Why It Works: Not Born to Be a Hero: My Hero Academia and the Road to Greatness

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Today I’ve got a fresh My Hero Academia article for you all, largely inspired by the show’s recent provisional license retakes, as well as Mirio and Nighteye’s additions to the story. One of the things that I feel sets MHA apart as a shonen is that in terms of temperament, Midoriya is far removed from the default “shonen protagonist,” who’s generally someone a lot more like Mirio or Yoarashi. Midoriya has to actually work to come off as inspiring, and that plays naturally into My Hero Academia’s framing of heroism itself as a source of inspiration. Anyway, here’s the piece!

Not Born to Be a Hero: My Hero Academia and the Road to Greatness

Chihayafuru S3 – Episode 17

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AW SHIT YOU GUYS THE MOMENT IS HERE. After dedicating roughly half the season to building up this year’s challenger matches, the time has finally come for Suo and Shinobu to defend their thrones. Recent episodes have revealed both the competitive strengths and clear emotional vulnerabilities of karuta’s two reigning champions, while also building up both Harada and Haruka as scrappy and profoundly sympathetic challengers.

I’m worried for both of them, frankly. Having recently lost to Chihaya, I’m not sure Haruka has what it takes to match Shinobu – and considering how badly his Arata match taxed Harada’s body, I’m not sure he’s physically capable of matching Suo, either. What this frankly might come down to is the current temperament of karuta’s two champions – whether Shinobu is currently in peak emotional form, and whether Harada’s aggressive style actually rattles Suo, or simply ends up playing into his fault-centric strategy. Both Harada and Haruka are facing much younger opponents with highly tuned physical skills; I’d like to believe experience can trump these advantages, but these are some true monsters they’re battling. I’ve hyped this fight long enough, so let’s get right into the action. IT’S TIME FOR THE MASTER AND QUEEN BATTLES!

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Keep Your Hands Off Eizouken! – Episode 4

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We’ve not a moment to lose, everyone. At this very moment, I could already be watching Eizouken’s fourth episode – it’s only the tragic necessity of offering some framing to these notes articles that keeps me from the golden glow of its animated splendor. Having already watched this episode once, it already feels like a genuine contender for the best episode of anime about the anime-creating process that I’ve ever seen. To be honest, there aren’t that many contenders – there’s one specific episode of Paranoia Agent in contention, and aside from that, the consistent excellence of Shirobako.

But while Shirobako stands as a remarkable collective love letter to the full production process, I don’t think I’ve ever seen an episode get as deeply in the weeds of cost-saving animation techniques, production compromises, and editor-animator dialogue as this, nor illustrate the final product with such tangible awe at the wonder of creating something with your own hands. Eizouken’s fourth episode might actually be its best episode yet, and I’ve run out of patience waiting to revisit it. HERE WE GO!

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Winter 2020 – Week 5 in Review

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Well damn, it looks like Wednesday has come again. I’ve got a pile of Eizouken and Chihayafuru articles coming down the pipeline, but today we’ll once again be discussing this week’s non-anime attractions, which all seemed to follow a certain theme. In general, the films I tend to watch end up falling in two broad categories: critically acclaimed films and classics I get to in Me Time, and somewhat more crowd-pleasing fare I convince my housemates to watch. This week didn’t really feature anything from column A, but column B was full of fun attractions, as we explored the wild spectrum of martial arts films!

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Why It Works: Let’s Explore the Fundamentals of a Great School Festival Arc!

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This week’s Why It Works column is pretty self-explanatory, as I use the convenient approach of My Hero Academia’s school festival arc to talk about why these festivals show up so often in anime, and what they offer to a narrative in a dramatic sense. To someone who’s watched far too much anime like me, school festival arcs are an inherently soothing experience, a comfort zone within the riling experiences of high school. But they serve more of a dramatic purpose than that, and, uh, that’s what this article is about. Here’s my piece!

Let’s Explore the Fundamentals of a Great School Festival Arc!

Keep Your Hands Off Eizouken! – Episode 3

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Alright everyone, we are bounding right back into Keep Your Hands Off Eizouken. This show’s first two episodes were both dazzling marvels of creativity and charm, simultaneously succeeding as an energetic slice of life and a loving celebration of the animation process. From its gorgeous backgrounds and fanciful dream sequences to its endearing and endlessly expressive leads, Yuasa’s latest is an embarrassment of riches on all fronts, and also about as much of a Me narrative as he could have possibly picked. I love small-scale, affectionate character stories like this, and I also love stories that directly interrogate the creative process; seeing one of my very favorite directors working on something so close to my heart is an incredible feeling. Without further ado, let’s get back to Keep Your Hands Off Eizouken!

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Chihayafuru S3 – Episode 16

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Well everyone, I believe it’s high time for some Chihayafuru. When last we left off, we’d transitioned from the rapid-fire matches of the challenger tournament to a brief training period, with all of our leads stewing in the emotional blowback of that tournament’s conclusion. With Arata having finally confessed to Chihaya, the tone of fraught but unstated romantic longing that has defined Chihayafuru for so long has at been disrupted, and even Taichi is able to tell something is different. Chihaya’s understanding of romance is basically non-existent, but Arata’s confession has already turned into a source of strength on the one field she truly cares about – when falling back into her old self-doubting patterns, it was his face that returned her to focusing on her current Suo match.

Taichi’s window to choose his own future seems to be rapidly closing, but at the moment, we’ve got a more pressing concern: Suo declaring that Chihaya isn’t allowed to be Queen. He might simply be stating the obvious fact that Chihaya doesn’t “need” to be Queen as badly as the emotionally isolated Shinobu, but given he last predicted Arata would fail, I’m not going to take his sorceries lightly. Let’s ramble on through another episode of Chihayafuru!

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Hugtto! Precure – Episode 12

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Folks, I am very excited to return to Hugtto! Precure! It’s been some time since our last episode, at least from my perspective, but I still remember it quite clearly. Hugtto’s eleventh episode was one of its strongest segments yet, elevating Hana’s relatable anxieties through isolating yet beautiful layouts, and culminating in a fight sequence that somehow embodied the terrifying, inhuman energy of an Evangelion battle. That climax ended on Hana resolving her doubts through a confident declaration of selfhood, as she refused to actually strike down her opponent, and instead chose to express herself through what she’s always done best: cheering people on, and inspiring them to reach their greatest selves.

That conclusion also served as a reiteration of Hugtto’s own themes, from its focus on finding a fulfilling path to careers and adulthood, to its insistence that we are stronger if we build each other up, rather than exploit each other for personal gain. And of course, by framing that contrast in terms of the distinction between the Precures and their corporate-themed antagonists, Hugtto also furthered its perhaps inadvertent message of “fuck capitalism.” I kinda doubt this entirely capitalism-grounded production, which is designed to sell children’s toys, is also promoting a deliberately anti-capitalist message, but hey, inadvertent subtext is also fine with me. Either way, I’m eager to see what Hana and her friends get up to in one more Precure!

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Winter 2020 – Week 4 in Review

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Alright folks, settle in for the Week in Review! Once again, the fact that I’m already writing about all the anime I’m watching elsewhere means we’ll be diving into non-animated attractions this week, as I run through David Lynch films, wuxia dramas, and a novel new war epic. I’ve got a whole film canon to catch up on, and though my journey may be rambling, I’m committed to marching through it all. Without further ado, let’s explore some new movies in the Week in Review!

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Why It Works: How Eizouken Embodies the Messy Thrill of Storytelling (Part Two)

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Today on Crunchyroll, I conclude my early breakdown of how Eizouken explores the genuine fundamentals of creating stories generally, and producing anime specifically. The show’s progression actually ended up helping me a great deal here – I was already planning on centering much of this half on how essential people like Kanamori are, and then episode four came along and basically served as a direct celebration of her talents. It’s always a joy to write about this show, and I hope you enjoy my piece. Let’s get to it!

How Eizouken Embodies the Messy Thrill of Storytelling (Part Two)