Anne of Green Gables – Episode 13

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Hello folks, and welcome back to Wrong Every Time. Today seems like a perfect day to fetch the wagon and set a course for Green Gables, checking in on the continuing misadventures of Anne and her unique family. In the wake of last episode’s brooch fiasco, I expect Anne and her adoptive parents to be closer than ever; having been forced to admit her own error, it appears that Marilla has perhaps embraced just a touch of humility, while also recognizing that her initial suspicions about Anne were entirely unfounded. Anne is not, as claimed, the wickedest girl Marilla has ever met – she is honest and kind and irrepressibly imaginative, and though Marilla may not understand that last virtue, she is just maybe beginning to appreciate it.

As for the production team, this episode will be reuniting us with the storyboards of Seiji Okuda, a regular Takahata/Miyazaki collaborator who also contributed a number of boards to Heidi, Sherlock Hound, and Lupin III, with a script by Anne regular Seijiro Koyama. Koyama traded off scripting duties with Takahata for a number of these early episodes, and with such reliable key staff in attendance, I expect this episode to hew closely to Takahata’s overall vision of the show. Let’s see what awaits us in Anne of Green Gables!

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The Legend of Vox Machina – Episode 11

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Hello folks, and welcome back to Wrong Every Time. Today I’m eager to return to The Legend of Vox Machina, and perhaps glean another tip or two to carry back to my own tabletop misadventures. To be honest, things have actually been moving quite smoothly in my campaign; we reached my invented capital city a few sessions ago, and the players have since then been having a great time exploring this playground of bounties, quests, and colosseum challenges I’ve built for them. I’m too much of a narrative-minded guy and too poor at improvising to provide a truly open-ended sandbox, but I think we’ve hit a good compromise between freedom and guide rails, and my individual encounter design sensibilities are improving all the time.

As for the hapless members of Vox Machina, we last left off on a moment of shocking betrayal, as Cassandra sided with the Briarwoods over her long-lost brother. It seems beyond question that this is in some part a result of the Briarwoods’ foul sorceries, but it’s nonetheless a bold play by Mercer. Within the list of Possible Complications offered in the Dungeon Master’s Guide, “the party is betrayed by a former ally” is the only entry complimented by “(use this one sparingly)”, and for good reason – if the party begins to believe they can’t trust any of the characters around them, or that established characterization might be reversed at a whim, their investment in the world will drop precipitously. That’s obviously not going to be a problem with a committed group like this, but it’s an example of a conceit where exploiting it simply to increase dramatic volume might actually provoke the opposite effect. Player investment in non-player characters is hard-earned, so think twice before you betray that trust!

Alright, that’s more than enough narrative design preamble. Let’s get back to the action!

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Endurance and Inheritance in Girls’ Last Tour

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Snow falls gently on a disused battlecruiser as we return to Girl’s Last Tour. In the years since the anime adaptation’s release, our world seems to have spun significantly closer to the future as posited by this story, with climate change, the revival of economic serfdom, and an ascendant far right all pointing towards mankind’s self-inflicted decline. Given our increasing proximity to apocalypse, I can appreciate all the more the lessons provided by Chi and Yuu: Chi’s industrious, pragmatic preoccupation with immediate tasks, Yuu’s zen appreciation for whatever life offers her. Like the heroines of Girls’ Last Tour, we possess no way of directly challenging the conditions informing our lives; whether it’s through busying ourselves with what we can do or learning to “get along with the hopelessness,” this manga seems to increasingly be providing a blueprint for navigating our modern age.

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Fall 2022 – Week 7 in Review

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Hello folks, and welcome back to Wrong Every Time. Today I regret to announce that winter has finally arrived; an oppressive chill has fallen upon New England, and I doubt we’ll be seeing a warm day for a good five or six months. I absolutely hate the cold, and am frankly not too keen on the heat, either; to be honest, the whole concept of “seasons” has always felt a little suspect to me. I suppose they’re at least useful for adding unique dynamics to fiction, but my own life doesn’t require the neat dramatic hurdle of twelve inches of snow separating me from my destination. I suppose the winter at least gives me more of an excuse to tuck in and watch movies though, and today I’ve got a fresh selection of features for you all, ranging from modern horror revivals to more goddamn Naruto. Let’s break ‘em all down in the Week in Review!

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Ganso Tensai Bakabon – Episode 4

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Hello everyone, and welcome back to Wrong Every Time. You all doing alright today? I’m personally feeling quite fine, as I’ve got the weekend right in front of me and a fresh episode of Ganso Tensai Bakabon on the plate. Charming in its comedy and absolutely jaw dropping in its art design, Bakabon is one of the strangest artifacts of ‘70s anime I’ve come across, overflowing with a level of main staff talent that basically any anime would kill for.

Thirty-odd episodes plus an opening directing by Osamu Dezaki. Art direction by the incomparable Shichiro Kobayashi. Countless other positions filled by key, lasting associates of Oshii, Dezaki, and Studio Ghibli. The more you dig into the show’s staff listing, the more you come across figures like, say, Kazuo Oga, an art designer who’s contributed background art to basically every Ghibli film. Bakabon’s credentials are preposterously impressive, boasting luminaries who’ve elevated decades of the medium’s best productions, and all of them here dedicated to the rambling adventures of a little goblin man and his accommodating family. It’s basically ‘70s Nichijou, making it almost impossible not to love. Let’s see what our gremlin father gets up to next!

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Star Driver – Episode 10

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Hello folks, and welcome on back to Wrong Every Time. Today I am beyond eager to get back to Star Driver, whose narrative is currently being invaded by a rampaging Mizuno. After appearing as a brief figure of mystery two episodes ago, this most recent episode saw Mizuno crushing hard on Takuto, forcefully inserting herself into the drama department, and ultimately revealing her status as one of Southern Cross’ legendary shrine maidens. In a mere twenty minutes, she has charged through as much personal drama and lore shakeups as took the original cast half a dozen episodes, handling it all with a wave and a smile.

As my tone might indicate, I am all for this shakeup, and can’t wait to see what Mizuno does next. In contrast with the relatively passive Wako, Mizuno seems to already be pushing Takuto out of his comfort zone, while simultaneously embodying a challenge to the conservative gender paradigm of the shrine maiden system. Her energy seems like a better match for Takuto’s own personality, and perhaps more than anything, she’s just plain fun to be around. Let’s see how Mizuno continues to resculpt this narrative, as we return to the fascinating Star Driver!

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Spy x Family – Episode 8

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Hello everyone, and welcome the heck back to Wrong Every Time. Today I’m eager to get back to Spy x Family, which most recently offered some clear strides in precisely the direction I was hoping for. My persistent complaint from the start of this production has been a relative lack of Yor interiority or agency, and episode seven provided exactly that, as Yor’s experiences with her brother informed her current advice on Loid’s parenting. Unlike Loid, Yor actually has some personal experience dealing with a young family member, and her words helped Loid realize he’d been treating Anya more as a faulty machine than a living daughter. That in turn led to Loid affirming Yor’s place in the family, as he told her to stop considering herself an outsider relative to him and Anya.

I’m very much hoping Yor follows that advice, and continues to loudly assert her own perspective. But either way, I imagine we’re in for some delightful chaos at Eden Academy, with Damien’s infatuation likely to cause even more problems than his prior anger. Spy x Family is continuing to find seemingly limitless lodes of comedy within its conceptual framework, and I’m eager to see whatever nonsense comes next. Let’s get to it!

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Fall 2022 – Week 6 in Review

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Hello folks, and welcome back to Wrong Every Time. It seems we’ve reached the halfway point of the fall season, though to be honest, most of the anime I’ve watched this season has just been more Boruto. What can I say, the Naruto world is actually pretty compelling when Kishimoto isn’t writing it, and Boruto hits with a special combination of slice of life shenanigans, grounded family drama, and occasional action flourishes that make it easy to munch through ten or twenty episodes. Of course, I’m also keeping up with One Piece and The Witch From Mercury, so I’m not entirely out of the airing anime loop, but seriously: if you liked Naruto conceptually but were disappointed by its actual storytelling, I would urge you to try out his son’s adventures. That aside, this has also been a fertile week in non-anime media, so let’s break down some fresh stories in the Week in Review!

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Narrative and Consequence

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Imagine, for a moment, the tale of Johnny Protagonist. Johnny is the son of a great martial artist, and is determined to uphold his father’s legacy. With a grand tournament approaching, Johnny sees his chance for glory at last, and trains hard to perfect the skills his father once instilled in him. In round after round, Johnny demonstrates cunning and courage, deftly defeating his opponents with one after another of his father’s legendary techniques. At last, Johnny reaches the final round, and faces off with the student of his father’s old rival. At this point, Johnny pulls a pointy hat out of his gi, says “I was actually a wizard this whole time,” and turns his opponent into a newt.

In your mind, does Johnny’s tale qualify as a satisfying story? If expanded to the length of a novel or television series, would you feel like Johnny’s wizard reveal was a meaningful payoff for the time you’ve invested in this character, and the challenges you’ve seen them overcome? Do you feel satisfied by that relationship between exertion and result, and are you sufficiently hooked on Johnny’s world to wish to follow his continuing adventures?

Buckle up, folks. Today we’re talking narrative and consequence.

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Bodacious Space Pirates – Episode 23

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Hello everyone, and welcome back to Wrong Every Time. Today we’re steering our ship towards Bodacious Space Pirates, which most recently introduced the threat of genuine pirate hunters to harass our intrepid heroes. This was all quite surprising, considering pirates don’t actually engage in any sort of illegal business; they’re basically a combination of traveling entertainers and high-stakes couriers, with all of their missions approved by a central authority.

As such, it’s hard to say who would have a vendetta against any pirates, much less the concept of modern-day piracy in general. And on top of that, we’ve now got some weirdo warping in while standing on top of his spaceship, in full cross-armed Gunbuster array. Bodacious Space Pirates has generally taken care to partition the tone of its various core elements; the lighthearted high school drama doesn’t undercut the grounded scifi worldbuilding, and vice versa. But a dude standing on top of a ship doing sentai poses feels like a traveler from a more super robot-informed universe, and so I’m eager to see how he slots into our existing configuration. Let’s see how this confrontation plays out in a fresh Bodacious Space Pirates!

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