Girlish Number continued with its excellent parent-focused material this week, using time away from Chitose to let Kazuha and Momoka have some of the show’s most emotionally effective material yet. I’ve been enjoying these vacations from our lead terror, but I’m hoping the show will able to grant her some of the sensitivity it’s offered her friends in the final act. Chitose may be a gremlin, but she’s our gremlin.
You can check out my full review over at ANN, or my notes below!
Alright, time to watch G Gundam’s second episode! I’m assured by my feed that the show actually takes a while to get good, but my feed is full of liars and filthy robot-likers, so I am not fooled by their conniving ways. G Gundam will have to live or die on its own merits, based on my stringent and robot-suspicious dramatic senses. PROVE YOURSELF, G GUNDAM!
Planetes’ seventeenth episode was an oppressive demonstration of the inhumanity inherent in the exploration of space, and of the corporate institutions that erect themselves to foster and defend that inhumanity. That was a heavy episode, and was itself following an episode focused on post-traumatic shock, so it’d make sense for the debris crew to finally got a break this time. And in fact, they do end up getting a break: a permanent one. The debris section is disbanded. You’re all fired.
Natsume’s Book of Friends has long been one of my shortlist shows – the shows whose reputations are so strong that I essentially know I’ll get to them, and so it’s just a matter of when. Of course, the “when” is its own serious hurdle in my case, since I’ve moved from being so slow about getting through backlist that it barely moves to so overwhelmed by other things I literally need to watch that it doesn’t really move at all. I get through a handful of personal watches a year at this point, which makes it a great relief when someone decides to support something like Planetes, or Nichijou, or Natsume’s Book of Friends.
Sound! Euphonium had a pretty subdued episode this week, and seemed to be in something of a dramatic transition period. Mamiko’s clashes with her family were the most compelling moments here, but those generally rode on the inherent nature of the conflict or the show’s terrific voice acting more than astonishing visual execution. Certainly not an ostentatious episode, but still a pretty reasonable one. And of course, small Kumiko is very good.
You can check out my full review over at ANN, or my notes below!
Girlish Number succeeded by almost jettisoning Chitose entirely this week, instead focusing on the frankly more sympathetic Kazuha and Momoka. Both of those two have legitimately understandable anxieties about their career, and they were smartly contrasted all through this episode. The close focus on characters that I’d hoped to see from this show is pretty much immediately coming to pass, so I don’t really have many complaints today!
You can check out my full review over at ANN, or my notes below.
Planetes’ seventeenth episode begins with a shot of an open hand, as pills are shaken into it from an unmarked container. As the next shot reveals, these are Gigalt’s pills, a symbol of his fraying health here used as the very first thing introducing us to this episode. Victory and legacy and career trajectory, all pointless in the face of our constantly encroaching mortality. Gigalt is a decorated employee and a credit to his company, but at this point he’s becoming just another old man.
This week’s March comes in like a lion felt like the first time the show was wholly in control of its more upbeat material. The show has firmly established its main cast at this point, so sequences like Nikaidou’s self-help shogi commentary play off our existing understanding and fondness for the characters. With its evocative depression-focused material matched by equally engaging slice of life segments, March now seems to be hitting just the balance it’s been striving for. Hopefully it stays this strong!
You can check out my full review over at ANN, or my notes below.
Alright alright it’s time for Nichijou! I have no idea how long it’s been since the last post from your perspective, but over on this side, I’ve taken a few weeks off from the Nichijou train to restore my nichijuices, since it felt like I was getting just a little too inured to nichijokes for the last couple. I really love this show, and I’d prefer to be in a frame of mind to appreciate it, since we are probably never going to get an anime comedy this good again. Plenty of time has passed by now, so I think I’m ready to return to this maddening world of talking cats and screaming Yuukos. Let’s not waste one more god dang minute. LET’S NICHIJOU.
Planetes’ sixteenth episode opens with heavy, panicked breathing, thick gasps presented to us before we even understand what’s happening. That’s intentional, as we soon learn – Hachi has spun free in space, and so in order to simulate his immediate confusion, we are left in the dark as well. Extreme closeups convey the claustrophobia of the situation, mixed in with shots framed to highlight the vast emptiness of space. And the sound design remains important throughout, that breathing soon finding itself accompanied by creaking, hissing noises from Hachi’s suit. As his breathing accelerates and pulse becomes audible, those mechanical noises impress on us a constant and oft-overlooked truth – that for all his confidence and security, Hachimaki is only separated from disaster by the thinnest layer of human engineering.