome back to Wrong Every Time! Today we’re embarking on another new anime journey, as we explore the first episode of the ongoing Bloom Into You. I actually reviewed this episode once before for the ANN Preview Guide, but those pieces are designed mostly just to be a “is this worth checking out” snapshot, so today I’m happy to revisit it. As I mentioned in that post, my outside knowledge of Bloom Into You is fairly limited – I know it’s a generally well-regarded yuri romance known for its slow pacing and uncommonly sensitive emotional insights, but that’s about it. That’s more than enough for me, to be honest – I’m a sucker for romance and stories that respect and celebrate all our small emotional turns, so I’m very on board for a gentle love story.

As for this anime production, my only experience with director Makoto Katou is 2015’s Beautiful Bones. That show was certainly pretty, but I often felt its use of rainbow and pastel colors essentially overwhelmed the screen, saturating our perspective in a manner that felt more overbearing than evocative. Still, most of Beautiful Bones’ issues were more reflective of its source material than its visual execution, and with a well-regarded manga and veteran composer Jukki Hanada (Love Live!, A Place Further than the Universe, maybe half of KyoAni’s recent productions) handling series composition, I’m excited to see what Katou can really do. Let’s dive right into Bloom Into You!

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Fall 2018 – First Half in Review

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Dear lord, is the season really halfway over already? Well folks, we’re somehow here, and I think it’s about time to take stock of the season so far. Traditionally, I’ve used these halfway point articles as a way to informally rank all my ongoing shows; more recently, I’ve decided that particular gag has far outlived its theoretical charm, and am now happy just to break down my overall thoughts on each seasonal contender. The seasonal halfway point is a pretty silly time to rank shows, but it’s actually a very reasonable time to more generally assess them; with shimmering premieres long in the past and thrilling finales far in the future, it’s at this point that shows demonstrate their true stamina, their ability to keep us engaged week after week.

As for this particular season, I’m still more than content with my sturdy mix of sports dramas, action spectacles, and SSSS.Gridman’s tokusatsu-slanted weirdness. I’m not sure this season has one highlight I love as much as summer’s Planet With or winter’s Violet Evergarden, but the overall quality of my watch schedule is very high – this is a season marked not by highs and lows, but by perpetual consistency. That doesn’t mean I don’t have much to talk about, of course; even if everything I’m watching is pretty darn good, it’s all pretty darn good in its own unique way. With that, let’s start with this season’s most venerable franchise, and break down Fall 2018!

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Why It Works: JoJo’s Bizarre Adventure is Invading Your Home!

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Yep, we’re back on the JoJo train. For this week’s Why It Works, I focused specifically on the show’s long history of home invasion narratives, and how well they work for its specific blend of action and horror. To be honest, you could probably write a supplementary article on how the show embraces “invasion” more generally, often through terrifying Stands like Rohan’s Heaven’s Door. But the language of home invasions specifically is baked deeply into JoJo’s DNA, so I was happy to focus on that for now!

JoJo’s Bizarre Adventure is Invading Your Home!

Princess Tutu – Episode 17

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We open Princess Tutu’s seventeenth episode with yet another strange, thematically resonant image; a rose standing alone, captured in either a mirror or a picture frame. “Once upon a time, there was a young man with a beautiful face” our untrustworthy narrator explains. “The people loved the handsome young man, but he never showed any interest in loving anyone. This is because all he loved was himself. When the young man, who had neglected to love anyone and sought only to be loved, found someone he truly cared for, he realized he had lost even the words to express those feelings.”

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Ojamajo Doremi – Episode 37

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Folks, it is absolutely time for more Ojamajo Doremi. With Doremi’s generous, handsome, and highly intelligent principle funder having recently stuffed the Doremi fund, we’re looking at Doremi Saturdays for a while to come, and I couldn’t be happier. The show’s last episode held to one of its less common modes – a wholly plot-focused adventure in the Witch World. Pitting Doremi, her friends, and their fairies against an uncommonly disciplined hare and an absurdly speedy tortoise, the episode was a gleeful celebration of Doremi’s very silly world, offering few life lessons beyond “if you’re making a hole for Doremi to crawl through, make sure to leave room for her hair orbs.”

That episode also saw the continuation of Onpu’s antagonism, though frankly, “briefly interrupting the girls for a conversation while shopping” isn’t exactly the height of villainy. Onpu is treading a difficult line of kinda sorta maybe attempting to sabotage the girls while also remaining their friends, which feels like a natural expression of her generally staged existence. Onpu likely sees friendship as perfectly compatible with villainy, because to her, both of these things are a kind of performance. The only thing she seems to genuinely care about is making sure she herself gets what she wants, and she seeks that goal with the bright smile and feigned innocence of a natural performer. We haven’t seen a single moment of true honesty from Onpu, and I’m eager to see the show actually investigate her character. Whether this particular episode focuses on her or not, I’m excited to see Doremi ramp up into another high-stakes arc. Let’s get right to it!

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One Piece – Volume 18

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There are scattered moments within One Piece that seem to embody the romance of the high seas; the mysteries of the ocean, the scale of its vast movements, the ways we can come to understand it so well it feels like an old friend. Nami excels at facilitating these moments, as her navigator’s knowledge and generally contemplative personality tend to make her most attuned to the ocean’s sway. The scene early in chapter eighteen, where Nami muses on the nature of underwater vents, doesn’t impact our ongoing narrative in any way, and would be skipped in a point-to-point summary of this arc’s events. Nonetheless, it’s a beautiful moment that naturally embodies the wonder of the ocean, and highlights how One Piece is far more than a straightforward action tableau. I appreciate that Oda consistently offers these little tonal oases, these beautiful moments that are only their own reward.

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Fall 2018 – Week 5 in Review

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With the season nearing its halfway point, basically all of my shows have settled into their mid-run neutral at this point, and continue to each offer their own steady charms. Thunderbolt Fantasy feels like it’s at last in full swing at this point, offering thrilling fights and meaty discussions between its thoroughly established cast. Run with the Wind is also demonstrating great confidence, and JoJo’s Bizarre Adventure seems to be harnessing everything Araki has learned so far. The only real weak point this week was SSSS.Gridman’s beach episode, but to be honest, I feel like a beach episode was basically a sunk cost for that show from the start. All in all, the fall season continues to offer plenty of excitement, and seems determined to end this year on a high note. Let’s run these shows down!

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Why It Works: Don’t Sleep on Tsurune

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Today on Crunchyroll, I ran through a brief formal breakdown of the vivid visual storytelling apparent all through Tsurune’s first several episodes. Part attempted sell and part close visual reading, I’m hoping this piece convinces at least a few wary souls to pick up Kyoto Animation’s latest production. The show’s been very satisfying so far, and given me plenty to chew on in both an aesthetic and character sense each week. I hope you enjoy the piece!

Don’t Sleep on Tsurune

Liz and the Blue Bird – Review

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Today I’ve got a review of one of my favorite films, Naoko Yamada’s indescribably good Liz and the Blue Bird. It’s a little tough to describe things which are indescribably good, but I do my best over the course of this review, and am pretty proud of the overall piece. I hope you enjoy it, and GO WATCH LIZ AND THE BLUE BIRD! Here’s some screening info. Get to it!

Liz and the Blue Bird

Liz and the Blue Bird

Magical Girl Lyrical Nanoha – Episode 7

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Today we’re jumping back into Magical Girl Lyrical Nanoha! The show crossed a very important milestone last episode: it was actually, genuinely good. Nanoha’s been a perfectly watchable show from the start, and has been interesting enough in terms of its design and execution to give me plenty to talk about, but its first few episodes were neither so narratively gripping nor so compellingly executed that I’d actively recommend it. Things like its unusually mundane conversations and unique backgrounds were interesting aesthetic tools, but they weren’t being used to truly elevate the overall production.

That all changed last time, fortunately. On the visual side, the show’s background art was stronger than ever, offering a mix of dramatically charged and just-plain-beautiful compositions that made for an inherently compelling viewing experience. And on the narrative side, the show’s idle, incidental conversations contributed directly to the episode’s emotional core, naturally humanizing Nanoha’s relationship with her friends. On top of that, it seems like the show’s overarching paradigm is about to be broken as well, as the destruction of Nanoha and Fate’s staffs promises at least some disruption to the status quo. Boasting a new paint job, a greater mastery of its own strengths, and an urgent cliffhanger hook, Nanoha is looking stronger than ever as we enter its seventh episode. Let’s get right to it!

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