The Von Braun is preparing to set sail, and all likely crewmates must head to earth. In the wake of last episode’s mine defusal, the Debris Section has found itself with a new lease on life. Having leaked the footage from the event, the section is hailed as heroes, and become too politically popular to fire. That’s all that their footage accomplishes, of course – INTO is a multinational corporation, and so the revelation that they’re laying mines for their political enemies doesn’t really have any other effect. In an age where the United States already bombs civilians to take out kill-worthy targets, it’d be more fantastical for INTO to actually be harmed by this setback.
March comes in like a lion – Episode 11
March took things a little easier this week, finally giving Rei some time to rest and hang out with the Kawamotos after two straight episodes of tough matches and sisterly abuse. Of course, this is still March comes in like a lion, so that rest and relaxation was prefaced by Rei falling into a fever so deep he could barely take care of himself. But most of this episode was charming slice of life material, and again demonstrated how well the show has established its general platform. I’m happy to share some warm holiday memories with this show’s wonderful crew.
You can check out my full review over at ANN, or my episode notes below.
Platinum End, Volume One – Review
Today I dug into the first volume of the newest collaboration between Tsugumi Ohba and Takeshi Obata, which was… well, certainly a collaboration between Ohba and Obata. Obata’s art is perfectly suited to this story – while very technically refined, it also always comes off as sharp and somewhat inhuman, which is ideal for this sort of grand, faux-religious narrative. Platinum End also leans into Ohba’s strengths as a storyteller, which do exist, in spite of him being a generally misanthropic writer. Overall, it’s a pretty fun, trashy time.
You can check out my full review over at ANN.
Why It Works: Sound! Euphonium’s Tempestuous Muse, Part Two
Today I return to Euphonium for the second half of my column on Asuka Tanaka! This one offers a bunch of close reading of her scenes all throughout the second season, because why not, Asuka’s great. She’s definitely one of my favorite characters of the year, and I’m very happy Why It Works offered me a chance to explore her wonderful characterization. Asuka may be kind of a jerk, but she’s our jerk.
Why It Works: Sound! Euphonium’s Tempestuous Muse, Part Two
Nichijou – Episode 20
NICHIJOU HAS RETURNED. It feels like forever since I last watched Nichijou, but in truth, it’s only been a few days. I’m sure I’ve moaned about this before, but we’re getting to the point where just a little too much of my emotional well-being is dependent on a constant influx of new Nichijou. Without Yuuko, Nano, and the professor to keep me sane, this would have been a cold and treacherous season – after all, from the point where I’m writing this, I’m still waiting for the results of the worst election in US history. And that’s not even hyperbole! Not even close!
But politics suck and I hate them and I’ll reserve that talk for shows that warrant it. In the meantime, there are still good things in the world: seven of them, in fact. Seven episodes of Nichijou. LET’S GET RIGHT TO THE FIRST ONE.
Eureka Seven – Episode 7
Alright, back to the Gekkostate for more Eureka Seven. I’m guessing we’re still in random adventure episodes at this point, given so little of the cast has gotten much focus time yet, but that’s fine by me. Eureka Seven has established a strong platform for episodic rambling, and given the show’s enduring reputation, I assume it will probably get better over time. So let’s see what’s happening with Holland and his merry men!
Sound! Euphonium 2 – Episode 12
Sound! Euphonium’s nationals competition arrived, and it was… well, certainly not the episode anyone was expecting. But skipping the big concert altogether was only the first of this episode’s goofy tricks – we also got a series of fist bumps, an absurd confession scene, and some of the most dedicated Reina dunking the show has ever provided. This was a surprisingly light and fun episode, given the band ended up only taking home the bronze, but it also landed a strong sequence of key emotional moments near the end. We might not have gotten another gorgeous performance scene, but this episode still seemed just about right.
You can check out my full review over at ANN, or my notes below.
Girlish Number – Episode 11
Girlish Number had a kinda superfluous episode this week, mostly dedicated to building up Chitose’s sense of dread before she finally cracked. There were nice character moments here and there, but I couldn’t help but think this runtime could have have been put to better use giving us a more clear idea of Gojo’s feelings, so his final turn would actually carry some weight. Still, the episode got where it needed to go eventually, wasted minutes aside.
You can check out my full review over at ANN, or my notes below.
Fall 2016 – Week 11 in Review
Most of the shows I’m watching were pretty fantastic this week. Alright, I’m watching six shows, so we can more specifically say four of six. JoJo is nailing its final battle, Chitose is actually becoming a sympathetic character, Flip Flappers is pulling its story together, and March is drawing all possible pathos out of Rei’s anger and resentment. That’s a pretty good ratio! So yes, Euphonium may have dedicated a full episode to a nonsense conflict, and Yuri on Ice may still be a generally underwhelming sports production, but frankly, the standards are quite high this season. With all my shows having around two episodes left, this is still easily looking to be the best season of the year, and a season any year would be proud of. The coming winter may be a bleak wilderness, but let us remember: sometimes anime is good. Continue reading
Rurouni Kenshin Part I: Origins – Review
Today I reviewed the first Rurouni Kenshin live action movie, which was a generally wonderful time! I only absorbed bits and pieces of Rurouni Kenshin back in the day, but this certainly seemed to capture the spirit of what I’d seen, along with just being a generally well-composed, exciting, and surprisingly thematically rich film. As I say in the review, Kenshin mines an extremely fertile vein of thematic territory with its dawn-of-Meiji-era setting, and this film takes full advantage of that. I hope you enjoy the piece!
You can check out my full review over at ANN, or my notes below.