Sound! Euphonium has returned, and holy shit these reviews are going to kill me. I feel like I’ve actually gotten more thorough in my episodic posts since the first season, and those were already some of the most consistently oversized reviews I did for ANN. KyoAni may be the death of me, but it is a fine death indeed!
You can check out my full review over at ANN, or my episode notes below.
Kokoro Connect’s second episode has arrived, and with it an “explanation” of sorts for the show’s body-swapping shenanigans. Apparently, their trials have been prompted by a mysterious figure known as Heartseed, who possesses the body of their teacher Goto to explain his reasoning. Or lack of reasoning, as the case may be – Heartseed comes off as aimless and apathetic, and his tormenting of the show’s stars is framed as no more than a whim of boredom. They can’t tell others about their secret, because that would be a bother. They can’t hope to end their struggle, because it’s just going to end when Heartseed tires of it. All they can do is keep on keeping on.
WHAT THE FUCK IS UP EVERYBODY IT’S TIME FOR NICHIJOU. We’re finally into the double digits now, and Nichijou shows no signs of slowing down. As before, I’m still holding out for whenever the show’s two main casts actually collide, but it’s not like Nichijou’s been running out of ideas or anything. This is a mad, mad world where basically anything can happen, and then I have to somehow try and turn that madness into formal craft critique. It’s a very stupid system we’ve created, but hey, that’s Nichijou. LET’S GET TO IT.
Having long explored the winding corridors of Seven, spent at least a dozen missions cramped inside the Toy Box, and twice visited the moon, this week’s Planetes took us somewhere the show had never visited – the earth itself. With Fee’s heroic exploits leaving the crew without a ship, the debris team was given some needed time off to visit friends and family. And so we finally visited Hachi’s home, as Tanabe and Yuri tagged along to meet his mother and brother.
Mob Psycho had a pretty fiery conclusion this week, one that actually arrived at a more or less satisfying thematic endpoint. ONE’s thoughts on society are clearly still deeply conflicted, but his analysis of Claw seemed pretty sharp here, and concluding on Reigen’s call for kindness felt like basically the only way to positively react to his view on the world in general. And of course, the big action highlights were as excellent as ever, and it was nice to check in with everyone before finishing up. Mob Psycho turned out to likely be the strongest show of the season, something I really wouldn’t have guessed coming in. Nice work, everyone!
You can check out my full review over at ANN, or my notes below.
Welp, Orange finally finished up this week, offering sturdy conclusions to both the Naho/Kakeru romantic drama and the gang’s attempts to save Kakeru in general. Those two scenes basically justified this episode, even if the connective tissue was a little shaky – the first offered one of the sharpest descriptions of depression this show has managed, and the second was just a richly earned moment of friendship and catharsis for everyone involved. Orange didn’t really end up a good show, but it certainly had its moments.
You can check out my full review over at ANN!
We’re back to Nichijou, for one more round of exuberant and nigh-useless notes. But hey, you guys are only paying a slightly overpriced movie ticket’s price for them, so let’s just huddle in and enjoy the madness together. Anything can happen in this ridiculous friggin’ show, so let’s see what portion of anything today will provide!
I guess I just can’t help myself. I returned to the JoJo well once again this week, since Koichi and Kira’s fight offered such a handy demonstration of one more of the show’s myriad strengths. You could probably do some further writing on how JoJo manages the hues of its palette shifts to echo their emotional intent, but I stuck to the basics this time – most great comic/animation artists give their characters distinctive visual signatures, and JoJo is able to use those signatures combined with its own style tricks to create some profoundly impactful battles. Let’s get to it!
Why It Works: The Chromatic Battle of Koichi and Kira
And we’re back! Last episode saw Nichijou’s various subgroups nearly approaching a meeting, which I’m sure portends good things for the future. I’ve regularly heard this show actually improves as it goes along, and considering its quality is already best-in-class among anime comedies, I’m excited to see how that’s possible. Let’s dive right in to another friggin’ episode of Nichijou!
Reigen was ascendant in this week’s Mob Psycho, making the most of his reentrance from the first minute to last. I was very curious about how he’d actually fit into this arc, and having him start off by accidentally winning the loyalty of all the Claw also-rans was a pretty great start. This episode also had plenty of Mob Psycho’s usual pleasures – some visually creative reactions, some truly gorgeous highlight cuts, and a light sprinkling of emotionally satisfying reunions and conversations. Mob has really grown into a great character by now – I was skeptical for a while, but at this point, he can easily sell moments like his genuine relief on seeing his brother okay. Earned character warmth is an extremely valuable dramatic quality.
You can check out my full review over at ANN, or my notes below!