Category Archives: Episode Writeup

Bodacious Space Pirates – Episode 21

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Hello everyone, and welcome back to Wrong Every Time! I hope you’ve got your tickets ready, as today we’re bearing witness to the commencement of the 19th Nebula Cup. That’s right, it’s time for Bodacious Space Pirates, wherein Puppyhat and her yacht club compatriots will be competing for fame, glory, and presumably some kind of cash prize? I hate to be tacky about this, but I mean, we’re actually going to win something here, right?

Of course, regardless of how the actual race goes, Marika and the Bentenmaru will be receiving handsome compensation as the race’s security. And given the generally complementary relationship between narrative and, uh, conflict, the fact that Marika’s handling security basically guarantees this race is going to be a security nightmare. We’ve already been thoroughly spoiled by Kane’s return as club advisor (sorry, “coach”), and I’m expecting this arc’s comingling of Bentenmaru and yacht club drama to continue reaping hilarious dividends. Let’s see what the future holds!

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Scum’s Wish – Episode 6

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Hello everyone, and welcome back to Wrong Every Time. Today I’m eager to slink back to the tangled drama of Scum’s Wish, wherein Akane most recently consummated her relationship with Kanai. Of course, that wasn’t the satisfying bit for Akane – she actually finds Kanai profoundly dull, a stuttering mess whose perception of romance doesn’t seem to have changed since he was ten years old. But while Kanai may be a boring person and unfulfilling lover, he is nonetheless Hana’s unerring object of affection, and that makes him worth claiming. Akane isn’t really in a relationship with Kanai at all – she’s in a hate-lationship with Hana, and revealing she had sex with Hana’s crush is about as savory of a payoff as she could hope for.

But hey, at least Akane knows what she wants. As for our original leads, it’s becoming increasingly obvious that their variable baggage precludes any sort of healthy romantic partnership. Hana’s childhood abandonment by her father has left her with an inability to exist comfortably alone, meaning she perpetually seeks validation through physical relationships. In contrast, Mugi’s exploitative middle school relationship means he’s never really comfortable with others, his past girlfriend Mei having taught him to see intimacy as uncomfortable and transactional. It’s just a total mess on all fronts, and while the best solution remains “y’all need therapy,” I imagine Scum’s Wish has something very different in mind. Let’s get to it!

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Ranking of Kings – Episode 7

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Hello everyone, and welcome back to Wrong Every Time. Today I’m simply delighted to be returning to Ranking of Kings, where Bojji seems to have at last crossed paths with his would-be mentor. The road to Despa’s doorstep has been long and treacherous, fraught with near-death experiences and bitter betrayals. Through it all, Bojji has retained his strong conviction and gentleness of spirit, and after half a season of being punished for those laudable qualities, I’m more than ready to see him finally win something.

Meanwhile, it seems Daida has truly run out of options, and is now a prisoner in his own kingdom. Having gained too much power too soon, Daida was undone by his own confidence, favoring the words of those who flattered his ego over those who tempered his pride. This is not to say Daida was uniquely ill-suited for the throne; rather, that like all of Ranking of Kings’ characters, he has been sculpted this way by a lifetime of experience, caught between the preferential treatment of his mother and the indifference of his father. Ranking of Kings does not presume to characterize people as inherently good or evil, worthy or unworthy – we are all an accumulation of disparate experiences, all capable of rising to greatness or falling to despair. Let’s see if Bojji’s can begin his own rise from the underworld, as we return to the remarkable Ranking of Kings!

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Spy x Family – Episode 5

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Hello everyone, and welcome back to Wrong Every Time. Today I thought we’d check back in on Spy x Family and the Forger clan, who most recently endured the terrifying gauntlet of Anya’s school interview. In spite of their flawless disarmament of the school’s pre-interview booby traps, Loid was unable to keep his cool when the faculty began prodding at Anya’s parentage, resulting in a premature exit from the meeting. That catastrophe has in turn prompted some collective reflections among the Forgers, serving as a harsh reminder of their family’s fragility.

Of course, this is the fifth episode of a show called Spy x Family, meaning Loid’s outburst will undoubtedly be interpreted as an affirmation of his family’s suitability for the school of elegance. I’m not worried about Anya, but I am hopeful about this threat to their family unit actually bringing them closer together, as they reflect on how much they’ve come to care about each other. As usual, I’m most eager to see more of Yor’s perspective; Anya and Loid’s relationship has already been grounded in their larger character journeys, while Yor and the nature of her relationship with the others is significantly less defined. Even just a brief reflection like Loid’s thoughts about his lonely childhood would go a great distance to humanize her, but either way, I’m sure there’ll be solid jokes and charming moments aplenty as we continue this preposterous adventure. Let’s get to it!

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Ganso Tensai Bakabon – Episode 2

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Hello folks, and welcome back to Wrong Every Time. Today I’m excited to return to one of the most unusual reader request projects I’ve ever encountered, the ‘70s comedy Ganso Tensai Bakabon. So far, the show has mostly just rambled through a series of wacky adventures centered on Bakabon’s deeply stupid father, a trend I expect to continue for the foreseeable future. Rather than the continuing narratives that define the modern late-night anime paradigm, Ganso Tensai Bakabon is a classic sitcom, aimed at general Japanese audiences, and lacking the specific subcultural assumptions that further define/marginalize the shows we generally frame as “popular anime.”

As a result, Bakabon feels more akin to something like The Simpsons or Ren & Stimpy than Neon Genesis Evangelion. It exists within a lineage of television comedy that’s actually far more universal than what we generally recognize as anime, and it thus offers a more realistic portrait of general Japanese comedic and cultural sensibilities than our usual stories of giant robots and melodramatic boarding schools. At the same time, the show’s art design and animation embody the distinct excellence of Japan’s animation tradition, offering beautiful painted backgrounds and remarkably expressive flourishes of character movement. It’s altogether unlike basically anything else I’ve covered, and I’ve rambled more than enough at this point, so let’s get right back into Bakabon-papa’s nonsense!

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Hugtto! Precure – Episode 33

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Hello everyone, and welcome back to Wrong Every Time. Today I’m happy to be returning to Hugtto! Precure, wherein we most recently witnessed Homare attempting to reconcile her romantic feelings for a goddamn hamster. I’m frankly not sure how any episode could hope to top that one’s lunacy, and to be honest am not entirely discounting the possibility that it was all a fever dream or gas leak hallucination, but we must nonetheless do our best to carry on. Sometimes high schoolers fall in love with hamsters, this is just a thing that happens, and we’re all going to have to deal with it in our own ways.

With Homare x Housepet safely defused, I imagine we’re nearing the climax of Bishin’s villain arc. Bishin has always seemed more desperate for familial validation than truly villainous, so I’m guessing it won’t take too much of a push from our heroes to rehabilitate Harry’s old crewmate. I frankly wouldn’t mind if Bishin joined the team formally, but given we’ve already had one enemy turn Precure, I imagine “goth hamster Precure” is too powerful a concept to exist in this world. Whatever happens, I’m sure we’re in for a delightful time as we return to the world of Hugtto. Let’s get to it!

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The Legend of Vox Machina – Episode 8

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Hello everyone, and welcome back to Wrong Every Time. Today I am ridiculously impatient to get back to Vox Machina, and see what our ramshackle adventuring party is up to. I doubt it’s been all that long on your end since our last Vox installment, but for me, I’ve been waiting three damn months to check in with this crew. Vox Machina is just too interesting of a concept, and so I got a little over-enthusiastic with my initial rampage of writeups, meaning it’s taken me months to justify throwing more Vox pieces on my buffer pile.

As it turns out though, this interminable wait has led to my return lining up with a particularly auspicious real-world counterpoint. Today is the day I’ll be starting my own D&D campaign, and finally taking over the DM reigns for something longer than a one-off adventure. At last, I’ll be able to shift from the theoretical criticism of “I’m pretty sure this is something our DM messed up” to the clarity of “this is something I definitely messed up,” and I couldn’t be more excited. I’ve spent the last few weeks pounding out thousands of words of backstory and worldbuilding, have developed roughly half a dozen quest lines for my players to enjoy, and have no doubt they will disregard all this work in favor of hanging out with a drunk gnoll named Sparky who I made up on the spot. That’s the fun of DMing, I am told, and I wouldn’t have it any other way – crafting a campaign for a group of unruly players is like trying to plot a novel while people throw dodgeballs at your head, and what activity isn’t improved by the threat of physical violence?

Anyway, my own collaborative adventures aside, I’m eager to see how Vox Machina are faring as well. I can’t imagine Percy is taking the apparent death of his sister gracefully, and presume we’re in for a fit of rage that even Grog might consider a little much. Let’s get to it!

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The Demon Girl Next Door – Episode 10

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Hello everyone, and welcome back to Wrong Every Time. Today it seemed like just the right time to check back in on The Demon Girl Next Door, and see how our strange assortment of demons and magical girls are fairing. Last episode offered up some charming bonding moments between Shamiko, Mikan, and Ancestor, as the three of them checked out a zombie movie and worked on mitigating Mikan’s curse. We also got to see some delightful pettiness out of Momo, as she pouted in the most deadpan way possible upon learning that Mikan was hanging out with her friend without her.

Momo’s increasing sense of jealousy over Shamiko is delightful, a soothing tonic for my romance-hungry heart. It’s also nice to see both Ancestor and Shamiko establishing themselves in the overall group dynamic, which has in turn served to further underline the oppressive nature of this whole magical paradigm. Ancestor has clearly been traumatized by centuries of perpetual failure, while Mikan’s curse serves as a tidy metaphor for the demands put upon even the theoretically favored individuals in this system. An “ideal girl” is quiet, demure, and spotless, in contrast with the loud and agency-demanding women who are condemned as demons. For Mikan, even a hint of dramatic emotions is immediately punished with disaster, turning the patriarchal demand that women be quiet and well-behaved into a literal curse upon her. Demon Girl is clearly not finished articulating its grand magical girl metaphor, and I can’t wait to see what insights and goofiness are up next. Let’s get to it!

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Sherlock Hound – Episode 4

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Hello everyone, and welcome back to Wrong Every Time. Today I am eager to return to Sherlock Hound, which most recently obliterated my expectations via its first Hayao Miyazaki-directed episode. Sherlock Hound has been a gripping and visually splendiferous experience from the start, but with Miyazaki and a great number of his future Ghibli associates attached, the show bloomed into film-tier aesthetic brilliance, offering countless sequences of vivid action and character acting.

Nearly all of the episode’s key positions were filled by long-time Miyazaki associates, from animation director Yoshifumi Kondo (Whisper of the Heart) to director of photography Hirokata Takahashi (Castle in the Sky). And of course, Miyazaki’s own storyboards served as an ideal venue for all these artists, bringing Sherlock’s world to life with more energy and cinematographic allure than ever before. In the escapades of Moriarty and his associates, we saw shades of classic Lupin III, as well as Miyazaki’s abiding love of great and clamorous machines. In the gestures of Sherlock’s tiny employer, we glimpsed the carefully observed body language of My Neighbor Totoro’s heroines. Miyazaki is globally renowned for his film work, but through Sherlock Hound we see that he and his team could spin gold even amidst the mercenary conditions of television animation.

Of course, a great work of anime is more than just a list of famous names. Collectively, this team feels perfectly at home in Sherlock Hound’s whimsical reality, elevating the often dry elaboration of Doyle’s stories into rip-roaring adventures. Doyle’s mysteries are here adorned in clackety-clacking machinery and feverish chase scenes, bedecked in all the passions of their adaptors, but still emanating the fundamental narrative pull of his own imagination. It’s a marvelous fusion of talents, and I’ve surely raved about it to the point of tedium by now, so let’s not waste another moment. Onward, into the continuing adventures of Sherlock Hound!

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Star Driver – Episode 7

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Hello everyone, and welcome back to Wrong Every Time. Today I’m eager to return to the scene on the ground at Southern Cross Isle, where just moments ago, Sugata unleashed the power of the King’s Pillar. That’s right, it’s time for more Star Driver, and all the glorious action animation/confounding thematic investigation that implies. After five episodes of tentative worldbuilding hints and regular episodic battles, episode six offered a mid-season board flip of tremendous intensity, explaining Sugata’s true nature just before potentially killing him. Just like Wako, Sugata is tethered to this island by the nature of his inheritance – but unlike Wako, he is trapped not by his connection to the shrine gates, but due to the fundamental danger his power represents.

All of these mechanical revelations slot neatly into Star Driver’s ongoing thematic conflict. The shrine maiden conceit embodies a fundamentally conservative perspective on female sexuality and agency, framing women as caged birds whose “purity” must be protected at all costs. The male counterpart to this framing is men defined as insatiable sexual predators, creatures who simply cannot control their urges (thus necessitating the imprisonment of women and downplaying of feminine sexuality). Sugata being framed as “too dangerous to leave the island” completes the circuit of Southern Cross’ gender paradigm, with the threat he poses summed up by the phallic symbol of the King’s Pillar.

So yes, Sugata has waggled his metaphorical penis around and potentially destroyed the island, himself, or both. But it was for a good cause! Let’s see how he and our other thematically imprisoned heroes are faring as we return to Star Driver.

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