Monogatari Off/Monster Season – Episode 2

Hello folks, and welcome back to Wrong Every Time. Today we’re returning to Monogatari’s Off Season, as Isin continues to explore the wandering lives of Araragi’s various associates. Isin has clearly found an effective way to have his cake and eat it too, as Monogatari already arrived at a thematically cohesive conclusion back during Final Season, yet charting these continuing adventures nonetheless also fits within the show’s general philosophy. After all, one of the major points of Monogatari is that people are not fixed points, and our psychological development does not comprise clean, conclusive emotional arcs. We are all works in progress, liable to backslide or be stymied by new challenges, and exploring these Hanamonogatari-esque further hurdles has given the franchise life beyond its original protagonist.

With Yotsugi’s self-inflicted crisis now presumably handled, it seems we are turning to Nadeko, who has become something of a shut-in now that she’s found a passion worth pursuing, a source of pride that embodies her chosen identity, rather than the persona initially foisted upon her. Though Kaiki did a magnificent job back in Hitagi End, one push in the right direction does not a self-actualized person make, so I’m guessing we’ll still be grappling with Nadeko’s relatively unmoored sense of self. Let’s see how our passionate young mangaka is faring!

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Winter 2025 – Week 2 in Review

Hello folks, and welcome the heck back to Wrong Every Time. Today I am looking out at perhaps the first clear day of the new year, a sight that would perhaps inspire me to get off my ass and go enjoy some nature, if it weren’t also twenty goddamn degrees outside. Instead, I will likely stay safely indoors and play a whole bunch of Metaphor: Refantazio, which has succeeded in inheriting its Persona brethren’s capacity to utterly take over my life. Seriously, we’ve got like turn timers running to ensure everyone gets an equal share of Metaphor, it’s an absolute mess over here. Anyway, with two hour timers separating Metaphor play sessions, I’ve also found time for plenty of film features as well. Let’s break ‘em down!

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Galaxy Express 999 – Episode 6

Hello folks, and welcome back to Wrong Every Time. Today I am absolutely thrilled to be returning to Galaxy Express 999, and continuing the journey of the intrepid Tetsuro and mysterious Maetel. Though the anime community at large tends to be interested only in following the latest and flashiest of productions, my excursions into classic anime have regularly proven the most rewarding of all, with Galaxy Express 999 already establishing a place of honor among my ongoing projects. In fact, I’m enjoying the show so much that I actually munched through the first five funded episodes all in a row, meaning I’m now returning to the express for the first time in months.

When last we left off, Tetsuro and Maetel had just escaped the icy planes of Pluto, a cold and lonely planet harboring the bodies of those who could never escape the solar system, or who did so only by leaving their old shells behind. Many travelers in this world seem desperate for the eternity of a metal body, but our representative cyborgs seem no happier than our flesh-and-blood humans, most of them craving a return to the bodies they once discarded. Happiness is elusive in this world, a hope we pin on distant stars, knowing only that this planet holds nothing but regrets. And so the express journeys from station to station, each new destination reiterating the capitalist barbarism of society and the insatiable emptiness of the human heart. Shall we take our seats?

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Yuki Yuna is a Hero (Washio Sumi Chapter) – Episode 3

Hello folks, and welcome back to Wrong Every Time. Today I figured we’d check back in on Togo and the gang with a fresh episode of Yuki Yuna is a Hero, as we all collectively wait for the other shoe to drop. Honestly, it feels a bit cruel just to be watching this show; with every episode viewed, we march further away from the charming friendship our leads have established, and closer towards the prophesied violent end of their heroic tenure. The inherent dramatic irony of this prequel saga means we cannot even hope for a happy ending; the “happiest” conclusion here is that the end comes swiftly, and our heroes aren’t strung along bearing false hopes.

In that, Washio Sumi Chapter is cleverly succeeding in further aligning us with Togo’s headspace at the end of the first season, wherein her certainty of eventual destruction led her to rebel against the Divine Tree itself. With failure preordained, the full cycle of the Divine Tree’s cruelty is certain to be realized, and we can witness firsthand how the deterioration of our heroes is interpreted by the true believers of this society. If they cannot be rescued, then they can at least be recognized for their sacrifice – so let us return to the battle, as the gods make their plans and us mortals suffer the consequences!

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Top Anime of 2024 (And Year in Review)

Hello folks, and welcome to the end of another year on this swiftly decaying orb. There’s no sugarcoating it; this has been a year of absolute horrors on the global stage, with my own government doing its best to sanitize a ruthless genocide while the world at large slips further into regressive, reactionary social attitudes and outright fascism. The neoliberal consensus of the early 2010s has broken on the back of capitalism’s increasingly ruthless post-COVID exploitation, and the best message the alleged adults in the room could muster was “things are fine the way they are,” a message that resonated so poorly it sent a narcissistic, buffoonish reality show host back into the most powerful seat in the world.

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Winter 2025 – Week 1 in Review

Hello folks, and welcome back to Wrong Every Time. It’s the beginning of a brand spanking new year, and though all signs point to a renewed slate of horrors bearing down on us, I’m determined to at least start the year with as much confidence and enthusiasm as possible. I mean, we’ve got… what, that Elden Ring multiplayer spinoff coming at some point, right? And I think Hades 2 will be coming out of early access? Plus One Piece will be coming off hiatus in a few months, and I imagine Toei will be pulling out all the stops for Egghead’s finale. Alright, so we’ve got some stuff to look forward to, that’s definitely a start. I’ll keep brainstorming new reasons for the season, and in the meantime, let’s ring in the new year with a fresh collection of films. On with the Week in Review!

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A Thankless Passion: Look Back

Why is it that we create art? Certainly not for the adulation of the crowd; for beyond the theoretically accommodating audience of your close family and friends, there is little chance you’ll be impressing anyone without putting in thankless, outrageously time-consuming practice for any hope of positive return. Doubly so for financial incentives, which have frequently eluded even the most popular and historically celebrated of artists. Is it simply so difficult for us to express our feelings plainly and move on with our lives? Is there some form of egoism inherent to our species, that we must believe our particular thoughts are so noteworthy they demand public distribution? Is making art just another way of fearing death?

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Yuri is My Job! – Episode 5

Hello folks, and welcome back to Wrong Every Time. Today we’re diving back into the thorny drama of Yuri is My Job!, having at last borne witness to the full prior relationship of Hime and Mitsuki. Back in grade school, each of them were outsiders of their own kind; Mitsuki was rejected as a too-serious weirdo, and though Hime was popular, she had no one with whom she could share her actual, honest feelings. The two found a brief sanctuary in each other, where Mitsuki could embrace her passions without judgment, and Hime could admit to the ungenerous feelings that simmered beneath her persona. But tragically, while they cared about each other, they never truly understood each other – thus Hime abandoned music to protect Mitsuki from the bullying she already expected, and Mitsuki responded by robbing Hime of the facade she herself couldn’t respect.

Thus we arrive at our current state of affairs, with Hime still traumatized by the consequences of revealing her true self, and Mitsuki seeing Hime as everything she despises about social performances. The two have arrived at Cafe Liebe from opposing poles: Hime sees Liebe’s performances as simply a quirky variation on her own affectation, while Mitsuki takes comfort in the regularity of these interactions, the rules she can internalize such that her passion makes her a star, not an outsider. Each of them has learned to feel ashamed of the person behind the mask, but at Cafe Liebe, they have the chance to hone their performances such that they need never look at their true selves in the mirror. Let’s see how this deeply unhealthy “solution” proceeds!

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Ojamajo Doremi Sharp – Episode 13

Hello folks, and welcome back to Wrong Every Time. Today I am impatient to return to the ever-charming, frequently preposterous adventures of our dubious witch Doremi, as she and her companions struggle to raise their witch baby. When we last left off, they’d managed to stumble their way through a frankly embarrassingly witch baby health inspection, wherein our girls’ thoughtful, well-intentioned focus on Hana’s health and comfort earned them a bye instead of an actual pass. Frankly, I’m beginning to question Majo Heart’s credentials as a witch baby health inspector, if this is the sort of performance we can expect from her proctoring.

To be entirely honest though, I’m actually quite happy to see the team fail, as that likely means we’ll be indulging in even more Witch World adventures soon. It’s always nice seeing this production team stretch their design muscles for the outright fantasy sequences – though of course, Doremi’s greatest triumphs tend to fall more on the personal, mundane side, illustrating the difficult emotional trials of life, and the “magic” that is our ability to find solace and understanding in the people we love. Let’s see what sort of adventure awaits as we return to Ojamajo Doremi!

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Fall 2024 – Week 12 in Review

Hello folks, and welcome back to Wrong Every Time. Today I write to you from the midst of more end-of-year preparations, as I simultaneously chart out my favorite anime of the year, and also cram in as much Dead Dead Demons as I can before the dead dead deadline. I’ve been enjoying the show more now that I’m past the point I read in the manga, and am no longer directly comparing the two; taken as a work in its own right, it provides a fatigued, almost fatalistic snapshot of our lives on the cusp of apocalypse, perfectly echoing both our real-world inability to contest the decline of late-stage capitalism, as well as the ease with which that uncertainty lets us justify the unthinkable. I’ve also been puttering away at some big Dungeons & Dragons projects, and am currently nearing the end of designing a “quest” that’s in truth a brief campaign in its own right, featuring a fully populated boom town and a variety of Wild West-evoking side quests. I’ll probably let you know how that turns out either here or in my Vox Machina pieces, but in the meantime, let’s break down the week in films!

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