Hello all, and welcome back to Why It Works! Today we’re exploring more of The Girl in Twilight, a show whose first episode intrigued me and second episode impressed me, which makes me eager to see how it expands from here. Using the handy motif of shifting between radio frequencies, Twilight has established a world where disruptive choices create branching parallel worlds, with each potential choice forming its own ongoing reality. But rather than get swamped in the nitty-gritty of scifi minutiae, Twilight has immediately directed its conceit towards questions of identity and society, through first shifting our heroes to a world where all women are assigned a marriage partner at the end of high school.
I was excited to see Twilight using its fantastical elements to immediately explore such a charged and identity-shaping concept. The greatest strength of Twilight’s first episode was how quickly and convincingly it established the dynamic personalities of its main characters, as well as the distinctive relationships they share. With that bedrock already set, the show is now able to explore how culture actually shapes identity – how it conditions us to see certain concepts as laudable or alien, and in this particular world’s case, how oppressive societal mandates can essentially grind down our individual personhood.
All this social commentary and reflections on identity are precisely my sort of shit, but we’ve also got a more urgent problem to deal with: Nana, who has indeed been granted her wish of “a universe of hot guys,” and now may not even want to come home. This place is strange, but she is wanted here – in contrast, she already feels like an outsider in her own original home. Let’s see how her friends deal with her current predicament!
