Yuki Yuna is a Hero: Hero Chapter – Episode 3

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Hello folks, and welcome back to Wrong Every Time. Today I’m feeling a strong urge to defy some cruel and distant gods, which can only mean it’s time for Yuki Yuna is a Hero. After this show’s first season built to the chilling revelation that our brave heroes are actually just batteries being sacrificed to facilitate a war between eldritch superbeings, it’s been hard to feel that much enthusiasm for the Divine Tree’s sacred tasks. And as this Hero Chapter has already demonstrated, even their alleged retirement was another illusion, as Togo was nonetheless tasked with single-handedly appeasing the fires of creation, a perpetual witch burned on a perpetual pyre.

Unsurprisingly, Yuna was not going to let her best friend suffer eternally in a pit of celestial agony. Thus the contract was broken, and our team was provided the frail assurance that “Togo was simply too tough to die,” even as the seal of duty migrated from Togo to Yuna herself. What does this mean for our team? Well, I’m frankly excited to not know; after two seasons with a fairly similar structure, we are now charting unknown territory, continuing the battle both for and against the Divine Tree into an era of increasing information parity. Can the empathy Yuna and her companions bring to their duties chart a new path, an escape from either the inhumanity of the Divine Tree or the oblivion lurking beyond the wall? Let’s find out!

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Top Anime of 2025 (and Year in Review)

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Hello folks, and welcome to the end of 2025. I’m sure you don’t need me to summarize this year on a global scale; in short, shit sucks, and it’s questionable when or if things are getting better. While the damage of Donald Trump’s first term as president was limited by his own laziness and ineptitude, the collective forces of evil made sure they hit the ground running this time, and thus the America of today is already a significantly more unstable, hateful, and corrupted empire than even the one of just twelve months ago. Alongside the cruelty raining down on us from our elected officials, Trump 2.0 has also unleashed a fresh wave of cruelty from his supporters, who have declared “woke is over” and revealed themselves to be wholly constructed of belligerence and resentment.

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Witch Hat Atelier and the Cruelty of Prudence

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As we return to Witch Hat Atelier, our first title page sees our young mage bedecked in flowers, with even our adorable squirrel-caterpillar creature in attendance to celebrate the fun of an approaching festival. The intent seems clear – after the heavy, portentous drama of the last few chapters, both Qifrey and his students have clearly earned a moment of rest. Witch Hat Atelier is perfectly comfortable stretching towards fantasy action or large-scale drama, but its heart resides in the day-to-day interplay of these young witches, as both their collaborations and the manga’s distinctive realization of those actions demonstrate the inherent thrill of bettering yourself, of marching determinedly towards your next skill horizon, and of making sure to be kind to yourself and stopping to smell the roses along the way.

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Monogatari Off/Monster Season – Episode 9

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Hello folks, and welcome back to Wrong Every Time. Today we’re continuing our journey through Monogatari’s aptly named Monster Season, having just concluded the tale of the Princess Acerola’s transformation into Kiss-shot Acerola-Orion Heart-under-blade. As we discovered, that name is not just an ornate title, but also a statement of intent: from her first moment as a vampire, Kiss-shot pledged to make her violence an act of love and sacrifice, always killing with a kiss so that she might eventually extract her heart from the blade of her inherent nature.

That brief arc demonstrated Nisio Isin at his most fanciful, turning a twisted fairy tale into a reflection on how we sculpt our own identities, externalizing Acerola’s self-hatred and Deathtopia’s self-regard as reflections of their respective curses. Acerola’s journey towards valuing her continued existence mirrored Deathtopia’s path towards valuing the life of another, and with Acerola now having theoretically achieved the bond Deathtopia hoped for, I’m curious to see just what the original vampire makes of Araragi and Shinobu’s whole deal. Let’s return to the season of monsters!

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The Legend of Vox Machina S3 – Episode 12

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Hello folks, and welcome back to Wrong Every Time. Today we’ll be delving back into the adventures of Vox Machina and company, as they work to defeat the evil that they themselves kinda-sorta accidentally unleashed. Isn’t that always the way of it, though? You defeat one evil dragon, think you’ve done something good, and then some entirely other evil dragon decides to fuse itself with the corpse of your quarry, becoming a dread-creature of power beyond imagining. It’s enough to make a hero want to hang up their +2 sword and just take a load off, letting someone else save civilization as we know it for a change.

There’s certainly an inherent tension in the construction of a D&D campaign, a balance necessitated by the party’s simultaneous need for heroic validation and dramatic incentive. How do you as a DM keep going bigger while still validating the party’s prior process, telling them in the same breath “that was some glorious, consequential heroism you just did” and “also, things are now worse than ever before.” At what point do unintended consequences shift from feeling “earned through recklessness” to “inflicted by a hostile narrator,” and how do you manage that balance while both surprising and validating your party’s expectations? These are questions whose answers depend on a million factors, and which must be approached with a distinct tactic for any given player party – and that very variability is what makes DnD so endlessly interesting to me as a storyteller and game designer. No puzzle so compelling as one without a defined solution, so let’s get back to the board as we conclude season three of Vox Machina!

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Fall 2025 – Week 12 in Review

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Hello folks, and welcome back to Wrong Every Time. We’re really into the winter doldrums at this point, which I frankly at least prefer to the agonizing November period of knowing winter is right around the corner. Anticipation of a calamity tends to be more painful than the calamity itself; at this point, even though a mercilessly cold January is approaching, I can at least comfort myself with the assurance that the year’s shortest day is almost behind us. And yes, I really should have moved out of New England years ago if I hate winter this much, I am quite aware of that thank you very much. On the plus side, the cold has at least given me a perfect excuse to hole up and finish The Summer Hikaru Died, which puts me in fairly reasonable shape to reflect on the year in cartoons. And of course, there were film screenings aplenty, as we all did our best to tuck in against the hateful salvos of That Bastard Nature. Let’s run ‘em down!

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Dear Brother – Episode 13

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Hello folks, and welcome back to Wrong Every Time. Today the bells are calling from the tower of Seiren Academy, where Saint Juste is presumably even now flinging daggers at the wall, lost in a reverie of abandonment and exquisite squalor. Down below, Kaoru-no-Kimi confronts the imperious Miya-sama, their forms concealed beneath the wafting bows of the sacred elm. And all along the windows and walls, voices chatter and eyes lurk, each confrontation a feast for their ravenous peers.

So, you know, classic high school stuff. Yes, we are indeed returning to Dear Brother, and at a moment of uniquely fraught drama no less. Incensed by her heartless treatment of Saint Juste, Kaoru has called Miya-sama out, and revealed at last that Saint Juste is actually Miya-sama’s younger sister. Considering this drama’s consistent focus on lineage and propriety, I imagine that their relationship in some way echoes Nanako’s fractured family life; and given Saint Juste’s current residence inside that alienating apartment, I would assume it’s not just Miya-sama who has abandoned her. Let’s see what fresh revelations await as we return to Dear Brother!

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Frieren: Beyond Journey’s End – Episode 16

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Hello folks, and welcome back to Wrong Every Time. Today the northern road beckons, as we settle down with our trusted traveling companions for an episode of Frieren: Beyond Journey’s End. What dangers lie ahead are unknown to us, but that’s really the beauty of long journeys; the ever-shifting scenery reminds us of both the vastness and inconstancy of the world around us, its capacity for transition, transformation, and renewal. And perhaps, by letting the road carry us forward and embracing the surprises it brings, we might hope to be transformed as well.

Our last episode offered some fine opportunities for personal reassessment, as Sein took a rare leadership role within the party, and Stark learned the finer points of courtly etiquette. Stark’s assignment saw him pantomiming the past to protect the future, offering the people a false assurance of their prince’s vitality, and through doing so acquiring a key memory of his own: himself and Fern on the dance floor, turning their torturous practice into a celebration of their bond. We cannot know what treasures might lie in store, and that is precisely why we must be open to experience, with eyes scanning the horizon rather than lodged in a grimoire. You hear that, Frieren? That one was pretty pointed, I’m sure you know I’m talking about you.

Alright, let’s get to the show.

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Shoushimin Series – Episode 7

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Hello folks, and welcome back to Wrong Every Time. Today I imagine we’ll be embarking on a fresh mystery, as we join Osanai and Jogoro for another installment of the sharp, endearing, and immaculately constructed Shoushimin Series. Though our leads retain their commitment to becoming normal, they continue to prove themselves anything but, with even the simple act of sharing some cakes turning into a tense battle of wills. But hey, how else do you apply your restless intellect to a hot summer day, especially when you’ve got such a willing opponent beside you?

By winnowing this show down to its fundamentals, our last episode reveled in the profound chemistry of its leads, echoing the similarly charming duo adventures of author Honobu Yonezawa’s Hyouka. Of course, that comparison also points to the clear differences within these series – while Oreki and Chitanda find a soothing balance in their differences, Osanai and Jogoro are united by their similarly slanted perspective, their desire to bring order to a disorderly world. In their hands, a cake-centered riff on Rope becomes something like a courtship ritual, their one-upmanship demonstrating both their shared mentality and mutual respect. Shoushimin Series has many strengths, but its most fundamental is the essential truth of great romance from Toradora to Spice and Wolf to Hyouka and beyond: spending time with two well-illustrated characters who genuinely care about each other is a delight, no matter where they go or whatever they do there. Now let’s get to the case!

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Fall 2025 – Week 11 in Review

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Hello folks, and welcome back to Wrong Every Time. I’m still in end-of-year catch-up mode at this point, and am currently munching through the sunshine and cicada shells of The Summer Hikaru Died. I’m also looking to devour outstanding anime films from any era in order to furnish my year in review post, having found myself in the unique situation of doing so much writing in the preceding year that I’ve actually fallen behind on my film viewing. I checked out Inu-Oh last week and will likely finally get to The Colors Within next week, but feel free to let me know what other gaps in my education could use some addressing. In the meantime, let’s burn down the Week in Review!

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