Heads up fuckers, Asuka and Yu are in love and there’s nothing you can do about it. Last episode’s conclusion was all I could have hoped for and more, as Yu and Asuka’s emotional journeys reached their destined ends, and the show reaffirmed their relationship in the best way possible.

First off, the explanation for both Asuka and Yu’s current emotional stasis turned out to be a graceful reflection of this story’s inspiring incident. Kyo’s disappearance had shaken both of them to the core, driving a rift between them that no amount of time could really repair. For Asuka, choosing a future beyond her home would feel like a betrayal of her brother, and so she refused to think about the future. For Yu, her frustration at being unable to reach her friend would eventually build into an emotional wall, where she’s willing to joke and hang out with Asuka, but unable to truly speak her mind. With a little help from her less-inhibited self, Yu was at last able to break through that wall, and admit she loved Asuka – and with Yu’s love supporting her, Asuka was then able to love herself, and forgive herself for losing Kyo.

It was a perfectly crafted culmination of both their arcs, and a testament to The Girl in Twilight’s consistently elegant narrative structure. But as structurally sound as it was, that sequence wouldn’t have landed without Twilight’s equally compelling character work, or its charming, convincingly naturalistic dialogue. Asuka and Yu have sounded like an old married couple all season long, constantly bickering, but always acting with a clear understanding and respect for the feelings of the other. It’s easy enough now to see them as romantically coded – I simply didn’t expect The Girl in Twilight to break that barrier, and make their relationship explicit. Well, it’s explicit now, and I couldn’t be happier for these two idiots. Let’s defeat the King of Twilight with the power of love, heroes!

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We’re truly in it now, folks. After already having consumed Seriousuka’s home dimension, the Emissary of Twilight has journeyed on to Asuka’s own world, and revealed itself to be a third Asuka altogether. Except this Asuka is tiny, so I guess that makes it Chibi Asuka? Smolsuka? I like Smolsuka, I’m going with that.

Anyway, as my cavalier attitude might indicate, I’m not terribly worried about how this whole King of Twilight conflict plays out. The show itself has rarely hung much dramatic weight on its scifi trappings; instead, we get goofy stuff like Cowboy World, playful venues for our heroines to go on adventures. The solidity of the fantastical trappings has been consistently loose because the show’s dramatic bedrock lies elsewhere: in the utterly convincing friendships between Asuka and her friends, and in its consistent reflections on what it means to assume a mature identity. One by one, Asuka’s friends have had their preconceptions about their identities challenged, and emerged stronger for it – but for Asuka, embracing a new self feels like a betrayal of her lost brother. At this point, I’m holding out for Yu still somehow reaching her – but either way, I’m eager to see how her journey ends. Let’s get to it!

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Well team, I don’t think we’re doing so great. The group’s journey to Seriousuka’s home dimension played out in the worst possible way; not only did they fail to prevent the King of Twilight’s attack, but it was actually Yu herself who let their enemy in, leading to the wholesale destruction of Seriousuka’s sanctuary. Now Asuka and her friends have to carry the weight of failing an entire dimension on their backs, have lost their most competent ally, and are still no closer to preventing the corruption of the multiverse. I have a feeling the time for dress-up tea shop digressions is entirely behind us.

Things may be going terribly for our heroines, but in narrative terms, all these disasters sound like great news to me. So far, Asuka has spent this entire series running from responsibility. Her personal character journey of taking adulthood seriously has been mirrored by the larger scifi narrative, as each of her friends in turn come to some key realization about their goals and identity. In the face of all this growth, Asuka has steadfastly held on to her childlike identity – but now that this girl who was like a sister to her has suffered because of her team, can she really continue to take things so lightly? You know I like putting characters through the crucible, so I’m ready for an identity crisis of some kind as we storm towards the finale. Let’s get to it!

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Hello everyone, and welcome back to Wrong Every Time. Today we’re watching some The Girl in Twilight, because it’s long past time we got some goddamn answers. After performing a merry tour of the multiverse with Asuka and her companions, we’ve finally arrived at Seriosuka’s own blighted reality – and what’s more, Yu has agreed to serve as the tether, at last embracing the central role in their new adventure.

Given the general sturdiness of its writing so far, I expect this new adventure will do a fine job of connecting the reveal of Seriousuka’s history to its explanation for why the multiverse is deteriorating. But personally, as a character and relationship junky on perpetual lookout for my next fix, I’m most interested in seeing Asuka and Yu’s relationship stress-tested by Yu’s engagement in this new reality, and hopefully reaffirmed by Asuka’s eventual return to her. This show has been very good at illustrating the nuances that differentiate one friendship from another, and it’s been clear for quite a while that while Asuka has fun with all of her friends, Yu is both her closest and oldest friend. Meanwhile, Yu is so used to taking care of Asuka that she compromises on her own needs without a thought, and actually has to be reminded to prioritize herself by Asuka. They have a firm, rich friendship, and I’m eager to see this last arc test it in every way possible. Let’s get to it!

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Hello everyone, and welcome back to Wrong Every Time. When last we left off The Girl in Twilight, we’d just completed Chloe’s world, and defeated a malicious AI in order to… restore peace to the Amazon delivery peninsula? Frankly, I’m not entirely sure how Asuka and her friends’ actions actually changed the conditions of Chloe’s world, considering their current lifestyle was established long before the introduction of any malevolent Clusters. And when you couple that with Chloe’s arc not really possessing any thematic heft beyond “the power of friendship,” you end up with an arc that was undoubtedly The Girl in Twilight’s weakest yet, with Sexy Yu doing an absurd amount of work to keep things interesting.

Fortunately, with Chloe’s arc concluded, The Girl in Twilight will presumably now be interrogating Asuka’s long-suffering best friend, Yu. While Nana, Mio, and Chloe clearly all value their friendship with Asuka, Yu is clearly her closest confidant, and a reflection on her life will undoubtedly serve as a reflection on her relationship with Asuka, as well. After all, as we learned in Chloe’s world, Sexy Yu actually lost her own Asuka, which presumably had a major effect on her values and self-image. The Girl in Twilight is at its best in two extremes: when it’s digging into the subtle edges of its characterization, and when it’s embracing the absurdity and doppelganger-driven potential of its strange worlds. I’m hoping for both, but would be happy enough with either, as we dive once more into The Girl in Twilight!

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Hello everyone, and welcome back to Wrong Every Time. Today we’re returning to one of our more unusual projects, as we explore the next episode in the hilarious and highly imaginative The Girl in Twilight. So far, the show has turned out to be a unique mixture of some very disparate priorities. On the one hand, it’s a high-concept timeline-hopping science fiction adventure… but in practice, the show frequently seems less interested in exploring the mechanics of its timelines, than it is in simply celebrating the personalities and friendships of its main cast, as well as the ways different worlds play off their “natural” temperaments.

As someone who generally cares a whole lot more about characterization than worldbuilding, this has been absolutely all right by me – and with endearing, multifaceted characters and a great script, The Girl in Twilight has consistently made the most of its unique dramatic balance. Additionally, Tomoyo Kurosawa is just plain killing it as our heroine Asuka, and proving she clearly needs more starring roles as soon as possible. However the secrets of our current world play out, I’m looking forward to spending more time with these idiots in another The Girl in Twilight!

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Hello everyone, and welcome back. You all feeling ready for some The Girl in Twilight? So far, this show has proven itself to be absolutely full of surprises, as it shifted from the relatively grounded and thematically concise Nana arc, to the absolutely fantastical and often just-plain-ridiculous Mia arc.

Not to say Mia’s arc was bad in any way – it was actually a very entertaining ride, and Mia’s own journey was convincingly executed. Using this world of cowboys and outlaws to illustrate Mia’s desire to be more than “cute” was a neat trick; not only was it a fun way to explore her character, but it also neatly illustrated how the conditions of our own world can be just as limiting as any other, further emphasizing how there is no such thing as a “neutral” or “true” self. We are all reflections of our environments in myriad ways, and coming to terms with that is a necessary process both for learning to understand ourselves, and learning to coexist with others.

That aside, Cowboy World was also just an incredibly fun, silly adventure, and made great use of this show’s charming cast and their various duplicates. The Girl in Twilight’s excellent character writing has proven to be not just a welcome asset, but the show’s foundational bedrock – it is our understanding of the initial main cast that makes these what-if versions so compelling, and it is their overall chemistry that makes their adventures so fun. I’m eager to see what world we visit next as we continue this strange and hilarious journey!

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Hello folks, and welcome back to Wrong Every Time! Today we’ll be returning to the rootinest tootinest reality in all of the multiverse, as we continue The Girl in Twilight’s exploration of modern fantasy cowboy Japan. From the relatively straightforward social commentary of Twilight’s first arc, the show has now bounded forward into wild, fantastical farce, presenting a world that is as unique as it is hilariously anachronistic.

At the moment, Mia is doing her best to succeed as a new deputy, while her friends Chloe and Nana have found themselves hogtied and captured by Bounty Hunter Asuka, and our own Asuka and Yu are being convinced to rob a bank. In total, it seems like we might have members of the main crew from four different realities all represented here, between our original party, the Cowboy World locals, the missing Seriousuka, and the Yu who actually summoned the girls into this world. I’m not sure precisely how many Asukas any given world can handle, but I’m eager to find out as we continue this seriously entertaining production!

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Hello everyone, and welcome back to Wrong Every Time. Today we’ll be continuing our exploration of 2018’s The Girl in Twilight, where we last witnessed the disastrous conclusion of Nana Nanase’s short-lived betrothal to her celebrity idol. Though Nana claimed she was breaking things off due to her very sensible desire to not be called Choco Banana, in truth, it was coming to terms with her mother’s remarriage, and realizing her stepfather was genuinely concerned for her, that helped Nana comfortably embrace her old life. And ultimately, she ended up getting a sweet battle suit in the bargain, so I suppose all’s well that ends well? Either way, the resolution of Nana’s arc has returned The Girl in Twilight to its neutral position, and I’m eager to see what character insights or social commentary our next dimension-hopping trip offers. Let’s get to it!

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Hello all, and welcome back to Why It Works! Today we’re exploring more of The Girl in Twilight, a show whose first episode intrigued me and second episode impressed me, which makes me eager to see how it expands from here. Using the handy motif of shifting between radio frequencies, Twilight has established a world where disruptive choices create branching parallel worlds, with each potential choice forming its own ongoing reality. But rather than get swamped in the nitty-gritty of scifi minutiae, Twilight has immediately directed its conceit towards questions of identity and society, through first shifting our heroes to a world where all women are assigned a marriage partner at the end of high school.

I was excited to see Twilight using its fantastical elements to immediately explore such a charged and identity-shaping concept. The greatest strength of Twilight’s first episode was how quickly and convincingly it established the dynamic personalities of its main characters, as well as the distinctive relationships they share. With that bedrock already set, the show is now able to explore how culture actually shapes identity – how it conditions us to see certain concepts as laudable or alien, and in this particular world’s case, how oppressive societal mandates can essentially grind down our individual personhood.

All this social commentary and reflections on identity are precisely my sort of shit, but we’ve also got a more urgent problem to deal with: Nana, who has indeed been granted her wish of “a universe of hot guys,” and now may not even want to come home. This place is strange, but she is wanted here – in contrast, she already feels like an outsider in her own original home. Let’s see how her friends deal with her current predicament!

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