Princess Tutu’s fifth episode poses one central question: “are you afraid of the dark?” This question is framed in literal terms through its ghost story embellishments and light-emitting focus character, with Mytho himself moving from a dark and lonely library to a warm yet sterile tomb. But it also speaks to more metaphorical concerns, like the ambiguous nature of Mytho’s memories. Darkness is security, in a way; darkness is nothingness, darkness is inaction, darkness is the absence of pain. Light and understanding can bring us joy, but they can also bring us suffering. Those who know nothing may be the happiest of all.
Author Archives: Bobduh
Simoun – Episode 11
Let’s get back to the fascinating Simoun! With the show’s episode nine peak having represented its first major turning point, we’ve now finally arrived into much sturdier territory, where the melancholy and dramatic ambiguity of the first episodes has been replaced by a much more propulsive focus on Chor Tempest actually regaining their throne. Of course, Simoun is far from a straightforward action platform, and the ambiguity of Simulacrum society, along with its thorny class dynamics, lent a welcome moral complexity to last episode’s conflict between Mamiina and Rea.
In my mind, the first act of this show ended up serving as a somewhat awkward demonstration of the fact that a show needs to make you care about its cast before it can accomplish anything else. Simoun’s concepts have always been interesting, but they haven’t always been grounded in relatable emotional stakes tied to characters we’re actually invested in. With the team now having pulled together and pretty much every episode celebrating one of its internal relationships, Simoun has finally arrived at the emotional grounding necessary to drive its very compelling themes home. Whether this episode continues to bolster the show’s relationship dynamics or returns to interrogating the assumptions of its world, I’m excited to see whatever’s next!
The Woman Called Fujiko Mine – Episode 2
Today we’re returning to The Woman Called Fujiko Mine! The show’s first episode was pretty stunning in all regards, from its gorgeous and utterly idiosyncratic art design to its sharp-edged spin on the Lupin mythos. Lupin isn’t a dreamy, dashing rogue here – he’s kind of a shithead actually, a dude who gleefully refuses to see Fujiko as a legitimate rival, and who simultaneously condemns her for relying on her beauty while lusting after that beauty at all times. Basically, this Lupin is exactly the kind of guy you’d expect to be a self-obsessed master thief, and Fujiko is a weary but driven heroine in a world designed to deny her. From its echoes of Belladonna of Sadness to its over-the-top heist sequences, Fujiko Mine is defined by a salacious arthouse-slash-grindhouse kind of cool, and though I could easily see the production toppling under the difficulty of consistently animating these wild designs, everything in that first episode was carried out with beauty and style. Let’s dive right into the second episode of Yamamoto’s The Woman Called Fujiko Mine!
Spring 2018 – Virtually Every First Episode Retrospective
Hey all, and welcome to the Spring 2018 Premiere Retrospective! If you haven’t been here before, here’s the deal: my work at Anime News Network means I end up watching and reviewing nearly every single new premiere in a season. That normally adds up to somewhere between thirty and forty premieres, and given a solid percentage of those premieres tend to be shows I wouldn’t inflict on my worst enemy, it seems like a worthwhile idea to rank these episodes to aid future travelers. As usual, I’m not implying these rankings are “objective” or anything, and obviously my own tastes will dictate a great deal of how things shake out. I also should stress that a show ending up somewhere further down the ranking isn’t necessarily a bad thing – I grumble about it, but in truth, the majority of anime are perfectly watchable, and will likely appeal to an audience who finds their premise intriguing. You can check out the full list of ANN reviews here, and I’ll be grouping my own critiques into vague tiers below. Alright, that’s enough preamble. Let’s rank some shows!
Why It Works: Where Must the Members of Class 1-A Go From Here?
Today on Crunchyroll, I’m hyping up the new season of My Hero Academia by once again diving into the fragile self-image of its principle leads. I’m mid-preview week at the moment and have no time to chat, so you can check out the article below and I guess that’s it. I’m off!
Where Must the Members of Class 1-A Go From Here?
Spring 2018 – First Impressions, Part Two
The spring season continues to barrel onward, and we’ve now arrived at some actual, genuine pickups! From the action-packed Megalo Box to the comfy as heck Comic Girls, we’re getting into the real contenders at this point, and even picking up some unexpected stars like the new SAO spinoff. As usual, you can check out the full ANN preview guide right here, or click below for a list of my new scores and links to individual rules. Let’s get right to it!
Chihayafuru S2 – Episode 5
Let’s trample through another Chihayafuru! Our last episode was one of my favorites of the show to date, a terrific tournament episode that married an excellent team battle to some resonant emotional drama for Taichi. The conflict was essentially “Taichi as team general versus Taichi as individual player,” and he shined in both those roles, giving the audience some real payoff for his overarching role as leader. The balance of setup and payoff can feel a little more prominently visible in sports dramas than many other genres; the show essentially pays in emotional explication and tactical exposition, and then that work eventually pays off through the conflicts that grow out of our understanding of those variables. Last episode was basically all payoff for Taichi’s journey so far, and it was some glorious payoff indeed.
With the semifinals match having been totally consumed by Taichi’s struggles, I’m guessing that means we’ve saved a Chihaya episode for the last match. It’s been a while since we’ve seen Chihaya actually compete – her last defeat was to Yumin back in the first season, and since then we’ve been spectating Shinobu fights and building up the new recruits. This team tournament is essentially the only time in a year that the club gets to fight as a group, so I’m guessing they won’t lose to Retro and company in the regionals, but am interested in seeing what emotional spin they put on this match. And hey, if they for some reason want to give us two General Taichi Addresses His Troops matches in a row, I certainly wouldn’t complain. Let’s get right to it!
Kuuchuu Buranko – Episode 3
Let’s dive into the third episode of Kuuchuu Buranko! My relationship with this show is still a somewhat unsteady one, a fact that’s at least partially due to the show’s incredibly loud, garish color palette. A loud color scheme can certainly work for a show (see Kyousogiga, or even Nakamura’s own Gatchaman Crowds), but this show’s combination of abrasive neons seems designed to clash, and the integration of traditional animation and various other visual styles is a tough pill to swallow. Fortunately, the show’s second episode was able to direct all that visual madness towards a story that actually derived some benefit from it, even if the writing is still pretty so-so. There’s certainly a potentially fascinating show here, so I hope the stories continue to improve and the visual experimentation continues to find greater dramatic purpose. Let’s see what episode three brings!
Spring 2018 – First Impressions, Part One
The spring season has begun! As usual, I am pretty much booked solid on viewings and reviews and previews and all my other random projects at the moment, as I rush to offer the hottest of takes on the freshest of shows at the fastest pace I possibly can. As for this particular season, things are actually turning out pretty swimmingly so far – both Legend of the Galactic Heroes and Lupin III had very solid premieres, a few unexpected shows managed to surprise me, and pretty much nothing reduced me to sobbing in the fetal position. I’ve got thoughts and ratings for everything, so if you want to check out the full ANN list you can head right here (I’m Nick Creamer over there, incidentally), and if you’d like to see my own scores with links to each individual review, click through below!
Princess Tutu – Episode 4
The story has changed. No longer does Princess Tutu open with the tale of the prince and the raven, the tragic and unfinished final story by Drosselmeyer. Princess Tutu’s fourth episode instead introduces us to a “sad love that would never be requited.” But, the narrator tells us, “that alone does not make a story. The man with the task of spinning this tale of love was no longer of this world. The story lives on with its love forever sorrowful. Having lost its storyteller, the story is now wandering in search of its conclusion.”