Anju to Zushiomaru

Posted on by

Hello friends, and welcome back to Wrong Every Time. Today I’m delighted to announce we’ll be returning to the Toei Doga film catalog, as we explore the followup to Saiyuki: Anju to Zushiomaru, also known as “The Littlest Warrior.” This film is based on a 1915 short story by Mori Ogai, which was also adapted into the acclaimed 1954 film Sansho the Bailiff. The story follows two aristocratic children who fall on hard times, and are eventually sold into slavery.

Compared to the boisterous fantasy of Saiyuki, I’m told this film is a more grounded human drama, offering plenty of opportunities for character animation flourishes like Yasuji Mori’s stunning Saiyuki sequence of Rin-Rin collapsing in the snow. I’m also told that the film’s main animators, Mori included, essentially disavowed the film right upon release, and that its themes are a dubious mix of “accept suffering and don’t seek to raise your station,” “might makes right,” and “the ruling class knows what’s best for us.” As such, I’m expecting an intriguingly lopsided viewing experience, with gorgeous character animation working in service of seriously dubious values. Let’s get to it!

Continue reading →

Dear Brother – Episode 4

Posted on by

Hello folks, and welcome back to Wrong Every Time. Today I am absolutely beyond eager to get back into Dear Brother, and at last find out however Nanako handles the imposing Sorority sisters. I’ve frankly been consumed with anticipation ever since I watched the last episode; I could try and feign some critical distance here, but the honest truth is this show has already swept me up, and I’m eager to simply know what happens next. I know, me caring about plot developments? It’s a strange affair to be sure, but Ikeda is proving herself a master of hooks and momentum, and Seiran is such a fantastical venue that it feels like anything is possible.

Last episode saw Nanako racing towards her destiny with renewed determination, as Misaki’s schemes forced her to abandon her comfortable passivity, and actually fight for her position in the Sorority. Her personal growth was accompanied by a variety of ingenious new visual tricks from Dezaki, ranging from the glimmering motes of light used to convey sunset’s glow, to the aggressive screen partitioning and negative space used to foster a sense of growing entrapment. Nanako’s already changed to such an extent that she’s unwilling to reveal her transformation to Dear Brother, but I imagine it’ll take even more calluses than that to survive the trials of Seiran. Let’s get to it!

Continue reading →

Bocchi the Rock! – Episode 4

Posted on by

Hello folks, and welcome the heck back to Wrong Every Time. Today I’m eager to dive back into the drama of Bocchi and her Kessoku Band, which most recently acquired its long-awaited singer (and prospective rhythm guitarist). And though this was a great victory for Kessoku Band at large, it was even more of a victory for Bocchi personally, who actually spearheaded the operation to get Kita into the group. By observing this new friend, Bocchi has come to realize that even extraverted people suffer from anxiety and imposter syndrome, and thus gained a touch more courage in facing her own fears.

This has all been delightful for Bocchi and the show at large in a character development sense, but I’ll admit I have a more selfish reason for cheering Kita’s arrival. After that excellent first episode band performance, I’ve been hungry for more sequences of the gang actually playing music together, and the appearance of our long-awaited singer seems like the perfect chance. Regardless, I’m sure we’ve got a charming and luxuriously animated experience ahead of us, so let’s dive back into Bocchi the Rock!

Continue reading →

Winter 2023 – Week 12 in Review

Posted on by

Hello folks, and welcome back to Wrong Every Time. Today I am at last feeling optimistic about spring’s theoretically imminent arrival; in fact, I’m actually sitting here typing this in my running shorts, waiting for the thermometer to inch its way up into the fifties. I know I really should get a gym membership or something for the winter months, but it’s just hard to beat the convenience of stepping outside my door and jogging off in whichever way I choose. Anyway, I’ve finally written up some of those recent anime I’ve been yammering about, so today you all get some thoughts on Outlaw Star and Berserk in addition to our usual cinematic ramblings. Our assault on classic anime shows no sign of stopping, either; we’re currently charging through Dragon Ball at breakneck speed, which has been both a delight in its own right, and also a welcome education in the roots of modern shonen convention. More to say on that later, but for now, let’s run down the features of the week!

Continue reading →

Rilakkuma and Kaoru – Episode 5

Posted on by

The long evenings of summer are perfect for horror movies. After the constant bustle of a day in the sun, I find little more satisfying than curling up with a spooky movie, and letting someone else deal with All The Problems for once. It’s a feeling much like sitting by a fire and looking out the window at a storm; a “grass is greener” in reverse, with only the stark alternative revealed by some window or screen allowing us to truly appreciate the security of our home. It’s perhaps not the noblest instinct to only feel secure when we see how we could have it worse, but that’s human nature for you – our first instincts are often more petty than we’d prefer, making both self-reflection and forgiveness all the more essential. 

Continue reading →

Spy x Family – Episode 16

Posted on by

Hello folks, and welcome back to Wrong Every Time. Today I’m eager to dive back into Spy x Family, and see what further madness Anya gets up to now that she’s acquired a precognitive steed. The limiting factor on Anya’s capacity for mischief has always been her tiny legs, so now that her mobility is improved by a factor of one big floofy dog, I imagine some profound chaos is in order.

Last episode seemed to mark the end of this dedicated Bond arc, so I’m guessing we’ll be returning to Anya’s school drama in force this time, and once again attempting to secure Damian’s friendship. The relatively open canvas of the school setting makes it an easy venue for episodic larks like the dodgeball episode, but I’d also be happy to dig more deeply into Damian’s situation, and give Anya some clues regarding his home life. It appears they’re setting up Damian’s home life as the inverse of Anya’s: while Anya lives with an allegedly fake family that actually love each other, Damian lives with an allegedly real family that’s utterly lacking in familial love. You all likely know I’m a sucker for that “family is who we choose to love” theme, so I’d be happy to either pick at those intricacies or just marvel at some hilarious episodic madness. Let’s get to it!

Continue reading →

The Legend of Vox Machina S2 – Episode 3

Posted on by

Hello folks, and welcome back to Wrong Every Time. Today I’m eager to return to The Legend of Vox Machina, and see how our heroes are fairing in their quest to regain the important magic doohickeys. From a point of initially, emphatically demonstrating that Vox Machina lack the strength to fight these dragons, Mercer has steadily guided the party from “we need to gather an army” (Whitestone) to “no army is willing to assist you” (Vasselheim) to “only the Vestiges of Divergence can stop these dragons” (Slayer’s Take). By splitting these directives among multiple characters and separating them by travel and trials, he’s effectively masked the inevitability of this quest, arriving at that sweet alchemy of the players collectively “choosing” to do the only thing you had written out for them anyway.

It’s a good thing I’m taking notes, as I’m at roughly the same point in my own players’ campaign. Just a few hours after I write this article, we’ll be conducting our second session since picking back up, wherein I plan to guide my party through a destroyed city and into a riff on Seven Samurai. I’m not sure my party’s feeling quite the same sense of urgency as Vox Machina, so I’m eager to see how Mercer maintains momentum and perspective as the gang wanders off on this new adventure. Let’s get to it!

Continue reading →

Winter 2023 – Week 11 in Review

Posted on by

Hello folks, and welcome back to Wrong Every Time. I hope you’re all doing well and acting suitably wary on this Ides of March, whether you’ve attracted the enmity of the Roman senate or not. Personally, I’m feeling close to the opposite of perforated with treacherous daggers: work on articles has been proceeding smoothly, our movie screenings have been largely rewarding, and my house is continuing to munch through episodes of supplemental anime in between the feature films. With Berserk now concluded, we’ve been charging full-time through Dragon Ball, and I’m thinking I’ll next add Dennou Coil into the mix. Catching up on One Piece was truly a game changer; where I once would have taken months to get through one of these personal enrichment projects, I can now happily sit down and watch through ten episodes without fidgeting. I’ll have more collected thoughts on these supplementary anime soon, but for now, let’s break down some feature films!

Continue reading →

Thunderbolt Fantasy: Bewitching Melody of the West

Posted on by

It is always a delight to return to Thunderbolt Fantasy. The production’s puppet theatrics are genuinely entrancing, and Gen Urobuchi is to my mind one of the greatest writers to ever work in anime. His stories of mankind rallying against brutal architectures of despair, be they oppressive governments or supernatural phenomenon, are always brimming with thoughtful arguments, hard-tested themes, and engaging characters. But as a show like Thunderbolt Fantasy demonstrates, Urobuchi is also perfectly comfortable outside of those questions of human nature and utilitarianism, weaving thrilling tales of swordsmen and wizards that are also enriched by his intelligence and wit.

Continue reading →

Star Driver – Episode 17

Posted on by

Hello friends, and welcome back to Wrong Every Time. Today I am basically inconsolable, as my favorite character in Star Driver has picked up roots and left for the coast, perhaps never to be seen again. That’s right, our former shrine maiden Mizuno has left Southern Cross Isle, taking my heart and her inconsistently defined spirit sister alongside her. Where I once might have hoped Mizuno would actually take over this narrative in its second half, I can now only gaze regretfully out towards her retreating ferry, clinging to the memories we shared.

All right, that’s more than enough of that. Anyways, with Mizuno and Head’s blue-haired maiden out, it would appear we’re now down to Kate and Wako as the last remaining shrine maidens. Considering Kiraboshi’s repeated attempts to recruit Sugata, I’m guessing they intend him, bearer of the King’s Pillar, to “unlock” Wako’s shrine gate, echoing their formal engagement via the island’s unique mechanical properties. Of course, given Kate has always loved Sugata and resented Wako, I imagine she has some private plans to interfere with the inevitability of Sugata and Wako as a couple; considering she herself is also a shrine maiden, I’m guessing she’ll attempt to replace Wako in some way. With fault lines widening both within and beyond Kiraboshi, I’m eager to see how the narrative evolves in this third act. Let’s get to it!

Continue reading →