ERASED – Episode 7

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ERASED is back in action. After a couple of outsourced episodes that saw the show falling into “solid but unremarkable thriller” territory, this one brought the show home both in terms of staff and quality. Satoru’s childhood material is just inherently more compelling in its mood and genre space than his adult stuff, but on top of that, this episode was also full of great individual shots and a wide variety of clever cuts. ERASED’s best episodes capture a sense of nostalgia that feels far more true-to-life than the adolescent nostalgia that is anime’s usual stock-in-trade. You can really feel the crisp February air in this show, or smell the melting snow. Its aesthetic strengths are what raise it above genre territory, and I really hope they hold strong to the end.

You can check out my full review over at ANN, or my episode notes below!

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Active Raid – Episode 7

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Well, that was fast. After an unlikely episode that demonstrated Active Raid at its absolute best, we were back to the scrapheap this week, as the show rambled through what was almost certainly its worst episode so far. This episode was bad enough that I’m still not quite sure if it was intentionally bad – if the show has somehow realized its episodic drama could not be more emotionally or dramatically hollow, and is thus leaning into that in the most ridiculous way possible. But there were plenty of scenes here that basically had no purpose if you assume the show was trying to be funny, so no, this was just a really supremely terrible episode of anime.

You can check out my full review over at ANN, or my notes below!

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Blast of Tempest – Episode 1

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Blast of Tempest opens with three high school students – Aika, Yoshino, and Mashiro. Aika and Mashiro are siblings, and Aika seems to harbor some sort of resentment towards Yoshino. She immediately calls him a “con artist,” and then all three of them seem to turn to the same script, speaking of how “the time is out of joint.” Their dialect shifts from generic teenager to Shakespearian embellishment as the three alternate the final lines: “O, cursed spite. That ever I was born to set it right!”

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Winter 2016 – First Half in Review

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And suddenly, six weeks have passed. Fortunately for me, it’s actually hard to pretend the winter season has rushed by; not because the shows themselves have proceeded slowly, but because I live in goddamn New England, and so every day is an interminable march of suffering through sub-arctic temperatures and mocking snow. I hate winter, and I’d rather live in a place where it doesn’t exist, but for the moment I’m stuck here. As far as anime goes, this has actually been a perfectly reasonable season.

This seems like one of those seasons where, to an even greater degree than normally, the show quality just drops off a cliff after the second tier. In an ordinary season, there are a decent number of shows I’m not watching that people in a general sense are still enjoying – things that don’t appeal to me genre-wise, or whose writing or art style don’t gel with me, or some other quirk of preference. But this time, it seems like nearly everyone I know is watching the same shortlist of anime, and then there’s just a vast desert of nothing. But this actually doesn’t affect my viewing habits at all – I never tend to find more than half a dozen or so shows watchable, and as far as that small crop goes, as long as I have two to three shows that seem genuinely good, I’m satisfied. But it’d be far too mature of me to just say “I’m enjoying a fair number of shows for a variety of reasons,” and besides, we’ve got traditions to uphold. So let’s start at the top and ruthlessly rank this season’s claimants to the throne!

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Hyouka – Episode 17

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The grand finale has arrived! We’re finally at the last episode of the school festival arc, the school festival arc to end all festival arcs, the arc pinpointing the anxieties of young identity and self-expectations by the studio best able to make those feelings real. The episode opens with the continuation of Chitanda’s climactic radio announcement, where she makes use of all the perhaps misguided advice Irisu has given her and all the confidence she’s gained over three days of propositioning people to ask the whole school for help in catching Juumoji, and also maybe selling a few anthologies.

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The Song We Heard When We Were Young: Solanin

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“Solanin” is the correct title for this story – but I’ll get to that later. First, as these things generally go, I should lay out some context.

Written and drawn by Inio Asano when he was around twenty-four years old, Solanin is roughly as twenty-four years old as any story can be, complete with faded jeans and tacky shoes and shirts you probably should have left at college. The story’s protagonist is Meiko Inoue, a girl stuck in a job she hates a year and a half out from an aimless formal education. Her boyfriend Taneda lives in her apartment with her, not because this is a considered long-term arrangement, but because his part-time design work doesn’t pay enough to cover rent. Meiko is stressed about her work, but doesn’t see any alternatives; Taneda is supportive to a fault, but insecure about his own expectations and about what Meiko wants him to be. Together they are nervous and unsure and basically the same as any other young person who feels like this can’t be what adulthood is really like.

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Active Raid – Episode 6

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Active Raid pulled off a pretty great episode this week, indulging in some classic giant robot love and putting the show’s themes to work. It was clearly a canned genre story, but there’s nothing wrong with that, as long as the ingredients are good and they’re mixed together well. And here, the archaic but compelling nature of giant robots fit perfectly into Active Raid’s usual mix of idealism and pragmatism, offering fun dramatic highlights and plenty of melancholy thoughts on dreams and aging. It wasn’t an overwhelmingly great episode or anything, but it was heartfelt and well-told. More of this please!

You can check out my full review over at ANN, or my episode notes below.

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ERASED – Episode 6

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This week’s ERASED wasn’t a highlight, but it was still a strong episode, and perhaps most importantly it was the series’ most thematically cohesive episode yet. ERASED has been a show that more often than not rides wholly on execution to carry its general thriller narrative, but this episode connected Airi’s past to Satoru’s current circumstances and the overall climate of fear pervading this show, making a compellingly uncertain case for trust in the face of danger. In spite of being another outsourced one, this episode also worked well enough aesthetically – the red eyes remain a bit much, as I talk about in my review, but otherwise there was a solid sense of understated menace running through most of these scenes. ERASED is holding strong.

You can check out my full review over at ANN, or my notes below!

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Hyouka – Episode 16

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Episode sixteen opens with Satoshi prepping himself for his great mystery adventure. Having resolved last episode to finally come out ahead of Oreki for once, he arrives at the festival bright and early, only to see that the newspaper has already put out a call for any would-be detectives. Over at the current events club, where the next Juumaji theft is theoretically scheduled, the floor is lousy with self-confident schemers and bored sleuths. Satoshi is ready to shine in a way only he can; but then his annoying rival gets a call, and Satoshi learns he has once again been defeated. Shots are framed to avoid his face and emphasize his powerlessness, as his “that was pointless” echoes his feelings on the magic show fiasco. Satoshi may have finally decided he’s going to commit to something, but that doesn’t mean the world is willing to play along. Sometimes you just can’t win.

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A Silent Voice, Volume 5 – Review

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Dear lord this manga is good. Stepping back and looking at it, this is probably the single best media object I am currently engaging with. I guess you could make an argument for Rakugo being a more holistically impressive production, what with its gorgeous combination of direction and storytelling – but when it comes to character work, dear lord does Silent Voice blow everything else out of the water. This is a phenomenal work, every single volume continues to impress, and I am so god damn excited for Yamada’s adaptation. This is pretty much a genie-wish production here. Please, please, please be at least half as good as you could theoretically be.

Er. Anyway. You can check out my actual potentially informative review over at ANN, or the ol’ chapter notes below!

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