It’s funny, but often the hardest things to criticize are those which are simply Nice. Not wildly ambitious in their formal construction, not instructive or at least humorous in their variable failings, but simply a very pleasant time with some likable characters. So it goes for A Tropical Fish Yearns For Snow, whose first volume charmed me utterly, while also leaving me with little to offer beyond an earnest “I just think they’re neat.” But I will try my best to explicate that feeling a little more, as we explore this gentle and charming love story.
Tsurune S2 – Episode 3
Hello folks, and welcome back to Wrong Every Time. Today we’re charging back into Tsurune in the midst of the regional tournament, with our Kazemai heroes having just secured sixteen hits in their first round. Meanwhile, old bonds and new rivalries are emerging and asserting themselves across the board, from Kaito’s reunion with his old teammates to Minato crossing paths with two separate former rivals. It’s a busy narrative stew, but in the hands of director Takuya Yamamura and his incredible team, all of these threads have been interwoven with incredible grace, conflicts often requiring no more than a pointed expression or juxtaposition of storyboarding to clarify.
Through its elegance of form, Tsurune has been consistently demonstrating how formal beauty of animation or boarding are not simply their own reward – they are tools through which novel forms of storytelling are made possible, allowing a theoretically dense narrative to come across as light and effortless. Relationships like that of Minato and Shu can be clarified with a glance and a gesture, rather than engaging in laborious and unnatural acts of exposition. A work like Tsurune demonstrates how the inherent intentionality of every drawn choice in animation can make for a uniquely resonance-rich drama, with every aesthetic element facilitating the story in its own way. Let’s see what new treasures this team offers as the tournament continues!
Thunderbolt Fantasy S3 – Episode 1
Hello folks, and welcome back to Wrong Every Time. Today I’m happy to announce our commencement of a new project, which is also technically a return to an old favorite. Having brushed up on Lang Wu Yao’s history with the altogether excellent Bewitching Melody of the West, today we’re breaking into the third season of Thunderbolt Fantasy, and seeing what the long-suffering Shang Bu Huan has been getting up to.
It certainly hasn’t been an easy pair of seasons for our curmudgeonly sword-snatcher. Thunderbolt Fantasy’s first adventure saw him handling basically all the legwork for Dan Fei’s mystical journey to the aptly named Demon Spine Mountains, all while suffering the persistent mockery of weed wizard Lin Xue Ya. Season two only ladled on more sources of frustration and indignity, ranging from that smarmy hunting fox Xiao Kuang to a sentient, malevolent sword known as the Seven Blasphemous Deaths. It’s been a bumpy ride, but also a highly entertaining one, offering dazzlingly realized battles and plenty of Urobuchi’s reliable wit. I’m sure our Edgeless Blade will have ample new troubles awaiting him this time, so let’s dispense with the recap, and dive right into Thunderbolt Fantasy’s third season!
Spring 2023 – Week 2 in Review
Hello folks, and welcome back to Wrong Every Time! Today I am typing this up in my running shorts, as spring has finally decided to grace us with its presence, and bless us with something more hospitable than sub-fifty temperatures. As much as I am loath to admit that every doctor and gym teacher I’ve ever had was right, it is undeniable that regular jogging improves how I feel both physically and mentally, and so I’ll soon be off rambling my way around the neighborhood. But before that, I’ve got a fresh collection of films for you all, with this week’s selections offering an even split of horror and martial arts cinema. Look, I know I’m predictable, but after a long day in the anime mines I frequently just want to sit back and watch something terrible happen to somebody else. Let’s see what we’ve got!
Intimacy’s Vanguard: Kaze to Ki no Uta
Modern anime convention rests upon a scaffolding that has been built up over decades, a series of aesthetic and narrative conventions established one seminal work at a time. The more I explore this scaffolding, the more I find to appreciate in modern anime; as such, I was eager to check out Kaze to Ki no Uta, the film adaptation of one of the earliest and most influential works of shounen-ai manga. The manga’s explorations of sadomasochism, incest, and other charged topics made it controversial from the start; in fact, author Keiko Takemiya’s editors waited seven years from her first conception of the story to actual publishing. And its release was a lightning bolt; a hit from the start, it would help popularize shounen-ai more generally, opening the door for manga and anime’s subsequent explorations of queer identity.
Spy x Family – Episode 17
Hello folks, and welcome back to Wrong Every Time. Today I am eager as heck to get back to the adventures of the Forger family, having finally posted enough of my existing writeups to feel justified in jumping back to the series. Spy x Family has indeed become one of those shows that I can’t help but gorge myself on given the opportunity, and thus I’ve had to ration my viewing as judiciously as possible. Well, the rationing has transpired, and at last we’re here!
Our last excursion with the Forgers proved to be Yor’s finest hour, wherein the basic gag of “Yor can’t cook” was somehow expanded into an exploration of how food, family, and memory are naturally entwined, concluding with Yor finding a crucial link between her time with Yuri and her days with the Forgers. Touching on her core anxieties, her feelings about the past, and her dreams for the future, episode sixteen offered some vital texture to Yor’s personality, while further emphasizing her thematic alignment with the rest of the Forgers.
With Yor’s anxieties assuaged and Bond settling into the family home, I imagine we’re in for some Anya adventures over at the academy. But Spy x Family is full of delightful surprises, so I’m sure I’ll enjoy whatever madness awaits. Let’s get back to the Forgers!
The Legend of Vox Machina S2 – Episode 4
Hello everyone, and welcome back to Wrong Every Time. Today I’m eager to grab my dice and roll back into The Legend of Vox Machina, wherein our party are currently facing potential tragedy in the Tomb of Purvan. Having established both our seasonal character conflict (Vax’s overprotective feelings towards his sister, and her resultant frustration), as well as the fact that we’re exploring a monument to the Goddess of Death, we concluded the last episode by entwining those two threads. Vax got fussy, Vex got angry, and one hasty tomb check later, it appears our half-elven heroine has gotten herself killed. Maybe your brother had a bit of a point, Vex?
All in all, Vox Machina’s new adventure is proceeding swimmingly. Beyond that, I’m happy to report my own house campaign is also going well, and we’ve run through three successful sessions since I last checked in. With the party traveling through a particularly post-apocalyptic territory, I ran through first a Seven Samurai-style base defense, then a good old-fashioned battledome, and finally a riverboat gambling scenario, wherein my party had to dispose of a hijacker and ford a river brimming with flesh-eating manatees (“maneaties”). All of these adventures served as experiments in encounter design – first an encounter that’s being fought on two fronts, then an encounter with limited sightlines, and finally an encounter comprising both a normal battle map and a larger ship to be navigated. All three experiments were a success, and I’m eager to apply all this new technology to future quests, but that’ll be a story for next time. For now, let’s check in with Vox Machina, and see what can be done for Vex!
Spring 2023 – Week 1 in Review
Hello folks, and welcome back to Wrong Every Time. This week we’re greeting the spring anime season, and wouldn’t you know it, there’s actually a couple shows I’m interested in checking out. Both Tengokyu Daimakyou and Hell’s Paradise look pretty interesting, and from last season I’ve still gotta catch up on Tsurune and Vinland Saga. Having concluded Dragon Ball (don’t worry, we’re covering that today), I’m also continuing my personal journey through missing classics with Dennou Coil, a show I’ve been meaning to get to literally since I first plotted out my key anime gaps almost a decade ago. And yet, among all the tumult of fresh anime and anime gone by, I still managed to fit in a fresh stack of feature films. You ready? Let’s do this. It’s time for the Week in Review!
The Demon Girl Next Door S2 – Episode 8
Hello folks, and welcome back to Wrong Every Time. Today I am eager to dive back into The Demon Girl Next Door, and at last enjoy the spoils of our hard-fought sense of genuine normalcy. After a first half-season that saw Shamiko and the gang racing through the entirety of their established conflicts, ending in both the discovery of Sakura Chiyoda and a dramatic declaration of love from Momo, it seems like things are finally calming down around Banda Terrace. Shamiko is learning to assert herself, Momo is learning to embrace vulnerability, and both of them are looking forward to a significantly less stressful fall semester.
I imagine some new conflicts will emerge to muck up all this peace and quiet, but I’d frankly also be happy to just marinate in the peace for a moment. Shamiko and Momo have been so busy accomplishing things that they haven’t really had much chance to put their new declarations into practice, and figure out how their relationship works now that they’re being so much more honest with each other. I tend to find the day-to-day practice of a relationship more interesting than the theatrics of courtship, and this production has always been uniquely perceptive when it comes to small changes in character dynamics, so I’m eager to check in on our awkward couple. Let’s return to The Demon Girl Next Door!
Yuureitou – Volume 4
It’s been six chaotic years since I last wrote about Yuureitou, yet the work is such a singular, insistent creation that jumping into it was as easy as if I’d never left. Yuureitou clearly has a few key influences, and is not afraid to bash them together in strange, sometimes even ludicrous ways, all for the sake of promoting a unique emotional or dramatic result. Part Hitchcockian thriller, part reflection on gender identity, and part grindhouse or Hammer horror, Yuureitou is happy to swing wildly between these passions at a moment’s notice, daring the audience to challenge its nature much like the manga’s characters often do. The manga buries itself in the messiness of identity, and through its meandering course exemplifies the multiplicity of our experience, the reality that we are all composed of jagged, contradictory instincts and emotions.