Hello folks, and welcome back to Wrong Every Time. Today I’m eager to storm back into Star Driver, which most recently commenced its third act with the introduction of Ko and Madoka, alongside a power grab by Head that has left him as the undisputed leader of the Kiraboshi council. Between Head’s clear hostility and the growing misgivings of Kiraboshi leaders like Kanako and Benio, I’m guessing the time for plotting in dimly lit council chambers is coming to a close, as we lead into Star Driver’s tumultuous finale.
Where is all this chaotic striving headed, you ask? Well, while I’m not sure the precise narrative destination of Kiraboshi’s variable machinations, it’s easy enough to see how things are culminating in a thematic sense. Just like he did with Revolutionary Girl Utena, Enokido has constructed a cage of adolescence overseen by adults who wish to harness the power of youth, wherein the barriers of propriety and insecurity form invisible but nonetheless implacable bars.
Sex is at the center of this universe, yet it is framed as unreachable, the uncertainty of our protagonists recast as the lock and key to oblivion in the form of the shrine maiden system. The yonic gate of Wako’s shrine, the phallic weapon that is the King’s Pillar – all roads lead towards consummation, and yet the act itself is framed as the end of the world, thereby echoing in worldbuilding the war between natural instincts and conservative social mores the whole cast is struggling with. To overcome this system, Takuto will undoubtedly have to reach out his hand as Utena once did, and forge a bond that denies and shatters the staid ethics of Southern Cross Isle. Let’s get to it!