Tag Archives: Anime

Yuri is My Job! – Episode 8

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Hello folks, and welcome back to Wrong Every Time! Today I’m eager to stop back in at Cafe Liebe, as our salon employees prepare for the upcoming Blume election. With Hime and Mitsuki having reestablished their friendship, our focus has turned to Hime’s friend Kanoko, who is tentatively confronting her fear of the admittedly intimidating Sumika. Of course, what Kanoko seems to perceive as “gyaru delinquency” is really just an expression of confidence in self; Sumika is happy with who she is, and thus does not feel compelled to mold her personality into precisely one internally coherent shape.

To our gallery of anxious and performance-bound heroines, Sumika’s confidence feels pretty close to a superpower. Hime knows how to please others, but her performance is not authentic to her actual feelings, which she generally keeps tightly buried. Mitsuki only knows how to commit herself to clearly defined tasks, and uses the formalized language of Cafe Liebe to substitute for her lack of casual conversational aptitude. And Kanoko can barely talk at all, only feeling comfortable expressing herself with Hime, and even there hiding the actual nature of her feelings.

Compared to them, Sumika’s comfort in her own skin and unapologetic embracing of her hobbies must indeed feel intimidating – for she has discovered the secret lying beyond the horizon, and understands that all of this adolescent performative roleplaying is only useful insofar as it leads you to a satisfying, authentic self. Fuck the haters, find your people, and let the rest take care of itself. Now let’s get back to the show!

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Blue Reflection Ray – Episode 7

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Hello folks, and welcome back to Wrong Every Time. Today we’re returning to the tangled drama of Blue Reflection Ray, a fact I announce with some trepidation, given the show’s recent turn towards genuinely harrowing personal drama. Princess Yuki’s experiences with online abuse served as a thoughtful exploration of both the promise and dangers of seeking community online, effectively capturing the contradictions of socializing in online spaces. For the many people feeling isolated in our increasingly atomized modern world, online communities are a crucial lifeline – but crowdsourcing your sense of self-worth is an incredibly fraught gambit, thus necessitating the forging of genuine, intimate connections like Yuki’s bond with Miyako.

Then we got into Niina’s story, which has proven even more devastating. Abused by her mother and eventually cast out on the street, Niina had lost all hope for the future when she was discovered by Hiori’s sister Mio, and drawn into the company of the red reflectors. Could any promise our team might offer sound like anything but fanciful, naive lies to one so mistreated by life? Regardless, I’ve been thoroughly impressed by Blue Reflection Ray’s refusal to pull its punches, and can only hope better things lie ahead for poor Niina. Let’s get to it!

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The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You – Episode 12

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Hello folks, and welcome back to Wrong Every Time. Today we return to the amorous battlefield of 100 Girlfriends, having crossed into a brave new world from which I can see no hope of return. I had really thought Kusuri was going to define the peak of lunacy for this show, but “Rentaro rescues Hakari from her mother by agreeing to also date said mother” has outdone her and then some. I am sorry Rikito Nakamura, I was clearly unfamiliar with your game.

With Hahari now adopted into the Happy Rentaro Family, I imagine this new threshold of insanity will be subsumed into the group’s general dynamic with preposterous efficiency. Fortunately, there’s always the post-girlfriend cooldown episode to celebrate what some specific new arrival brings to the team, so buckle your seatbelts, folks. Will Rentaro dating both Hakari and her mother somehow illustrate this show’s general emphasis on open communication and attending to your partner’s feelings? I really can’t see how, but this production is nothing if not surprising, so let’s get back to the madness and find out!

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Winter 2025 – Week 13 in Review

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Hello folks, and welcome back to Wrong Every Time. This week saw me finishing up Persona 3 Reload, after first attempting and failing to finish the original game back in 2008 or so. I had a fine enough time with it on the whole, though in retrospect, it probably wasn’t a great idea to play this directly after Metaphor: Refantazio. Metaphor demonstrates Atlus’ powers at their current peak, polishing and innovating on Persona’s framework in both a mechanical and narrative sense; in contrast, 3 feels dated compared to its successors, its core loop less embellished with variations, its narrative wandering and poorly structured. Nonetheless, there’s a core appeal to Persona’s make friends->build Pokemon->make more friends->build stronger Pokemon loop that remains one of the most addictive compulsions in game design, and I did appreciate 3’s clarity of thematic focus, even if it was kinda lacking in the human element that made 4 and 5 so special. Also, movies! We ran down a pile of movies this week, so let’s get to those!

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Mezzo Forte – Episode 1

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Hello folks, and welcome back to Wrong Every Time. Today we’re checking out another unique artifact of anime history, from a creator with a truly singular career track: Mezzo Forte, the two-episode turn-of-millennium OVA directed by Yasuomi Umetsu.

Umetsu has jumped between production studios frequently throughout his career, serving as animator and character designer for a variety of productions before making his directorial debut with the exceptional “Presence” segment of Robot Carnival. That sequence is Umetsu at his best, demonstrating his distinctive, detailed style of character art alongside his exuberant, almost gaudy approach to color design. Since then, Umetsu has proven himself an exploitation cinema auteur, with his on-hands approach to every aspect of production marking works like Kite and Wizard Barristers as indelibly his. There is a solemnity and playfulness in Umetsu’s work, but these instincts share space with prominent threads of indulgent erotica and chaotic action; it is little surprise that Tarantino loves his work, and even less of one that Tarantino has not been able to win him a cultural reassessment on the scale of Battle Royale.

All of this is to say that Umetsu embodies the distinctive strangeness of anime as a medium, a man wholly dedicated to his grindhouse vision, and whose talent in design, direction, action staging, and animation are so undeniable that his works carry his obsessions into the spotlight. Whether they flatter my genre wheelhouse or not, I am always eager to expand my understanding of anime’s true originals, and Umetsu emphatically qualifies. Let’s see what awaits us in Mezzo Forte!

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Big Windup! – Episode 16

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Hello folks, and welcome back to Wrong Every Time. We report to you now from the first round of the summer tournament, where the top-seeded team and last year’s winners Tosei are facing off against the largely unknown Nishiura, whose roster appears to consist of largely freshmen players. Predictions weren’t calling for much of a competition today, but you know what, I gotta hand it to these Nishiura newcomers – whether it’s Tosei’s star pitcher Takase showing some nerves or whatever you’d call it, the freshmen are really putting up a fight.

We’re now at the top of the second inning, with Nishiura once again mounting a strong offensive in the face of Takase’s pitching. That said, the real story of this game might well be Nishiura pitcher Mihashi Ren, who knocked Nishiura out of the first inning in six pitches flat. Could that simply be beginner’s luck, or are we witnessing the first prelude of a new dynasty? Regardless, it’s turning into an all-out slugfest as both teams grapple for first blood. Let’s get back to it!

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Yuki Yuna is a Hero (Washio Sumi Chapter) – Episode 5

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Hello folks, and welcome back to Wrong Every Time. Today we are returning to a scene of great and senseless tragedy, as we check in on Togo and Nogi in the wake of their partner Gin’s heroic sacrifice. With both of her allies incapacitated and a squadron of vertices approaching the divine tree, Gin did what she’s always done: take the burden entirely on herself, fighting and dying so that the people she loves could be safe. That same selfless instinct that made her such a caring older sister and fixture around town was here ruthlessly exploited, manipulated so that she might become fuel for beings beyond our comprehension.

That’s pretty much how it goes in Yuki Yuna is a Hero. The series has consistently emphasized how personal kindness and a sense of communal responsibility are exploited by our overseers, perverted into jingoistic nationalism and an utter denial of the self. True heroism always reveals itself on the personal or local level, in the actions of Yuna’s hero club, or in the concern Gin extends towards her neighbors and loved ones. But when such generosity of spirit is directed towards god or country, it is instantly corrupted, framed instead as emotional weakness ripe for exploitation. Whether it’s a government, religion, or the eldritch conflation of both that is the divine tree, loyalty to such distant icons is where our inherent goodness goes to die – and today, an extraordinarily decent person was killed just so, in service to a deity that has no conception of morality whatsoever. Let us see how our survivors are faring, as they struggle in service of the centralized, amoral beast at the heart of the modern world.

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Galaxy Express 999 – Episode 8

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Hello folks, and welcome back to Wrong Every Time. Today I am eager to hop back aboard the Galaxy Express 999, whose recent cliffhanger has left Tetsuro kidnapped by the mysterious Ryuz. Curiouser still, it appears that Maetel possesses some knowledge of this woman; Ryuz explicitly stated that Maetel was “beyond her grasp,” and though Maetel attempted to dissuade her, she ultimately put up little resistance to Ryuz’s kidnapping of our poor boy.

What all of this means is still a mystery, largely owing to our fragmentary understanding of Maetel herself. It’s clear she is connected with the Galaxy Express’ parent organization, most likely an heir of its manager or creator, and that she is herding Tetsuro towards some ominous secondary objective. The fact that Ryuz couldn’t claim her could point to her political importance, her secretly metal body, or something else entirely; regardless, I am perhaps most intrigued to further explore Ryuz’s time-distorting powers, which offer an interesting counterpoint to the story’s prior thoughts on time. We have mostly focused on the loneliness of eternal life within a metal shell, but the brevity of a human life offers its own sort of terror, particularly given the absurd scale of space travel. So is it more tragic to embrace such a brief flicker of existence, or to be the one left to mourn the passage of those who do? Let’s find out!

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Frieren: Beyond Journey’s End – Episode 9

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Hello folks, and welcome back to Wrong Every Time. Today I’d like to return to the ramblings of Frieren and her companions, as we arrive at the presumed conclusion of our party’s battle with Aura the Guillotine and her duplicitous envoys. This arc has frankly not been Frieren at its best; dubious thematic implications aside, enemies that are simply “born evil” do not result in interesting drama. There is no motivation to tease into there, no grappling with the infinitely complex range of conflicts that can pit multifaceted characters into mortal combat without a clear sense of right and wrong. And what’s more, such enemies do a discredit to the heroes they face, forcing them into the frustrating moral binary of “either I execute these creatures mercilessly or I am simply a naive fool, hoping for a redemption that is beyond their fundamental nature.”

It’s a rough storytelling choice, one entirely lacking in the nuance that has characterized Frieren’s exploration of nostalgia and finding purpose in life. My only consolation is that, in spite of the author directing her demons to explicitly state “we are evil and there’s nothing else to it,” their general actions have clearly demonstrated they actually do have personalities, individual values and passions that define them. Truly “driven by pure malice and nothing else” characters are actually kind of hard to write, being so far from the genuine experience of any human being who has ever lived. Thus Frieren’s insistence that they be exterminated feels frequently undercut by the text, either intentionally or accidentally implying it is not that her world runs according to ‘70s DnD logic, but that she herself has embraced a conveniently simplistic perspective that doesn’t actually account for the world’s complexities. That’s of a piece with Frieren’s overarching personality, and it is the main hope I cling to as we return to the field. Let’s get to it!

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Hugtto! Precure – Episode 48

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Hello folks, and welcome back to Wrong Every Time. Today we stand on the precipice of eternity, as Hana fights to overcome George’s machinations and restore hope for the future. Having been aided in this battle by not just her Pretty Cure companions, but also the former employees of Criasu Corp, her struggle has embodied the promise of personal reinvention, that an unhappy past not define our future, and that people of all ages are capable of shedding their fetters and seeking what is truly most important. Pupple and her companions, Gelos and her beloved butlers, Traum, Risutol, Bishin – though all once believed their best days were fading memories, all were lead by Hana to see that there is still so much beauty in the world, and so much left to look forward to.

And now, there is only George. A man who appears to have taken all of humanity’s suffering on his back, and who sees the only way to maintain happiness as preserving it in amber, sealing our happy moments in stasis as in a picture, or the paintings he loves so much. George has at times represented the paternalistic misogyny facing women in society, the anonymous cruelty of placing your corporate underlings in brutal competition, or the simpering smile promising escape from destitution through wage slavery. Here at the end, those faces merge into one cold promise, a seemingly compassionate assurance that nothing will ever be better than it is now, so you might as well make the good times last. Through struggle and self-doubt, Hana has refused to give up hope for the future, and I don’t think she’s stopping now. Let’s fight for a brighter tomorrow!

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