Today I’m eager to return to a production I’ve been greatly enjoying, the gracefully genre-splicing Big O. Last episode saw Roger Smith taking a journey to Electric City, where he met the thieving femme fatale Angel, and ended up doing battle with a genuine electric kaiju. The episode was somewhat light on narrative tissue, but rich in atmosphere, with Roger’s quiet investigations of a rundown power plant offering plenty of that distinct, slow-burning noir appeal. The fact that Smith is generally just a guy in a suit asking questions actually makes The Big O feel remarkably close to its film forebearers at times, at least until a giant robot rises out of the ground and punches an electric eel. I’m looking forward to enjoying as much of that atmosphere as I can this week, but to be honest, I mostly just want to see Roger and Dorothy have more adorable bickering fits. Look, I’m a simple man, I enjoying watching a stuffy detective get owned by his robot assistant. Let’s get to it!
Category Archives: Episode Writeup
Pokemon Sun and Moon – Episode 8
Strap yourselves in folks, we’re catching a flight to the sunny shores of Alola, for one more episode of Pokemon Sun and Moon! Sun and Moon’s last episode was essentially constructed as a tiny adventure film composed from the perspective of a cat, so, you know, that was fantastic. I’m not expecting episode eight to match a conceit as strong as “full damn episode about an adorable cat,” but I’m certainly looking forward to reuniting with Sun and Moon’s larger cast, and am particularly hoping that Team Rocket have a fun role in this one. However this episode plays out, Sun and Moon has been a charming and nostalgic journey so far, and as long as we continue to explore the delightful Alolan scenery, I’ll probably have a fine time. Let’s get to it!
Hugtto! Precure – Episode 13
Folks, it has been altogether too long since we checked in with the stars of Hugtto! Precure, and I’m aiming to fix that right now. When last we left off, the gang was enjoying some well-earned time off, as they hosted a classic slumber party over at Harry’s quasi-treehouse. That episode concluded on a menacing cliffhanger, however, as we learned that Criasu Corp’s resident robot had somehow smuggled herself into Hana’s home, and even brainwashed her mother into believing she’s a member of their extended family. Having spent a great deal of time with some of twitter’s preeminent magical girl aficionados, I already know that Lulu the robot is a fan-favorite character – and with her currently disrupting Hana’s home life, I’m eager to see how the team deal with this unprecedented new attack. Let’s get to it!
The Girl in Twilight – Episode 1
Hello all, and welcome back to Wrong Every Time! Today we’ll be embarking on a new notes project, as we explore the first episode of 2018’s The Girl in Twilight. This show was technically just the first wing of a theoretical multimedia project that also included a mobile game, a specific cross-promotional mix that has become increasingly common in recent years. It’s only really the mobile game aspect that’s new, though; anime are rarely green-lighted as fully self-contained commercial objects, and are generally intended to at the very least sell toys or music. In the age of massive mobile game sales, anime productions have naturally migrated towards promoting more mobile games; though in The Girl in Twilight’s case, the game it was promoting barely survived until the end of its own seasonal airing.
Moreso than its promotional intent, The Girl in Twilight’s most noteworthy feature is the presence of Kotaro Uchikoshi, who contributed the show’s base concept and scenario. Uchikoshi’s anime work has been pretty limited; his biggest “claim to fame” there is writing 2015’s Punch Line, which was a conceptually interesting and visually appealing production whose unfortunate “if I see panties the world ends” gimmick kept me from sticking with it. However, Uchikoshi is also responsible for writing the acclaimed Zero Escape game trilogy, along with a variety of other reality-bending, mystery-centered visual novels. The golden age of visual novels has tragically passed (they too have largely been replaced by mobile games), but Uchikoshi is considered one of its titans, and I’m excited to see his ideas at work in The Girl in Twilight. With our journey’s first steps established, let’s dive into The Girl in Twilight!
Symphogear AXZ – Episode 1
Well folks, it’s looking like we’re watching some goddamn Symphogear. I’m frankly not quite sure how much I’ll be able to critique for you all here – Symphogear is pretty much insane nonsense from start to finish, and attempting to soberly quantify it as an artistic text feels like a bit of a fool’s errand. That said, I am an acknowledged fool, and have actually already reviewed the show’s first three seasons over on Anime News Network.
Looking back on those, I see I docked the second season for “losing any semblance of intelligent writing” and the third season for “going all-in on narrative ideas it’s not nearly well-written enough to support,” so uh, I guess that’s where we’re at as we embark on season four. But really, Symphogear has never actually been about clever or thoughtful writing – it’s about absurd, bombastic action setpieces tethered to an incredibly charming core cast, making for an experience that can see-saw wildly between goofy character drama and world-threatening apocalyptic theater at a moment’s notice, or even faster. It is indulgent and exuberant at all times, and by following the Nanoha model of “giant robot action, magical girl heart,” it’s able to tether its excesses to characters I would probably die for. Let’s dive into the fourth season of Symphogear!
Magical Girl Lyrical Nanoha – Reflection
Hello all, and welcome back to Wrong Every Time. Today I’ll be returning to a franchise that has at last transcended the boundaries of TV anime production, as we continue our post-A’s journey into Nanoha with Nanoha Reflection. As with the two seasons that preceded it, I’m seeing this film for the first time myself, and eager to see how the Nanoha universe expands beyond Hayate’s narrative. Though I’m watching them in reverse order, it’s easy to see how Nanoha’s villain-redeeming structure would go on to set the blueprint for shows like Symphogear; and at this point, the recruitment of Hayate and her Belkan Knights mean this is truly an ensemble narrative, demanding ensemble narrative-scale conflicts.
Reflection isn’t a direct followup to A’s, though, at least in terms of its release schedule. A’s was actually directly followed by Strikers, which jumped the timeline ten years forward, and then ViVid, which takes place four years after that. Those TV productions pushed the Nanoha universe past the point of Nanoha, Fate, and Hayate all working together as young magical girls – but ten years later, Reflection and Detonation would reverse the clock, establishing a “movie timeline” that would allow the franchise to return to that immediate post-A’s dynamic. In an artistic sphere that often seems hamstrung by its reverence for worldbuilding, it’s nice to see a franchise saying Fuck It, we’ll establish a new timeline to justify returning to this franchise’s most promising dramatic template. And if this is just an excuse to see Nanoha, Fate, and Hayate be badasses, that’s fine with me too. Let’s dive into Nanoha Reflection!
Neon Genesis Evangelion – Episode 14
It’s a strange thing, how the process of describing history seems to fundamentally transform it. Fitting the events of Evangelion’s first half into a historical record lends its battles clarity, coherency, perhaps even a sense of purpose. New trials are announced through stark title cards, and their resolutions are conveyed just as cleanly, twenty minutes of hardship transformed into thirty seconds of recap. The picture that emerges depicts an inexperienced but talented team, rushing to improve their defensive capabilities, but handling each new challenge with absolute professionalism.
Pokemon Sun and Moon – Episode 7
Folks, it has been altogether too long since we visited the shores of Alola, and I’m very happy to be returning. When last we left off, Ash and Sophocles had just survived their own electric adventure, wherein the two of them got trapped in a locked-down mall courtesy of a fairly dubious plan by Team Rocket. As usual, the narrative itself was mostly just an excuse for rambling escapades and Pokemon-centric competitions across the main cast, and though it was a fun episode on the whole, its mall setting meant it really didn’t get to fully embrace Sun and Moon’s usual visual charm. I can go to a mall any old time – it’s the beaches and forests of Alola that I’m here for, and I’m guessing we’ll be visiting them soon. Let’s explore episode seven of Pokemon Sun and Moon!
Chihayafuru S3 – Episode 23
Hello again, everyone. You all ready for Taichi’s Birthday Party Tournament? I know I certainly am – frankly, I wasn’t aware quite how much stress I was carrying for the sake of these mixed-up kids, until Chihaya suddenly announced it was time for a birthday party.
Though the friction of misunderstandings and hidden romantic longing has always been a key element of Chihaya and Taichi’s relationship, Taichi’s increasing feelings of inadequacy as a player, as well as his insecurity regarding Chihaya and Arata’s relationship, have recently made it so they can barely even communicate with each other. Taichi is a tightly wound ball of anxiety and inferiority, and by throwing this party tournament, Chihaya will hopefully prove to him that he is loved regardless of what he chooses to do, and that he can still play karuta just for the fun of it, and not only to prove his value. We are fixing your headspace whether you like it or not, Taichi. Let’s get to it!
Simoun – Episode 22
Let’s return to the tempestuous drama of Simoun! Last episode served as a crucial turn for the series, as a massive number of secrets were revealed all at once. Most crucially, Onashia revealed the true nature of the spring: it is a conduit between worlds, or rather, a channel for traveling through time within the same world. The Emerald Ri Majoon turned out to be the key to this process, leading into the further reveal that Dominura and Limone are technically “alive,” but have been sent to a far-distant point in the past. On top of that, we further learned that both Dominura and Aaeru’s grandfather were both members of Chor Dextra, the choir intended to master the Emerald Ri Majoon, and the reason Dominura feels personally responsible for the violence of the present timeline. That is a ridiculous bounty of information!
Given all these time travel-focused reveals, it was no surprise to see Neviril immediately ask if Amuria could still be alive. Having just recently mended her relationship with Aaeru, I’m really hoping Neviril doesn’t backslide into false hope and depression – her grieving process has been the primary narrative of this entire series, and I was happy to see her seemingly recovering at last. With that in mind, let’s dive into the next episode of Simoun!