I’ll admit, looking at the color cover of Vinland Saga’s first volume did not inspire much confidence. The character art’s thick black lines, largely realistic proportions, and very stiff posing all brought to mind some kind of western comic anthology, or perhaps one of those “bringing history to life” educational comics designed to Make Learning Fun. The digital shading was just plain hideous, and there’s what, an actual lens flair pasted onto the subject’s dagger? All in all, the cover included enough misguided visual decisions that I was deeply uncertain whether I’d get much out of this volume at all.
Category Archives: Episode Writeup
ef – A Tale of Memories – Episode 12
It’s time at last to conclude our journey through ef – A Tale of Memories. This has been a very intriguing ride of a show, all told. Personally, I found its unique combination of melodramatic storytelling and highly interpretive visual design a little too impersonal to be all that emotionally moving – it fell into that issue I sometimes feel Ikuhara shows face, where the thematic lines and visual storytelling are so divorced from immediate human experience that it’s hard to invest in the characters’ struggles.
That said, I also generally liked ef’s characters, and found them to be compelling and multifaceted people. And even if it didn’t facilitate a greater emotional connection with the narrative, ef’s visual experiments were always pretty compelling for their own sake, offering both uniquely pretty compositions and plenty of clever storytelling tricks. Shin Oonuma clearly has a unique eye that has informed but is distinct from the modern Shaft aesthetic, and while not all of this show’s ideas work, the overarching effect is often impressive and never boring. Ef is also a show that leans heavily on its big dramatic turns, so with just one episode to go, I’m ready for beauty and tears from start to finish. Let’s close out this sad little tale of living for your art and suffering for your love!
Ojamajo Doremi – Episode 29
Let’s get right the heck back on board with Ojamajo Doremi! Last episode wasn’t necessarily a highlight, but it did establish a reasonable platform for the show’s drama going forward, integrating the whole “bad item” deal into Doremi’s more emotionally-founded conflicts in a very natural way. That was definitely one of the main things I was looking for in this arc – some way to marry the potentially interesting but emotionally removed Pureleine conflicts to the inherently compelling character drama Doremi already possessed. Doremi seems to be at its weakest when it leans on fantastical genre fundamentals like this Pureleine stuff, but the Majo Ruka arc also demonstrated that even in larger conflicts which don’t themselves possess that much emotional resonance, individual character struggles like Ai’s harmonica drama can still shine. With the overall Pureleine conceit and even the team’s regrettable new mascot pretty much settled into the show’s usual tone, it feels like the episodes from here on out could go basically anywhere. Let’s see where Doremi and the Ojamajos take us today!
Princess Tutu – Episode 9
Tutu’s ninth episode opens with another fresh fairy tale, following up on last episode’s Fakir focus by humanizing yet another key member of Tutu’s cast. As we pan away from an image of a scale in the background, our narrator tells us that “once upon a time there was a girl who loved to dance very much. The girl made the mistake of putting on a pair of red shoes that would force her to dance for eternity once they were on. The girl continued to dance day and night. Oh my! This is a different story. But perhaps it is not so different after all…”
Chihayafuru S2 – Episode 12
Our journey through Chihayafuru continues! The last episode was more of a role-filler than a standout, but it did a fine job of both articulating and celebrating just how much Tsutomu’s research helps the team, an unglamorous role that doesn’t really lend itself to pulse-pounding narrative drama. And having emphasized the close bonds of Chihaya’s original five teammates, those teammates are now all on the field at last, fighting in the semifinals of the friggin’ national tournament. This is the closest this team has ever gotten to the top, and possibly the closest they’ll ever get, so I’m guessing every match from here out will be its own reward – a very close competition designed to thrill purely based on its tactical interplay, not just fit some role in a larger narrative. And with Chihaya now facing down the woman Yumin beat to challenge the Queen, we’re guaranteed at least one desperate and extremely high-level karuta battle. The preamble has been ambled and the preliminary matches liminaried – let’s buckle in for a high-intensity episode of CHIHAYAFURU!
Chihayafuru S2 – Episode 11
At long last, we’re back for more Chihayafuru! Well, maybe “at long last” from where you’re standing – from my position, I actually just finished writing up the previous episode a few hours ago, and simply couldn’t wait to continue the group tournament. I tricked you into thinking an equal amount of time had passed for both of us by feigning familiarity, a little bit of “movie magic” for all you folks back home.
Anyway, yes, Chihayafuru. The previous episode was indeed a can’t-put-down tier one, and not even because it was centered on any particularly climactic or stressful match – it was just a well-articulated team battle from start to finish, making the absolute most of a lopsided team of opponents with one very specific strength. “This team has mastered quiz games so well they’re natural card memorizers” wouldn’t seem like the most dramatically fertile of gimmicks, but it ended up resulting in a fight that highlighted both Chihaya’s greatest strength (her buzzer-beating speed, now defined more as a trainable skill than a natural talent) and her greatest weakness (her emotional flappability and inability to handle unexpected situations). And with that match concluded and Arata’s tournament eligibility confirmed, it seems likely we may get a more bare-knuckle brawl this time, involving the entire team in a generally close match. But first, let’s see what Nishida has to say about Tsutomu!
Princess Tutu – Episode 8
Princess Tutu’s seventh episode represented a serious break from the show’s initially episodic nature, offering a sequence of revelations that each undercut the simplicity of “Tutu must spend each episode seeking a shard and ultimately returning it to Mytho.” We learned that Drosselmeyer truly has been dead for a long time, and that his goal in setting up this narrative was nothing more lofty than finding a way to amuse himself. We also witnessed the first sequence of actual, meaningful communication between Mytho and Tutu, where Mytho’s initial fear of her ultimately gave way to a genuine desire to see her task completed. And finally, we received direct confirmation that Rue and the raven are at the very least dramatically linked, if not the same person. As Tutu nears the end of its first half, it seems clear that the magical girl template which sustained its early episodes is beginning to fray, and its characters are starting to test their narrative bonds.
Ojamajo Doremi – Episode 28
Let’s check back in with Ojamajo Doremi! Doremi’s show is one of the few good things in this sunblasted hellscape of a modern world, and I’m always happy to have a chance to stop in with her and the girls. The show’s new arc hasn’t really proven itself yet, and has in fact made some pretty awkward choices so far, with the most glaring being “adding a second annoying mascot character who’s also a horny old man.” “Horny old man characters” and “inspiring and emotionally educational shows for children” don’t really seem like a natural mix to me, but everyone who’s watched Doremi says the show actually improves over its running time, so I’m not worried this will really derail anything. I’m more just curious as to when this new “Bad Item” arc will actually start paying off, and what form that payoff will take.
The main issue I have with Doremi at the moment is that all of its witch world conflicts are far less interesting than its mundane classroom conflicts, because they’re invented magic-centric conflicts with no relevance to anything outside of themselves. Issues like “Majo Ruka has stolen the shop” and “we need to seal these Bad Items” possess no inherent thematic or emotional weight – the show can give them that weight, but it’s starting from a more arbitrary position than a conflict like “Hadzuki needs to learn boundaries regarding making her friends’ choices for them.” But Doremi has found resonant emotional material in unlikely places before, so I’m eager to see how it handles this new challenge. Let’s get right to the next Ojamajo Doremi!
Chihayafuru S2 – Episode 10
Captain’s Log: I am currently five days into preview week, and team morale is approaching dangerously low levels. If the crew have to struggle through one more awful isekai or rote otome adaptation, I’m not sure what might happen. In light of this, I’m requisitioning one (1) episode of Chihayafuru to raise team spirits, reminding everyone that anime can also be good and fun and not an exhausting, spirit-breaking experience. Give my regards to the folks back home, and pray for our safe return.
Folks, it’s time for Chihayafuru. Our last episode turned out to be an unexpectedly important digression from Chihaya’s team tournament, as Arata arrived and found himself roped into secretly helping an entirely different team. In base narrative terms, the only major takeaway from that digression was “Arata is now in danger of being disqualified from the singles tournament” – a dash of fairly arbitrary drama, and a threat that I’m really hoping is just there to be an empty cliffhanger. On the other hand, in connecting-with-the-cast terms, Arata’s match was an absolutely essential bit of relationship building for Arata and the audience. Arata doesn’t need to connect with the other characters – he needs to connect with us, and join his costars as an approachable human being. Last episode did an excellent job of furthering that goal, and I’m very ready to see the show follow through on his newfound relatability. Let’s get to the karuta!
Flip Flappers – Episode 12
Flip Flappers’ twelfth episode opens with Papika in an entirely new setting, trapped in a strange cave with bars over its entrance. Don’t expect any airtight explanation for this situation – we’re visiting the purgatory where she apparently spent time after colliding with Mimi in the past, but that’s about all the justification we’re gonna get for Papika’s age regression and strange current self. Like Yayaka’s nefarious organization, this setting underlines Flip Flappers’ clear lack of passion for narrative connective tissue; unlike Yayaka’s benefactors, Papika’s origin story actually is a pretty key element of this narrative, and so this cavalier handwaving certainly smarts. It essentially feels like a reprise of Penguindrum’s cages, devices the story placed a few of its characters for some nebulous amount of time because damnit, we gotta pull this story together somehow.