Orange has held firm for three great episodes now, though I’m hearing the production is actually going through some behind-the-scenes disasters. Fortunately, Orange already isn’t really a show I watch for the grace of its character animation – the director has always been a bit of a weird fit, but the fundamentals of his idiosyncratic style actually mesh pretty well with Orange’s equally unusual style of dialogue and storytelling. Barring some kind of serious rally from Battery, Orange is the current reigning prestige drama, and it’s bearing that crown with relative grace. I demand a steady diet of at least one of these every single season.
You can check out my full review over at ANN, or my episode three notes below.