Why It Works: The Digital Arenas of Demon Slayer’s Battles

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Today on Why It Works, I explored the unique ways Haruo Sotozaki and studio ufotable bring Demon Slayer’s battles to life. It’s always a little dicey to talk about “house styles” when it comes to anime studios, since the specific individuals on any given team can vary so much, but if ufotable can be known for anything, it’d be the unique way their expansive CG department informs their action cinematography. Today’s article is all about that, and I’m eager to get to it. Here’s the piece!

The Digital Arenas of Demon Slayer’s Battles

Bloom Into You – Episode 13

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Folks, the moment has arrived. At last, we’re gearing up to explore the final episode of Bloom Into You, and see how this charmingly on-the-nose theater production plays out. Last episode saw Yuu experiencing a crucial and long-awaited turn, as she at last went against Touko’s overt wishes in order to try and make her friend embrace her own identity.

Through doing this, Yuu also neatly managed to embrace her own identity. Yuu started this series unsure of either who she currently was or who she wanted to become, with the twin pressures of her lack of romantic inclinations and lack of professional aspirations embodying each of those feelings. Touko, someone who has made a willful point of not embracing any personal selfhood at all, likely saw a lot of herself in Yuu, thus prompting her initial combined declaration of “I love you” and “please, never change your feelings for me.” But while Touko has spent this season doggedly defending her non-identity, Yuu’s insecurities were never based in any permanent or chosen truth about herself – they were just things a lot of people feel as a high schooler, and things she’s subsequently started to grow past.

While Touko was once able to use her confidence and ultimatums to make Yuu obey her (something Yuu accepted more or less willingly, given her own desire for direction), Yuu has at this point gained such confidence and determination that she’s willing to potentially sacrifice her relationship with Touko in order to help Touko grow. Though Yuu herself describes this instinct as “selfishness,” we in the audience can clearly see it as a combination of selflessness, strong determination, and love. If you really, truly believe you are working in someone’s best interests, trying to help them against their wishes is never “selfish.” If your desire to help someone is greater than your desire to stay by their side, congratulations, you’ve found love. Whether Yuu realizes that or not, I’m thrilled to see her embracing her own desires, and can’t wait to see how this performance plays out. Let’s explore the finale of Bloom Into You!

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Japan Railway Journal: Yamanote Line

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Well folks, today we’re diving into something entirely different. I normally keep things pretty anime-centric around these parts, or at least fiction-specific more generally, but today we’re branching out to something new: a video episode of the Japan Railway Journal. The Japan Railway Journal is Japan’s episodic NHK documentary on the various train lines of Japan, and today we’ll be exploring the Yamanote Line – the loop that services the Tokyo region, handling a ridiculous density of commuter traffic every single morning. And if you’d like to follow along, you can easily watch the episode yourself!

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Neon Genesis Evangelion – Episode 8

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Neon Genesis Evangelion is a terrific work of art, but it’d be a stretch to describe it as a generally “fun” show. Instead of embracing the sense of exhilaration, freedom, and power that you might expect would come with piloting a giant robot, Evangelion instead emphasizes the great terror of that experience, and the sense of shame that would compel a depressed young boy to pilot such a thing. Given that general tone, Evangelion’s eighth episode stands as a stark break from our prior journeys through anxiety and isolation and depression and betrayal. For the first time, Evangelion proposes that maybe, just maybe, action could be fun? Could be cool? Could be genuinely validating?

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Spring 2019 – Week 4 in Review

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The anime is good, folks. I may have intentionally reduced my seasonal payload to a lean and star-studded roster which is almost categorically incapable of disappointing me, but either way, the anime is good. I think this week’s episode of Carole & Tuesday was actually the show’s best yet, which is really saying something, while Demon Slayer pulled off its most impressive visual feats so far. JoJo maintained its recent string of fantastic episodes, and though Sarazanmai is getting a little repetitive, there was still plenty to appreciate in the main stage debut of its third protagonist. But you’re not here to read summaries of summaries, so let’s get to it. Here’s to one more week in anime!

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Princess Tutu – Episode 23

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Our twenty-third episode opens with a cradle viewed through bars, and a story that speaks to all of Princess Tutu’s misbegotten heroes. “Once upon a time, there was a princess who was held captive. She was imprisoned in the demon king’s castle. And with her freedom taken from her, she had no choice to dance like a puppet to the tune set by the whims of the demon king. One day, a hero came to fight the demon king, seeking to save the princess. However, there was no way the hero could win against the demon king. The hero did not know, you see, that he himself was a puppet created by the demon king.”

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Magical Girl Lyrical Nanoha A’s – Episode 4

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There’s no time to waste, folks – we’re barreling ahead with more Magical Girl Lyrical Nanoha, as our heroes face off with the Velka knights! Given this season’s previous episode was basically all tied up in exposition or board-setting, I’m hoping for some fierce battles this time, and I’m guessing I’ll get my wish.

Though there’s still plenty of the uniquely paced slice of life material that helped inform the first season’s identity, Nanoha seems to have on the whole oriented itself in a more overtly action-focused direction this season, essentially following through on the genre transformations it underwent throughout that first season. There’s no going back to “Nanoha and her familiar seek magical shards” – that wasn’t ever the natural state of the world, that was just the only context we had for it until Chrono and his associates showed up. The show’s various reveals and structural changes since then have seen it fully embracing a scifi action template, while still holding onto some of the aesthetic touchstones and (most importantly) thematic priorities of a magical girl narrative. This isn’t a story about freedom, war, technology, or any of the other things that tend to define scifi narratives – this is a story about family, and about finding a place where you can grow into your best possible self.

That said, in terms of visual style, the shift from Shinbo to Kusakawa has definitely pushed this show in an action-oriented direction, as well. Kusakawa lacks the unique sensibilities that Shinbo used to give the first season’s mundane conversations some visual allure, but he’s proven to have an excellent grasp of action cinematography, and the sequences of warriors clashing over Nanoha’s city have been some of the franchise’s most dazzling to date. Let’s see what wonders await in A’s fourth episode!

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The Woman Called Fujiko Mine – Episode 6

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Alright folks, it’s time we return to The Woman Called Fujiko Mine. This distinctive series’ last episode was mostly unusual in terms of how not unusual it was – that is, it was pretty darn close to a classic Lupin adventure, from its heavy focus on Lupin and Jigen, to its consistent portrayal of Fujiko as an unattainable prize, to its ultimately straightforward grave-robbing narrative. If it had any single thematic intent, it was to emphatically reiterate that to people like Lupin and Fujiko, the ownership of valuable objects is nearly meaningless – it is only the chase for those objects they revere, the covetous glee of wanting something precious that isn’t yours. This show has regularly contrasted that thief’s creed with various characters’ attitudes towards Fujiko herself, and in episode five, she used the power of her unattainability to spin Lupin like a little toy top. In the end, these two chases collapsed into one resolution, as the team’s need to abandon the blue peacock led to Fujiko disappearing into the sunset as well.

As fun as it was, I’ve been informed that episode is basically the only “traditionally Lupin” installment in this series. With that in mind, let’s see where Fujiko’s journeys take us next, as we navigate power, gender, crime, and much else on this thrilling ride!

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Spring 2019 – Week 3 in Review

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Hold onto your hats folks, it’s time for the Week in Review! It turns out I’m probably not going to be following that many shows this season, but what I’m lacking in range of properties, I’m more than making up in volume of rambling. All of the shows I’m watching gave me plenty to talk about this week, with JoJo pulling off one of its best episodes in months while all three of my newcomers worked to establish their own identities. I’m also appreciated the stark contrast between this season’s two heavyweights – Carole & Tuesday seems determined to embody the strength of a classic story told well, while Sarazanmai embraces creativity for its own sake, and clearly values the power of novelty and surprise. Both of them are great, and with two sturdy action vehicles aside, I’m basically just a slice of life short of a full hand. Let’s break down all the week’s highlights as we run down another week in anime!

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Why It Works: JoJo’s Bizarre Survival Guide, Part Two

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Yeap, turns out it takes more than four or five handy tips to survive in the JoJo universe. Today I returned to JoJo’s Bizarre Survival Guide, and had an altogether wonderful time pulling together a few more key rules for surviving in Araki’s wild wilderness. Let’s get to it!

JoJo’s Bizarre Survival Guide, Part Two